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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Famous “Agatha Christie” Indult

Jeff Ostrowski · June 9, 2014

381 Latin ANY IN OUR SOCIETY live and die by surveys. It’s a free country, so folks can do as they wish, but I know a bit too much about polling methodologies to take seriously such things. “Law and sausage are two things we should never see being made.” Similarly, surveys are nice things to toss around, as long as nobody starts asking uncomfortable questions.

For example, I never respond to surveys, because I’m too busy doing things like providing for my family. Therefore, surveys can never represent my views, in spite of the most sincere assurances by creators: “Oh, we take people like you into consideration.” In the end, surveys only reveal the feelings of people willing to take surveys.

Many love to imagine how “ordinary Catholics” felt about post-conciliar liturgical changes. One extreme claims that 100% of good Catholics rejected 100% of the changes. The other extreme adheres to the “black hole” theory of Bugnini. At some point in the future, I will give my own opinion — although I’m not sure what difference it makes.

Anyhow, search Google for Agatha Christie Indult. I think you’ll be surprised at what you find. I’d be interested to learn from our readers in England how widespread this indult was. However, it’s important to realize that this was for the 1965/1967 Missale Romanum, not the 1962, and there’s a huge difference. I was surprised to see Vladimir Ashkenazy on the list. 1

THOSE WHO HAVE READ HIS BOOK realize that Archbishop Bugnini was a staunch opponent of the 1962 Missale Romanum. His book comes across as one gigantic “pout” — those who disagree with him are called “slanderers” and “persecutors” — and appears to have been published to “even the score” with everyone who crossed him. By the way, here’s what Bugnini wrote about the Agatha Christie Indult.

A few tidbits from his book:

Page 287:   After all, despite his well-known traditionalist views, he was an intelligent man…

In other words, “In spite of his traditionalist leanings, he wasn’t an idiot.” How insulting!

Page 282:   On the feast of Corpus Christi, 1967, Una voce sent the Pope a petition, signed by, among others, educated non-Catholics and expressing “alarm and amazement” at the liturgical reform.

The way he stresses “non-Catholics” strikes me as gratuitous: does he oppose ecumenism? Hundreds more examples could be cited, especially when Bugnini talks about liturgical musicians like Fr. Hignio Anglés. Those who read the book can decide whether they agree that Bugnini’s tone is “hysterical.”

But let us consider one more quote:

Page 296:   It must be acknowledged in all honesty that the Roman authorities were even too understanding and patient.

I disagree strongly with this assertion. (See below.)

ON 3 OCTOBER 1984, the Vatican gave limited permission for use of the 1962 Missal, but the document (Quattuor Abhinc Annos) seems to treat lovers of the Traditional Mass as if they’re criminals. For example, look how “rigid” the rules are:

(a) That it be made publicly clear beyond all ambiguity that such priests and their respective faithful in no way share the positions of those who call in question the legitimacy and doctrinal exactitude of the Roman Missal promulgated by Pope Paul VI in 1970.

(b) Such celebration must be made only for the benefit of those groups that request it; in churches and oratories indicated by the bishop (not, however, in parish churches, unless the bishop permits it in extraordinary cases); and on the days and under the conditions fixed by the bishop either habitually or in individual cases.

(c) These celebrations must be according to the 1962 Missal and in Latin.

(d) There must be no interchanging of texts and rites of the two Missals.

(e) Each bishop must inform this Congregation of the concessions granted by him, and at the end of a year from the granting of this indult, he must report on the result of its application.

Sometimes I wonder what might have happened if Church authorities had been as “rigid” when it comes to prohibiting secular styles of music at Mass.

Last Sunday, visiting a parish we don’t normally attend (in a very rich part of town), we saw that somebody had decorated the entire Church with little “doves” made of white plastic — in honor of Pentecost, I guess. Yet, they totally omitted the Sequence (which is forbidden by liturgical law). If somebody asked why the Sequence was omitted, they’d probably respond, “Oh, singing the Sequence would require too much preparation.”

Can you imagine if such “rigid” rules were in force?

(f) It is not allowed to omit the Sequence on Pentecost. If hundreds of little plastic doves are used for decorations on Pentecost, these efforts shall be redirected to learning the Sequence from the Lalemant Propers, which is an easy version consisting of only three notes.



NOTES FROM THIS ARTICLE:

1   Of course I know all about him, and have followed his career for years, but I consider him a “minor” pianist compared to giants like Hofmann, Godowski, Tiegerman, Rachmaninov, and Horowitz. Then again, almost all the truly great pianists had died by 1971 …

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Omitting The Sequence On Pentecost Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

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  • “Dies Irae” • A Monstrous Translation

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