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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2013

Dr. Peter Kwasniewski · November 21, 2013

Is the Mass “Just” the Mass?

It is too easy to fall into the trap of thinking that nothing else matters in the liturgy besides “Jesus is present.” This is a superficial and relativistic way of thinking that has to be challenged and corrected, if the Real Presence is to be of any benefit to us—indeed, if our faith in the Real Presence is even going to survive.

Andrew R. Motyka · November 20, 2013

Royal Stumbling Blocks

For believers, however, the crucifixion is not a moment of despair, but of triumph. We proudly profess our “weak” Savior, for we know that His weakness was the means of our salvation.

Jeff Ostrowski · November 19, 2013

Rory Cooney Needs “Healing” From Pope Benedict’s Liturgical Reforms

Consider these lines from GIA’s newest hymnal (Worship IV): “Who is this who eats with sinners, calling luckless losers winners?” Did they really just use the phrase “luckless losers” in a Catholic hymn book?

Cynthia Ostrowski · November 19, 2013

Catholic Line Art, Black and White • Installment #42

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Gwyneth Holston · November 18, 2013

St. Catherine of Alexandria, November 25th

Brilliant. Beautiful. Beheaded.

Jeff Ostrowski · November 18, 2013

“Look Beyond The Bread You Eat” (Part 2)

It dawned on me that nothing I’d been saying had made the slightest impact. I had literally been wasting my breath.

Jeff Ostrowski · November 18, 2013

“Look Beyond The Bread You Eat” (Part 1)

Even after so many years, recalling this statement makes my brain explode with rage.

Fr. David Friel · November 17, 2013

Must Art Be Permanent?

A Thought from Evelyn Waugh

Richard J. Clark · November 15, 2013

The Politics of Sacred Music

Architecture? Incense? Piano? Guitar? Organ? Chant? Old translation? New translation? Latin? Inclusive or non-inclusive language? All the above sometimes have emotions assigned to them distracting from prayer. Putting God first is counter-cultural, but it should be apolitical.

Jeff Ostrowski · November 15, 2013

A Dream Come True: 1965 Missal Online!

“The Conference of Bishops has given permission that, when a qualified man is not
available, a woman may proclaim the readings prior to the gospel, while standing outside the sanctuary.” — 1970 Statement

Dr. Peter Kwasniewski · November 14, 2013

A Sober Assessment of Liturgical Reform

The official statements always sing the praises of reform, but the people in the pews know better. They are the ones who have suffered the most.

Corpus Christi Watershed · November 14, 2013

Kevin Allen Concert — Tomorrow Night!

Friday, November 15 at 7:00pm (CST) Kevin Allen will present a concert at St. Josaphat Church in Chicago, Illinois.

Gwyneth Holston · November 14, 2013

13th Century Sacred Art Class

Thomas More College Artist-in-Residence, David Clayton, to teach a class on painting in the English gothic style.

Jeff Ostrowski · November 14, 2013

More Thoughts On The 3-Year Lectionary …

“The Instruction pretends that we actually do have Propers for the Mass, whereas everyone knows that today the Mass Propers are sung perhaps at one Mass in ten thousand.” — Professor László Dobszay

Andrew R. Motyka · November 13, 2013

Gratefulness

Being the first to post about Thanksgiving so now everyone else looks like they’re copying me.

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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