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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

World Youth Day with polyphony and chant!

Christopher Mueller · April 12, 2016

WYD_Sydney Pilgrims at the 2008 World Youth Day, held in Sydney, Australia ANY of you know that World Youth Day is an event convened every 2-3 years, where high school and college-aged kids and young adults from all over the world gather in some large international city for a week, to celebrate Mass, meet the Pope (or at least be near him), and grow in their faith. This event is huge – millions of young people convene every time it happens! In fact, World Youth Day 1995 in Manila held the record for the largest-ever papal event, when over five million pilgrims gathered for Mass with Pope St. John Paul II. (That record was recently broken when Pope Francis celebrated a Mass for over six million people… in Manila!)

This summer World Youth Day will be held in Krakow, Poland, and I have the honor of having been invited to conduct all the music at the English-language Masses! There are so many English-speaking pilgrims that these Masses will be held in a giant stadium. There will be a morning Mass each day, for five consecutive days.

Additionally, my family, which sings polyphony and chant together as the Mueller Family Schola, has been invited to give a concert as one of the cultural events that take place each evening at this enormous gathering. And my wife and kids will not only be present for our concert, but they’ll be joining me to sing at all the Masses I’ll be conducting as well.

One of my goals is to incorporate polyphony and chant into every Mass. I think it would be amazing to set a kind of liturgical template that youth from all over the world would take back to their parishes. “We heard all this beautiful music at the Masses in Poland – can’t we have that same music at our own church?” I’ve been working closely with Dominican Friars from the United States and Poland as we carefully plan all these liturgies. And we expect a pretty big choir!

But here’s where I need your help:

In order to direct the wonderful music this July in Krakow, my family and I first have to get to Krakow. And so I’m asking if you would support our Kickstarter campaign, to help us raise enough funds to bring gorgeous polyphony, beautiful chant, and ourselves to Poland. We would be very grateful for your help, and we promise to pray for you unceasingly in our gratitude!

Thank you for your kind consideration and for your support —

Chris Mueller and the Mueller Family Schola

Please feel free to forward our campaign to anyone who may be interested. For more about the Mueller Family Schola, see our previous post on CCWatershed.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Christopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

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  • “Music List” • 5th Sunday of Easter (Year C)
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