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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eyes on Your Own Paper

Andrew R. Motyka · November 12, 2014

T FINALLY HAPPENED. After months of rumor, speculation, and innuendo, Cardinal Burke was removed from his position in the Apostolic Signatura, the Catholic Church’s equivalent of the supreme court. Much has been made of this move by both liberals and conservatives, some supporting Cardinal Burke for his faithful service and voice, and others criticizing him for his penchant for liturgical finery and perceived lack of mercy. Both Cardinal Burke and Pope Francis have been the subject of much discussion on the Catholic blogosphere for the last few days. But before I go giving my opinion of the whole thing, I’d like to ask a question:

What do I really know about this?

Very little, actually. I know a little bit about Cardinal Burke, and I know that his move from the Signatura was announced, at least unofficially, before the Synod (so his statements there had no impact on his removal). Other than that, I know next to nothing, and neither do you. We don’t know if he will be asked to do something else of importance down the line, we don’t know if he did a good job on the Apostolic Signatura (the most important factor in whether he stayed or went), heck, we don’t even know if he asked to be moved. I, for one, couldn’t name for you a single case that the court has ever heard, but in the last week we’ve all become Canon Law experts with strong opinions on the matter. So my opinion on this whole thing is that I shouldn’t even have one.

So what does all this have to do with music, art, and liturgy (you know, the focus of this blog)? Nothing. And that’s exactly my point. None of this has anything to do with me, directly or indirectly. This decision will not impact my ministry as a music director nor my vocation as a husband and father. Worse yet, every second we in the Church waste talking about Cardinal Burke or the Vatican People Magazine power dynamics, we’re not talking about Jesus, and we’re not keeping the focus where it belongs.

There are important issues facing the Church right now (as always), but no more important than the primary mission she has always had: the salvation of souls in Jesus Christ. We each have our part to play in this mission, and treating Vatican politics like a Western celebrity obsession isn’t helping. Chances are Cardinal Burke and Pope Francis have had more than one cup of coffee together, and don’t primarily communicate with one another through the media. Even if there is a shift in personality over there, our mission remains the same. Let’s not use this as one more opportunity to draw lines in the sand and divide a Church that should be united in her cause.

Let’s keep our eyes on our own papers. No one needs to hear this as much as me. Part of me wanted to sit down today and write a blog entry about my thoughts on the situation, and when I started to think and write, I realized that it matters not one little bit what I think and write about this. So let’s make a difference where we actually can, and let the dead bury their dead while we follow Christ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The Sanctus and Benedictus are one text and should be sung through without a break. The practice—once common—of waiting till after the Consecration and then singing: “Benedictus qui venit…” is not allowed by the Vatican Gradual.

— Father Fortescue, writing in 1912

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