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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bugnini Wanted To Eliminate Ash Wednesday!

Jeff Ostrowski · December 29, 2013

909 ashes ERE IN SOUTH TEXAS, Ash Wednesday is an incredibly popular day. The Churches are literally packed from early morning to late evening. Many more people come to Church on Ash Wednesday than any other day, including Christmas and Easter.

Believe it or not, Annibale Bugnini and his crew tried to get rid of Ash Wednesday so Lent could begin on a Sunday (justified partially by an alleged statement of Leo the Great, later proven to be fictitious). However, in an uncharacteristic move, Pope Paul VI put his foot down, refusing to scrap Ash Wednesday. By the way, I used to hate hearing people attribute bad things to Bugnini. I thought it unfair. After all, the new liturgy was elaborated by commissions (not a single person) and introduced under the authority of the Pope and appropriate Curial Office, right? While that’s all true, I’ve come to understand (by reading a lot) that Bugnini truly was pulling the strings and had great influence over the Pope, and he even brags about this in his (massive & polemical) book. Many of the postconciliar reforms have born terrible fruit, but this is hardly the first time the Church has “reformed” something in a bad way — just look at Pope Urban’s “reform” of the ancient breviary hymns!

Anyhow, you can read all about the “Ash Wednesday elimination saga” in Collects of the Roman Missals, an impressive scholarly work by Dr. Lauren Pristas, Professor of Theology at Caldwell College. Dr. Pristas (who had access to certain important documents from the Council) also treats several other interesting topics, e.g. the rearrangement of the Christmas Season.

What I found most interesting (depressing?) was the unbelievably haphazard way these changes came about. No wonder people often get confused about whether the Baptism of the Lord is still Christmastide! Even the USCCB website accidentally labeled it as “First Sunday of Ordinary Time” … which is false, of course: it replaces the First Sunday in Ordinary Time (sometimes).

The reformers themselves were quite confused about these things, and kept voting on different options without finding a satisfactory solution. They failed to realize that one cannot simply “sit down over tea and crumpets” and VOTE INTO BEING the Church calendar. It’s supposed to develop organically. Incidentally, one of the reformers (in the minority, because he wanted to keep Ash Wednesday) pointed out to his comrades what the Council Fathers decreed: “There must be no innovations unless the good of the Church genuinely and certainly requires them.” Unfortunately, the reformers frequently ignored this and many other clear directives. László Dobszay called many of the liturgical reforms “change for the sake of change,” e.g. altering the venerable chants of Holy Week — even using a Tract followed by a Gradual on Palm Sunday! — and other bizarre innovations.

AS TROUBLING AS THE CALENDAR REVISION IS, something worse is what Msgr. Richard J. Schuler referred to as the “vulgarity” in the approved Scripture translations for Mass. To me, this is particularly scandalous in the Lectionary translation for the Passion of our Lord. (By the way, I looked at the 1970s version of the Lectionary and found that it was even worse!)

Yes, Msgr. Schuler uses that precise word (“vulgarity”) several times in his writings. If you don’t believe me, you can read Msgr. Schuler’s own words:

      * *  1993 Editorial: “More Trouble From ICEL” • (Msgr. Richard J. Schuler)

      * *  1990 Editorial: “Our English Translations” • (Msgr. Richard J. Schuler)

      * *  1984 Editorial: “The Tridentine Mass” • (Msgr. Richard J. Schuler)

Just like the Mass Propers, respect for Sacred Scripture seems to have “gone by the wayside” following the Council (in spite of its clear directives to the contrary). Why couldn’t a reverent, traditional version of Scripture be allowed for the Ordinary Form, as an option? What possible harm could there be in that? Yet, as we’ve mentioned many times, the same bishops who pontificate about “pastoral sensitivity” and “avoidance of rigid uniformity” often fight tooth and nail to prevent such an option being given to the faithful. Can anyone explain this supremely puzzling dichotomy?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Novus Ordo Lectionary Reform, Reform of the Reform, The Old ICEL Translation of the Mass Last Updated: July 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“My one great desire is that during the sacred functions all the faithful should sing the melodies of the liturgy and the sacred hymns with a full voice.”

— Pope Saint Pius X

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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