Views from the Choir Loft

More On Secular Music At Mass … John Lennon?

Guest Author · December 23, 2014

AT TIP to Jeff Ostrowski for his exposé on Dan Schutte’s “Missa My Little Pony.” As soon as I heard it, I told my fiancée, “He’s right—it’s the same song. And there’s more music like that.” As in, there’s more church/liturgical music stolen from… errr… similar to secular music.

I told her I couldn’t think of precise songs at the moment, but I knew there were more. Now that it is Advent, with Christmas music blaring from radio stations and every department store’s overhead speaker, I have remembered one of the songs.

I was fortunate to go to World Youth Day 2008, where I saw His Holiness Pope Benedict XVI, and where I heard an Alleluia song by Guy Sebastian. It might just be my imagination, but isn’t the supporting vocalization/background music of John Lennon’s “So this is Christmas” the same music as that Alleluia? Judge for yourself:

* * Mp3 Excerpt: Guy Sebastian and Paulini’s “Alleluia”

* * Mp3 Download: John Lennon’s “So this is Christmas”

Listen to the “Alleluia” first, and then listen to the Lennon song. You will hear the “Alleluia” music slowly coming up from the background. If you go to the original YouTube video versions, you can set the “Alleluia” to 1:04 and “So this is Christmas” at 1:03, playing them simultaneously. (Sebastian sings slower, but he fits in so well as things progress.)

So this is Alleluia! Happy Advent to my fellow Catholics and Merry Christmas to the secularists who are already saying that. Try not to think of Sebastian’s Alleluia every time you hear Lennon’s Christmas song!

We hope you enjoyed this guest article by A.W. Smay.

Editor’s Note: It would be important to know whether this song was sung DURING an actual liturgy, or whether it was used outside of Mass only.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

“Music List” • 4th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker