• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Archives for November 2013

Dr. Peter Kwasniewski · November 21, 2013

Is the Mass “Just” the Mass?

It is too easy to fall into the trap of thinking that nothing else matters in the liturgy besides “Jesus is present.” This is a superficial and relativistic way of thinking that has to be challenged and corrected, if the Real Presence is to be of any benefit to us—indeed, if our faith in the Real Presence is even going to survive.

Andrew R. Motyka · November 20, 2013

Royal Stumbling Blocks

For believers, however, the crucifixion is not a moment of despair, but of triumph. We proudly profess our “weak” Savior, for we know that His weakness was the means of our salvation.

Jeff Ostrowski · November 19, 2013

Rory Cooney Needs “Healing” From Pope Benedict’s Liturgical Reforms

Consider these lines from GIA’s newest hymnal (Worship IV): “Who is this who eats with sinners, calling luckless losers winners?” Did they really just use the phrase “luckless losers” in a Catholic hymn book?

Cynthia Ostrowski · November 19, 2013

Catholic Line Art, Black and White • Installment #42

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Gwyneth Holston · November 18, 2013

St. Catherine of Alexandria, November 25th

Brilliant. Beautiful. Beheaded.

Jeff Ostrowski · November 18, 2013

“Look Beyond The Bread You Eat” (Part 2)

It dawned on me that nothing I’d been saying had made the slightest impact. I had literally been wasting my breath.

Jeff Ostrowski · November 18, 2013

“Look Beyond The Bread You Eat” (Part 1)

Even after so many years, recalling this statement makes my brain explode with rage.

Fr. David Friel · November 17, 2013

Must Art Be Permanent?

A Thought from Evelyn Waugh

Richard J. Clark · November 15, 2013

The Politics of Sacred Music

Architecture? Incense? Piano? Guitar? Organ? Chant? Old translation? New translation? Latin? Inclusive or non-inclusive language? All the above sometimes have emotions assigned to them distracting from prayer. Putting God first is counter-cultural, but it should be apolitical.

Jeff Ostrowski · November 15, 2013

A Dream Come True: 1965 Missal Online!

“The Conference of Bishops has given permission that, when a qualified man is not
available, a woman may proclaim the readings prior to the gospel, while standing outside the sanctuary.” — 1970 Statement

Dr. Peter Kwasniewski · November 14, 2013

A Sober Assessment of Liturgical Reform

The official statements always sing the praises of reform, but the people in the pews know better. They are the ones who have suffered the most.

Corpus Christi Watershed · November 14, 2013

Kevin Allen Concert — Tomorrow Night!

Friday, November 15 at 7:00pm (CST) Kevin Allen will present a concert at St. Josaphat Church in Chicago, Illinois.

Gwyneth Holston · November 14, 2013

13th Century Sacred Art Class

Thomas More College Artist-in-Residence, David Clayton, to teach a class on painting in the English gothic style.

Jeff Ostrowski · November 14, 2013

More Thoughts On The 3-Year Lectionary …

“The Instruction pretends that we actually do have Propers for the Mass, whereas everyone knows that today the Mass Propers are sung perhaps at one Mass in ten thousand.” — Professor László Dobszay

Andrew R. Motyka · November 13, 2013

Gratefulness

Being the first to post about Thanksgiving so now everyone else looks like they’re copying me.

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“A father cannot introduce mistrust and division among his faithful children. He cannot humiliate some by setting them against others. He cannot ostracize some of his priests. The peace and unity that the Church claims to offer to the world must first be lived within the Church. ”

— Cardinal Sarah (14 August 2021)

Recent Posts

  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”
  • “Can Choral Music Survive?” • 3 Reasons It Will
  • A Simple Way to Sing and Notate Organum Harmony

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.