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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How To Debunk Four Common Liturgical Myths

Jeff Ostrowski · August 21, 2014

The following myths have lived long & healthy lives.  Today, they die.


1.) Our Mass texts are copyrighted to preserve their integrity.

This statement is false, but many good people accept it.

First of all, let’s be clear about the Mass texts. They’re owned by various parties: even some non-Catholic corporations!

What’s doubly confusing is that different parts — Readings, Responsorial Psalms, Resp. Psalm REFRAINS, Collects, and so on — are owned by different corporations. The sale of these texts has become a huge source of money for the owners, but it’s done in violation of Canon law (which stipulates that indulgenced prayer texts cannot be sold for profit).

Rather than “preserving the integrity” of the official texts, this situation has led composers to alter them (so they can copyright their versions and collect royalties). This deplorable situation must stop. It’s been fifty years since Vatican II, and the Catholic Church has a billion members. Without question, the necessary funding could be obtained to produce translations using the Creative Commons Copyright. That way, they could be shared & prayed freely. When it comes to Church approval, this should be granted only to publishers faithfully reproducing the official texts.

Copyrighting liturgical texts to preserve their integrity makes about as much sense as supporting abortion, yet opposing capital punishment on moral grounds.


2.) The hymns chosen at Mass should correspond to the Readings.

This one sounds so good … but it’s false.

As explained in this true-but-boring article, the system adopted after the Second Vatican Council guarantees that the readings will seldom correspond to the feast, except for major ones like Easter, Pentecost, and Christmas. Some might immediately say, “Wow, that’s not in accordance with tradition.” However, before you say that, read these astounding Fortescue excerpts:

      * *  PDF Download: Fr. Fortescue Discusses Liturgical Readings

Now that you’ve read those excerpts, you won’t panic when I say that the Propers are usually a better way to “choose the hymns” — but what’s even better is to sing the actual Mass propers in English or Latin.


3.) Bugnini altered the traditional Propers in the 1970 Missal.

This statement is inaccurate, in spite of what many respected scholars believe. For example, a very competent liturgist, Joseph Shaw, recently wrote the following:

“The Graduale Romanum has for centuries been the Church’s book of liturgical music. […] When the Novus Ordo came out, a vast number of these texts had been changed. Bugnini had gone through with his trusty blue pencil and re-written some, deleted others, composed still more afresh.”

In reality, what happened was more complex. Bugnini’s Consilium added some Entrance & Communion antiphons, which don’t always match the Graduale, for use in Masses without music. Those antiphons are commonly referred to as “Spoken Propers” to differentiate them from the full set of “Sung Propers” found in the Roman Gradual.

You can read a series of important articles on this very topic by clicking here (scroll down to the “Essay” section). Without repeating what was already said there, I would merely point out that the Novus Ordo does not have a Missal strictly speaking: it has a Sacramentary. If we understand why the Novus Ordo does not have a “Missal,” confusion about Spoken/Sung Propers disappears.


4.) Priests before Vatican II couldn’t speak Latin.

This statement is quite common, but false.

Before the Council, seminary courses were taught in Latin. I’d read statements to this effect from priests but still couldn’t believe it. So, I approached elderly priests, asking, “Were your seminary courses really taught in Latin?” The answer was still “YES“ — although, a few admitted their courses were actually taught in English, but their textbooks were in Latin.

As strange as it may sound, the Epistle/Gospel were often read in the vernacular at the beginning of the homily (even before Vatican II). 1 One time, our elderly priest began his homily, but the particular feast was missing from his book of English translations. 2 The priest returned to the Altar, removed the big red Missal, carried it to the pulpit, and proceeded to translate the entire Gospel into English. Oops: I guess he must have learned Latin in the seminary, huh?

In the 1960s, it became popular for priests to pretend they couldn’t understand Latin. Cardinal Cushing made such a claim 3 but there’s one problem: he graduated from high school in 1913, receiving honors for Latin and Greek.




NOTES FROM THIS ARTICLE:

1   Until the 1950s, the Gospel was often proclaimed three times: (1) by the priest quietly; (2) by the deacon singing; and (3) at the beginning of the homily, before the sermon.

2   Perhaps it was a newer feast such as «Christ the King» (created in 1925).

3   A thorough treatment of his lie can be found here. That article includes a video of Cardinal Cushing reciting Latin at the funeral of John F. Kennedy which is not to be missed.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Fr Adrian Fortescue Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

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