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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Society for Catholic Liturgy Conference 2015

Fr. David Friel · August 30, 2015

OR THE 20TH TIME, the Society for Catholic Liturgy will sponsor a conference dedicated to the sacred liturgy. This year, it will be held in New York City and will feature a keynote address by Archbishop Salvatore Cordileone (who was in NYC earlier this year to address the Sacra Liturgia USA conference). Registration is now open.

The theme for this year’s conferece is “The Liturgy: It Is Right and Just.” In addition to his keynote address at the Union League Club (38 East 37th Street) on October 1, Archbishop Cordileone will also celebrate a Solemn Pontifical Mass in the Extraordinary Form on October 2 at 9 AM in the Basilica of St. Patrick’s Old Cathedral (Mott Street, between Prince & Houston). This Mass will feature an excellent, sixteen-voice choir.

The lectures on Friday on Saturday will be given at the Sheen Center for Thought and Culture (18 Bleecker Street). Among the speakers are the following:

Dr. William Mahrt, of Standford University & CMAA President, who will discuss how the various styles and hierarchies of Gregorian chant melodies coordinate with the action of the liturgy

Dr. Michon Matthiesen, of the University of St. Mary, will explore the nature of the act of liturgical worship in terms of the virtue of justice

Fr. Uwe Michael Lang, a priest of the Oratory of St Philip Neri in London, Lecturer in Church History at Heythrop College, and editor of the journal Antiphon, who will assess the central importance of the Last Supper tradition for the shaping of the early Christian Eucharist

The conference will also offer a pastoral track, featuring practical workshops for parish and diocesan personnel. Topics will range from music to art to the ars celebrandi, including the introduction of chant to a parish and the training of altar servers.

As a member of the Society for Catholic Liturgy, myself, I highly encourage those who are able to participate in these three days of learning, prayer, and camaraderie. For more information about the conference schedule, and to register, click HERE.

OUNDED in 1995, the Society for Catholic Liturgy is a unique organization that brings together faithful Catholic scholars and artists from around the world to recover, discuss, and promote the rich liturgical tradition of the Church. The Society holds an annual three-day conference and publishes Antiphon: A Journal for Liturgical Renewal, which deals with important theoretical and practical questions in the fields of liturgy and sacramental theology.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Reform of the Reform, Society for Catholic Liturgy, William Mahrt Gregorian Chant Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“It is required of a man that he should share the passion and action of his time at peril of being judged not to have lived.”

— Oliver Wendell Holmes

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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