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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Problem of Beauty

Fr. David Friel · March 8, 2015

AST WEEK, I wrote about beauty and its contemplation in the scene of the Transfiguration. Richard Clark wrote yesterday about Pope Francis, who recently remarked about the path to “recovering the allure of beauty” in the sacred liturgy. I would like to return again today to the topic of beauty, which I have considered often on these pages.

We are all familiar in some fashion with the “problem of evil.” This problem is frequently formulated as a question: why do bad things happen to good people? Why is evil permitted by a God Who is supposedly omnipotent & benevolent? These are questions that people of faith struggle to answer. They are questions that are addressed over and over again in the Sacred Scriptures, but never does the Bible offer a clear cut answer to the problem that is completely satisfying. Hence why it is called a “problem.”

Only recently did I encounter the concept of “the problem of beauty.” This problem could also be formulated as a question: if God does not exist, why is there so much joy & beauty in the world? This question is not a struggle for believers to answer; it is, rather, a problem for non-believers. What explanation can we give for the joys & beauties of life that have no demonstrable evolutionary benefit to man?

Is life really beautiful? Absolutely. The goodness of life can be confirmed by the natural human desire to prolong it. If life were not essentially good & beautiful, we would not experience death as such a tragedy nor speak of it as a “loss.” The beauty of life, moreover, is so incredibly gratuitous; we have no claim over any of the beautiful things we experience.

These thoughts were prompted by my reading of an excellent article by Joe Heschmeyer, a DC lawyer turned Kansas City seminarian. If the concept of beauty is an interest for you as it is for me, then I highly recommend that you give this piece a look.

In the article, Heschmeyer proposes that these two “problems” (evil & beauty) are not equal. He concludes that the problem of beauty is a much stronger argument in favor of God’s existence than the problem of evil is an argument against His existence. To understand why he makes this claim, check out his article.

Centuries ago, St. Augustine also saw the argument from beauty as a viable proof for God’s existence. In the inimitable Book X of his Confessions, he writes:

I asked the Earth, and it said, “I am not He!” I asked the sea and the deeps, and among living animals the things that creep, and they answered, “We are not your God! Seek higher than us!” . . . I asked the heavens, the sun, the moon, and the stars: “We are not the God Whom you seek,” they said. To all the things that stand around the doors of my flesh I said, “Tell me of my God!” . . . With a mighty voice, they cried out, “He made us!” My question was the gaze that I turned on them; their answer was their beauty. (The Confessions of St. Augustine, Book X, Chapter VI)

Beauty is, indeed, evidence of a loving, generous, and joyful God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

He stood firm against nepotism, rebuking his predecessor Pope Pius IV to his face when he wanted to make a 13-year-old member of his family a cardinal and subsidize a nephew from the papal treasury.

— Re: Pope Saint Pius V (d. 1572)

Recent Posts

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  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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