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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jaw-Dropping Liturgical Manuscripts (7,055 Pages)

Jeff Ostrowski · April 6, 2015

998 Holy Sacred MSS HY DO WE LOVE our liturgical history? Does this love of ours truly make us “partakers of idolatry,” as the founder of the Mundelein Liturgical Institute recently asserted?

I don’t believe so. Our desires are natural and pleasing to God. We wish to pray using the exact same words—on the exact same days—as so many saints did. 1

Many now recognize that the innovations of Bugnini’s Consilium have impoverished the Roman Rite and were not faithful to the decrees of Sacrosanctum Concilium. This is due in large part to the internet, which has made available ancient manuscripts. Catholics can now see with their own eyes the antiquity of our liturgy.

Download 7,055 pages of ancient manuscripts below. They were made available 2 by Heinrich Heine University, and you can obtain high resolution versions by searching. The EF liturgy matches these manuscripts 98% of the time; whereas the OF liturgy sometimes 3 does not match.

Whenever possible, we have an obligation 4 to provide excerpts of ancient manuscripts for our choirs and congregations. Remember, the books below are just the tip of the iceberg!


MS-D-1 • Sacramentary … circa 867AD

506 pages.   Click here for a screenshot showing part of a page. That green circular thing is the famous “Vere Dignum Et Justum Est” monogram.


MS-D-3 • Missale … circa 955AD

621 pages.   Click here for a screenshot. Notice the drawing of Saint Augustine, as well as the famous monogram featured in the Jogues Lectionary.


MS-D-5 • Missale … circa 1507AD

267 pages.   Click here for a screenshot.


MS-D-6 • Cistercian Graduale … circa 1173AD

377 pages.   Click here for a screenshot.


MS-D-10A • Graduale … circa 1285AD

436 pages.   Click here for a screenshot.


MS-D-10B • Book of Hours … circa 1466AD

285 pages.   Click here for a screenshot.


MS-D-11 • Graduale … circa 1372AD

1,397 pages.   Click here for a screenshot.


MS-D-12 • Graduale … circa 1424AD

705 pages.   Click here for a screenshot.


MS-D-14 • Antiphonale/Graduale (Winter Section) … circa 1573AD

439 pages.   Click here for a screenshot.


MS-D-19 • Cistercian Graduale … circa 1491AD

317 pages.   Click here for a screenshot.


MS-D-20 • Graduale … circa 1507AD

241 pages.   Click here for a screenshot.


MS-D-27 • Graduale (Summer Section) … circa 1481AD

189 pages.   Click here for a screenshot.


MS-D-30 • Graduale (Winter Section) … circa 1502AD

427 pages.   Click here for a screenshot.


MS-D-32 • Cistercian Graduale (Winter Section) … circa 1552AD

431 pages.   Click here for a screenshot.


MS-D-35 • Graduale (Winter Section) … circa 1545AD

417 pages.   Click here for a screenshot.


UPDATE •   From a reader:

Bayerische Staatsbibliothek has made much available. Go to bsb-muenchen.de and search for e.g. Graduale, limit the search to “online resources” time to before 1600 (or whatever pleases you), and go wild. They have a wonderful policy in that whoever first asks for a digitalization of a particular manuscript pays for it and afterwards they put it online for free. Sample screenshot.

As I mentioned, this is just the tip of the iceberg. The Saint Gall library also has thousands of online images.



NOTES FROM THIS ARTICLE:

1   Moreover, our hearts and minds are lifted to God by the glorious artwork & melodies of our Catholic heritage.

2   The language and website—based in Düsseldorf—can be intimidating for Americans, so a former student kindly created the Google links you see on this page. Be sure to obey usage regulations posted on the Heinrich Heine website.

3   For instance, the Ordinary Form uses the Gradual antiphons for sung Masses, but uses the Missal antiphons for spoken Masses. The Gradual antiphons are ancient, whereas many of the “spoken” propers were created in 1969.

4   The Jogues Lectionary provides stunning manuscripts for the congregation to enjoy—as does the Campion Hymnal—both in full color. Congregations love seeing these!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Medieval Manuscripts, Sung Vs Spoken Propers Novus Ordo Last Updated: May 6, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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