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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eyes on Your Own Paper

Andrew R. Motyka · November 12, 2014

T FINALLY HAPPENED. After months of rumor, speculation, and innuendo, Cardinal Burke was removed from his position in the Apostolic Signatura, the Catholic Church’s equivalent of the supreme court. Much has been made of this move by both liberals and conservatives, some supporting Cardinal Burke for his faithful service and voice, and others criticizing him for his penchant for liturgical finery and perceived lack of mercy. Both Cardinal Burke and Pope Francis have been the subject of much discussion on the Catholic blogosphere for the last few days. But before I go giving my opinion of the whole thing, I’d like to ask a question:

What do I really know about this?

Very little, actually. I know a little bit about Cardinal Burke, and I know that his move from the Signatura was announced, at least unofficially, before the Synod (so his statements there had no impact on his removal). Other than that, I know next to nothing, and neither do you. We don’t know if he will be asked to do something else of importance down the line, we don’t know if he did a good job on the Apostolic Signatura (the most important factor in whether he stayed or went), heck, we don’t even know if he asked to be moved. I, for one, couldn’t name for you a single case that the court has ever heard, but in the last week we’ve all become Canon Law experts with strong opinions on the matter. So my opinion on this whole thing is that I shouldn’t even have one.

So what does all this have to do with music, art, and liturgy (you know, the focus of this blog)? Nothing. And that’s exactly my point. None of this has anything to do with me, directly or indirectly. This decision will not impact my ministry as a music director nor my vocation as a husband and father. Worse yet, every second we in the Church waste talking about Cardinal Burke or the Vatican People Magazine power dynamics, we’re not talking about Jesus, and we’re not keeping the focus where it belongs.

There are important issues facing the Church right now (as always), but no more important than the primary mission she has always had: the salvation of souls in Jesus Christ. We each have our part to play in this mission, and treating Vatican politics like a Western celebrity obsession isn’t helping. Chances are Cardinal Burke and Pope Francis have had more than one cup of coffee together, and don’t primarily communicate with one another through the media. Even if there is a shift in personality over there, our mission remains the same. Let’s not use this as one more opportunity to draw lines in the sand and divide a Church that should be united in her cause.

Let’s keep our eyes on our own papers. No one needs to hear this as much as me. Part of me wanted to sit down today and write a blog entry about my thoughts on the situation, and when I started to think and write, I realized that it matters not one little bit what I think and write about this. So let’s make a difference where we actually can, and let the dead bury their dead while we follow Christ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

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