Views from the Choir Loft

Archives for November 2014

Jeff Ostrowski · November 19, 2014

New Propers Collection By Lawrence M. Rutherford

“English Psalm-Tone Propers for the Ordinary Form of the Mass” is now available in print!

Jeff Ostrowski · November 18, 2014

A Photograph “Progressive” Liturgists Cannot Abide

Pope Paul VI wearing the Cappa Magna.

Jeff Ostrowski · November 18, 2014

“As you might imagine, it was a disaster.”

“While most worshipers were stumbling through the Introit or Collect, a few fluent in Latin would be loudly racing through the prayers.”

Corpus Christi Watershed · November 18, 2014

Stephanie Gray • Pro-Life Interview

EWTN interview (7 November 2014) discussing ectopic pregnancies and much more.

Jeff Ostrowski · November 17, 2014

Authentic Sacred Music Programs & King Of The Hill

We’re called to discover Christ and conform our lives to His teachings.

Fr. David Friel · November 16, 2014

Colloquium Friends & Chant Workshops

“Adventus Dona” in the Diocese of San Diego

Veronica Brandt · November 15, 2014

Advent Music

Waiting for the season of waiting.

Richard J. Clark · November 14, 2014

I’m not here to make you or me happy. | Music as a Virtue

It is not the point of sacred music to make individuals or even the Music Director happy.

Dr. Peter Kwasniewski · November 13, 2014

Difference between the Two Priesthoods

What exactly is the difference between the universal priesthood of the baptized and the ministerial priesthood of the ordained?

Fr. David Friel · November 12, 2014

Restoring A Sense of the Sacred to the Mass

A Great Article over at One Peter Five

Andrew R. Motyka · November 12, 2014

Eyes on Your Own Paper

The importance of focusing on our own work.

Jeff Ostrowski · November 10, 2014

St. Thomas Aquinas College In California

Below are a few pictures I snapped during my visit.

Jeff Ostrowski · November 9, 2014

“Fear Of The Dark-Skinned” — Really?

“Right-wing Christians push fear of the dark-skinned and fear of honesty.” —National Catholic Reporter (28 October 2014)

Fr. David Friel · November 9, 2014

Sacred Architecture & the Dedication of the Lateran Basilica

When we come to church, there should be no question whether we are in a church or in a coffeehouse or in a multipurpose gym.

Veronica Brandt · November 8, 2014

Preparing for an EF Sung Mass

Preparing music folders for a Missa Cantata – all the essentials and a few handy desirables.

“Music List” • 17th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.

—Jeff Ostrowski

Communion • “Ask & You Shall Receive”

All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.

—Jeff Ostrowski

Jeff’s Mother Joins Our Fundraiser

To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

“Much more serious was the problem, what to do about ‘thou’ and ‘you.’ I confess I would have liked to go the whole hog, and dispense with the use of ‘thou’ and ‘thee’, even where the Almighty was being addressed. They do these things in France, but I felt sure you could not get it past the British public. Why not, then, have ‘thou’ for God and ‘you’ for man? That is Moffatt’s principle; but it seems to me to break down hopelessly in relation to our Incarnate Lord…”

— Monsignor Ronald A. Knox