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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Diary of Cardinal Antonelli (1964): “How Exactly Should The Vatican II Mass Look?”

Jeff Ostrowski · July 19, 2014

6031 Antonelli ARDINAL FERDINAND ANTONELLI served as Secretary for the Consilium of Paul VI. (Technically, Cardinal Antonelli was appointed “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962.) Extremely well-informed and experienced, he was probably the most reliable and unbiased witness of the postconciliar liturgical reforms.

As you can see below, Cardinal Antonelli would today be given a “Reform of the Reform” label, proving that Pope Benedict XVI was correct 1 in his interpretation of the Second Vatican Council.

Please do not freak out because the diary contains Latin quotes: I’ve provided an English translation at the end.

Any comments written in red are mine.

*           *           *

PRIVATE DIARY OF CARDINAL ANTONELLI
—   Entry Date:   27 December 1964   —

Sacrosanctum Concilium

1. Article 50 of the Constitution contains 3 words which are explosive when compared to the actual state of things: Ordo Missae recognoscatur.

Therefore, the fixed parts of the Mass must be revised. In reality, they are not very ancient and assumed their present form only in the Tridentine reform. The Canon, however, has remained unchanged since the time of Gregory the Great, simply because he believed it to be Apostolic in origin.

[Cardinal Antonelli is incorrect when he says “in reality, they are not very ancient.” He’s probably referring to the fact that certain parts of the Tridentine Ordo Missae—such as the Offertory Prayers and “Prayers at the Foot of the Altar“—are not quite as ancient as things like the Canon and Proprium Missae. However, even those items go back many centuries before the Council of Trent, as anyone who purchases the Jogues Missal can see clearly.]

2. The Constitution also gives the criteria for recognition:

a) Singularum partium propria ratio necnon mutua connexio clarius pateant, for example, distinguishing the place of the liturgy of the word and that of the Eucharist;

[The Tridentine Low Mass did not demonstrate the difference between the Liturgy of the Word and the Liturgy of the Eucharist as clearly as the arrangement used during a Tridentine Pontifical Mass. Antonelli here wants the Pontifical to be chosen so that the “intrinsic nature and purpose of the Mass may be more clearly manifested.” For the record, the Pontifical form is probably more ancient.]

b) Pia et actuosa fidelium participatio facilior reddatur, simplifying some things, Psalm 42, for example;

[The Tridentine Rite prescribed a recitation of Psalm 42, which had been used as preparation for Mass many centuries before the Council of Trent. However, Antonelli is here suggesting that “devout and active participation by the faithful” is impossible if Psalm 42 remains.]

c) ritus simpliciores fiant, for example some genuflections and many signs of the cross;

[In response to the Council’s desire that “the rites are to be simplified,” Antonelli suggests that some of the numerous genuflections could be eliminated, as well as the great number of times the Priest makes the sign of the Cross. In particular, some liturgists—especially those who possessed a very superficial understanding of the Sacraments—had a difficult time understanding why the Priest was required to make the sign of the Cross over the Sanctissimum, because no man can ever “bless” God. There is more that could be said about this, but it would be inappropriate to do so here.]

d) ea omittantur quae duplicatur fuerunt, for example, that the celebrant should have to say alone the parts sung by the deacon or subdeacon;

[Antonelli here reacts against those parts of the Tridentine liturgy where the priest “duplicates” the exact words prayed by the choir, congregation, deacon, or subdeacon. Pope Pius XII had already eliminated this duplication during the Gospel, as well as the sizable readings at the Easter Vigil on Holy Saturday. For the record, it’s hard to see how it makes any difference to Catholics in the pews whether the Celebrant quietly recites prayers like the Gloria, Creed, and so on.]

e) restituantur nonnulla quae deciderunt, for example, the oratio fidelium.

[Antonelli was a huge fan of the “Prayer of the Faithful,” which some liturgists believe to be extremely ancient. There is an odd moment in the Tridentine Rite where the priest (after the Creed) turns around and sings «Orémus» but no prayer follows, and this might have been where the ancient “Prayer of the Faithful” happened. In another diary entry, Antonelli says the special prayers on Good Friday are vestiges of the “Prayer of the Faithful,” but scholars today disagree about this.]

Article 50 of the Constitution, which is very dense, lays down two indisputable conditions:

1. Ut substantia rituum servetur, in such a way that were St. Pius V or St. Gregory the Great to come back, they would be able to say that the Mass had substantially remained the same.

2. Ad pristinam sanctorum Patrum normam. This expression is taken from the Bull of Saint Pius V of 1570 on the Missal. It means that the entire revision must be carried out in accordance with the tradition of the Church.

Here’s a “key” to the Latin quotes:

Sacrosanctum Concilium

50. Ordo Missae ita recognoscatur, ut singularum partium propria ratio necnon mutua connexio clarius pateant, atque pia et actuosa fidelium participatio facilior reddatur.

Quamobrem ritus, probe servata eorum substantia, simpliciores fiant; ea omittantur quae temporum decursu duplicata fuerunt vel minus utiliter addita; restituantur vero ad pristinam sanctorum Patrum normam nonnulla quae temporum iniuria deciderunt, prout opportuna vel necessaria videantur.

Sacrosanctum Concilium

50. The rite of the Mass is to be revised in such a way that the intrinsic nature and purpose of its several parts, as also the connection between them, may be more clearly manifested, and that devout and active participation by the faithful may be more easily achieved.

For this purpose the rites are to be simplified, due care being taken to preserve their substance; elements which, with the passage of time, came to be duplicated, or were added with but little advantage, are now to be discarded; other elements which have suffered injury through accidents of history are now to be restored to the vigor which they had in the days of the holy Fathers, as may seem useful or necessary.

 


NOTES FROM THIS ARTICLE:

1   By the way, I’m amazed that Benedict’s astounding talk has not been made into a booklet yet.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Cardinal Ferdinando Giuseppe Antonelli OFM, Hymns Replacing Propers, Reform of the Reform Last Updated: October 19, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

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