• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Vesting Prayers • Part 8 of 9

Fr. David Friel · August 23, 2015

HIS WEEK concludes our look at the vesting prayers, which accompany each of the priestly vestments worn at Holy Mass. Today we turn our attention to the chasuble.

This vestment, which is worn over the alb, cincture, & stole, has a long history. Like many other vestments, the chasuble is closely linked with the garb of ancient Rome. It is the most visible, and often the most ornate, of the priestly vestments.

Chasubles are worn only for the celebration of Mass, not during other Sacraments or devotions. In some places, it is common for concelebrating priests to forgo wearing a chasuble; if a chasuble is available, however, it should always be worn. Moreover, wherever concelebration occurs frequently or with large numbers of priests, it is laudable that an adequate supply of chasubles should be maintained.

Here follows the prayer to be offered as the priest vests with the chasuble:

Domine, qui dixisti: Iugum meum suave est et onus meum leve: fac, ut istud portare sic valeam, quod consequar tuam gratiam.

O Lord, Who said: My yoke is easy and My burden light; make me so able to bear it that I may obtain Thy favor.

This beautiful, short prayer is a direct reference to the Letter to the Colossians, wherein St. Paul exhorts us: “Above all these things, put on charity, which is the bond of perfection” (Colossians 3:14). Thus, the symbolism of the chasuble is the virtue of charity, which is literally “put on” over all the other vestments. Like the maniple, the chasuble is also a reminder to the one who wears it of the hardship entailed by the Gospel (cf., 2 Timothy 1:8).

There are, of course, many different styles of chasubles. The two major styles are the Roman and the Gothic. Roman chasubles, sometimes called “fiddlebacks” because of their shape, closely resemble the yoke worn by animals and alluded to in the above vesting prayer. Gothic chasubles, meanwhile, are said to symbolize the overflowing charity to which the prayer alludes. Both charity and the bearing of the yoke of Christ are requirements of authentic Christian life.

N CONCLUSION, the vesting prayers are a gift to us from the tradition of the Church. Their recitation is a pious practice which I highly recommend to all my brother priests. In these prayers, I have found a rich source for meditation and worthy preparation for the sacred liturgy.

Fr. Mauro Gagliardi, consultor to the Office for the Liturgical Celebrations of the Supreme Pontiff, says it well:

While it is possible to use different prayers, or simply to lift one’s mind up to God, nevertheless the texts of the vesting prayers are brief, precise in their language, inspired by a biblical spirituality and have been prayed for centuries by countless sacred ministers. These prayers thus recommend themselves still today for the preparation for the liturgical celebration, even for the liturgy according to the ordinary form of the Roman Rite.

I have witnessed the powerful effect of a priest who sets the tone by silently praying his vesting prayers. While visiting a priest friend some time ago, I had the opportunity to watch him prepare for daily Mass in his parish’s sacristy. It was a memorable experience for me, because I was confronted with the thought of how much more calm and prayerful his sacristy was than my own. The lectors, servers, and sacristan in his parish knew that Father was praying, and they instinctually decided that they should follow suit. Since that time, I have tried to set a similar example in my preparation for Holy Mass.

Too often, sacristies are places of hustling, bustling, and distraction. The sacristy should instead be a place of silence, focus, and prayerful preparation. As the GIRM states:

Even before the celebration itself, it is commendable that silence to be observed in the church, in the sacristy, in the vesting room, and in adjacent areas, so that all may dispose themselves to carry out the sacred action in a devout and fitting manner. (GIRM #45)

Similar advice comes to us from a sermon of Saint Charles Borromeo:

A priest complains that as soon as he comes into church to pray the office or to celebrate Mass, a thousand thoughts fill his mind and distract him from God. But what was he doing in the sacristy before he came out for the office or for Mass? How did he prepare? What means did he use to collect his thoughts and to remain recollected?

What better means could a priest use to prepare for the sacrifice of Calvary than to offer these vesting prayers, handed down to us through the tradition of the Church?

Part 1 • Introduction

Part 2 • The Hand Washing

Part 3 • The Amice

Part 4 • The Alb

Part 5 • The Cincture

Part 6 • The Maniple

Part 7 • The Stole

Part 8 • The Chasuble

Part 9 • The Dalmatic

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditional Catholic Vestments, Vesting Prayers Last Updated: March 29, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

Recent Posts

  • The Lerner philosophy of parish music: practical solutions to impractical problems
  • Gregorian Chant Academy Free Workshop
  • Cardinal Heenan Speaks About Monsignor Knox
  • An Arranger’s Walkthrough of “King’s Weston” (PDF & MP3 Downloads)
  • Now Online! • “Rare Latin + English Missal” (Burns and Oates, 1961) — 1,737 pages

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.