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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vesting Prayers • Part 8 of 9

Fr. David Friel · August 23, 2015

HIS WEEK concludes our look at the vesting prayers, which accompany each of the priestly vestments worn at Holy Mass. Today we turn our attention to the chasuble.

This vestment, which is worn over the alb, cincture, & stole, has a long history. Like many other vestments, the chasuble is closely linked with the garb of ancient Rome. It is the most visible, and often the most ornate, of the priestly vestments.

Chasubles are worn only for the celebration of Mass, not during other Sacraments or devotions. In some places, it is common for concelebrating priests to forgo wearing a chasuble; if a chasuble is available, however, it should always be worn. Moreover, wherever concelebration occurs frequently or with large numbers of priests, it is laudable that an adequate supply of chasubles should be maintained.

Here follows the prayer to be offered as the priest vests with the chasuble:

Domine, qui dixisti: Iugum meum suave est et onus meum leve: fac, ut istud portare sic valeam, quod consequar tuam gratiam.

O Lord, Who said: My yoke is easy and My burden light; make me so able to bear it that I may obtain Thy favor.

This beautiful, short prayer is a direct reference to the Letter to the Colossians, wherein St. Paul exhorts us: “Above all these things, put on charity, which is the bond of perfection” (Colossians 3:14). Thus, the symbolism of the chasuble is the virtue of charity, which is literally “put on” over all the other vestments. Like the maniple, the chasuble is also a reminder to the one who wears it of the hardship entailed by the Gospel (cf., 2 Timothy 1:8).

There are, of course, many different styles of chasubles. The two major styles are the Roman and the Gothic. Roman chasubles, sometimes called “fiddlebacks” because of their shape, closely resemble the yoke worn by animals and alluded to in the above vesting prayer. Gothic chasubles, meanwhile, are said to symbolize the overflowing charity to which the prayer alludes. Both charity and the bearing of the yoke of Christ are requirements of authentic Christian life.

N CONCLUSION, the vesting prayers are a gift to us from the tradition of the Church. Their recitation is a pious practice which I highly recommend to all my brother priests. In these prayers, I have found a rich source for meditation and worthy preparation for the sacred liturgy.

Fr. Mauro Gagliardi, consultor to the Office for the Liturgical Celebrations of the Supreme Pontiff, says it well:

While it is possible to use different prayers, or simply to lift one’s mind up to God, nevertheless the texts of the vesting prayers are brief, precise in their language, inspired by a biblical spirituality and have been prayed for centuries by countless sacred ministers. These prayers thus recommend themselves still today for the preparation for the liturgical celebration, even for the liturgy according to the ordinary form of the Roman Rite.

I have witnessed the powerful effect of a priest who sets the tone by silently praying his vesting prayers. While visiting a priest friend some time ago, I had the opportunity to watch him prepare for daily Mass in his parish’s sacristy. It was a memorable experience for me, because I was confronted with the thought of how much more calm and prayerful his sacristy was than my own. The lectors, servers, and sacristan in his parish knew that Father was praying, and they instinctually decided that they should follow suit. Since that time, I have tried to set a similar example in my preparation for Holy Mass.

Too often, sacristies are places of hustling, bustling, and distraction. The sacristy should instead be a place of silence, focus, and prayerful preparation. As the GIRM states:

Even before the celebration itself, it is commendable that silence to be observed in the church, in the sacristy, in the vesting room, and in adjacent areas, so that all may dispose themselves to carry out the sacred action in a devout and fitting manner. (GIRM #45)

Similar advice comes to us from a sermon of Saint Charles Borromeo:

A priest complains that as soon as he comes into church to pray the office or to celebrate Mass, a thousand thoughts fill his mind and distract him from God. But what was he doing in the sacristy before he came out for the office or for Mass? How did he prepare? What means did he use to collect his thoughts and to remain recollected?

What better means could a priest use to prepare for the sacrifice of Calvary than to offer these vesting prayers, handed down to us through the tradition of the Church?

Part 1 • Introduction

Part 2 • The Hand Washing

Part 3 • The Amice

Part 4 • The Alb

Part 5 • The Cincture

Part 6 • The Maniple

Part 7 • The Stole

Part 8 • The Chasuble

Part 9 • The Dalmatic

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditional Catholic Vestments, Vesting Prayers Last Updated: March 29, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

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