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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for July 2015

Jeff Ostrowski · July 22, 2015

Musical Resources • 9th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

Jeff Ostrowski · July 21, 2015

Fr. Carlo Rossini Is Wrong About “EU”

You can sleep soundly at night, knowing how to correctly pronounce “hagióque pnéumate.”

Jeff Ostrowski · July 21, 2015

Fr. Robert E. Barron To Be Made A Bishop!

Three new auxiliary bishops for Los Angeles!

Dr. Lucas Tappan · July 20, 2015

Should Children Have To Audition?

There is a proper balance between an impossibly hard formal audition and the usual “any child can join” policy that exists in the typical parish children’s choir.

Andrew Leung · July 20, 2015

Videos • Bishop-Elect Robert Barron on the Liturgy

People should not be coming to Mass for the emotional high

Jeff Ostrowski · July 20, 2015

Is Renaissance Music Too Expressive For Holy Mass?

“To thee do we send up our sighs, mourning and weeping in this valley of tears.”

Jeff Ostrowski · July 20, 2015

“Sacred Vs. Secular Music” • Fr. John C. Selner

“…like man, Mary, you are IN—really cool among women.”

Fr. David Friel · July 19, 2015

Vesting Prayers • Part 3 of 9

The Amice

Andrew Leung · July 18, 2015

Summer Sacred Music Workshop 2015

Summer Sacred Music Workshop in Jasper, GA, on August 15.

Veronica Brandt · July 18, 2015

Warm ups

Starting off choir practice with a game or two. Then a prayer before choir practice.

Jeff Ostrowski · July 18, 2015

Church Needs “Disposable Art” Created To Last “Not Centuries, But Weeks (Or Hours).”

Fr. Robert W. Hovda argues that “Little Green Apples” can be sung during Mass.

Richard J. Clark · July 17, 2015

Carpeting Is the Enemy of Congregational Singing

The removal of carpeting is the most effective way to improve many aspects of the liturgy. Externally, what benefits most is congregational singing.

Jeff Ostrowski · July 16, 2015

Is Latin Impossible For Choirs?

When priests came into Bishop Trautman’s office asking permission, he would start speaking Latin to them.

Andrew Leung · July 16, 2015

Afterthoughts on the Colloquium

Some afterthoughts on the Sacred Music Colloquium XXV

Jeff Ostrowski · July 16, 2015

Musical Resources • 8th Sunday after Pentecost (Extraordinary Form)

“The master in this Gospel is praising, not the wrongful act of the unfaithful steward, but the peculiar astuteness with which he makes friends who will be useful when things go amiss.” (Maredsous N. T.)

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

Recent Posts

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  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”

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