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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Problem of Beauty

Fr. David Friel · March 8, 2015

AST WEEK, I wrote about beauty and its contemplation in the scene of the Transfiguration. Richard Clark wrote yesterday about Pope Francis, who recently remarked about the path to “recovering the allure of beauty” in the sacred liturgy. I would like to return again today to the topic of beauty, which I have considered often on these pages.

We are all familiar in some fashion with the “problem of evil.” This problem is frequently formulated as a question: why do bad things happen to good people? Why is evil permitted by a God Who is supposedly omnipotent & benevolent? These are questions that people of faith struggle to answer. They are questions that are addressed over and over again in the Sacred Scriptures, but never does the Bible offer a clear cut answer to the problem that is completely satisfying. Hence why it is called a “problem.”

Only recently did I encounter the concept of “the problem of beauty.” This problem could also be formulated as a question: if God does not exist, why is there so much joy & beauty in the world? This question is not a struggle for believers to answer; it is, rather, a problem for non-believers. What explanation can we give for the joys & beauties of life that have no demonstrable evolutionary benefit to man?

Is life really beautiful? Absolutely. The goodness of life can be confirmed by the natural human desire to prolong it. If life were not essentially good & beautiful, we would not experience death as such a tragedy nor speak of it as a “loss.” The beauty of life, moreover, is so incredibly gratuitous; we have no claim over any of the beautiful things we experience.

These thoughts were prompted by my reading of an excellent article by Joe Heschmeyer, a DC lawyer turned Kansas City seminarian. If the concept of beauty is an interest for you as it is for me, then I highly recommend that you give this piece a look.

In the article, Heschmeyer proposes that these two “problems” (evil & beauty) are not equal. He concludes that the problem of beauty is a much stronger argument in favor of God’s existence than the problem of evil is an argument against His existence. To understand why he makes this claim, check out his article.

Centuries ago, St. Augustine also saw the argument from beauty as a viable proof for God’s existence. In the inimitable Book X of his Confessions, he writes:

I asked the Earth, and it said, “I am not He!” I asked the sea and the deeps, and among living animals the things that creep, and they answered, “We are not your God! Seek higher than us!” . . . I asked the heavens, the sun, the moon, and the stars: “We are not the God Whom you seek,” they said. To all the things that stand around the doors of my flesh I said, “Tell me of my God!” . . . With a mighty voice, they cried out, “He made us!” My question was the gaze that I turned on them; their answer was their beauty. (The Confessions of St. Augustine, Book X, Chapter VI)

Beauty is, indeed, evidence of a loving, generous, and joyful God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

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