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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Dream Come True: 1965 Missal Online!

Jeff Ostrowski · November 15, 2013

HE CHANGES MADE to the Roman Rite didn’t happen overnight. They were phased in from approximately 1965 to 1972. However, some craziness started pretty early, as you can see by looking at this fully approved “congregational” musical setting of the Our Father published in 1966.

The first major changes came when Inter Oecumenici appeared in 1964. As a result, the 1965 Missale Romanum was published, a radical departure from the 1962 version. Only a few priestly prayers during Offertory and Canon were required to be said in Latin, and even those restrictions would be lifted a couple years later. You can download all 1,780 pages of the 1965 Missal in PDF form:

PDF Download: The 1965 Missal (1,785 pages)

This book belongs to Marie Johnson; it was scanned by Corpus Christi Watershed.

THE 1965 MISSAL includes 100% of the Latin (printed in tiny type) right next to the English, because Inter Oecumenici stated in no uncertain terms:

“Missals to be used in the liturgy, however, shall contain besides the vernacular version the Latin text as well.”

If this principle had been kept, many egregious errors (which still persist 40 years later) could have been avoided. The next big change came on 4 May 1967, when Tres Abhinc Annos allowed the Roman Canon to be prayed in the vernacular. Many priests tore out the (Latin) pages in their 1965 Missals and replaced them with inserts like this one. Notice the Imprimatur dated 1 October 1967. They certainly didn’t waste any time, did they? Why such a big rush to modify a venerable Rite that had existed for 1500 years? The sentence in Tres Abhinc Annos doesn’t match what I’ve been told by many people alive in 1967:

“The rich yield [of the liturgical reforms] is becoming quite clear from the many reports of bishops, which attest to an increased, more aware, and intense participation of the faithful everywhere in the liturgy, especially in the holy sacrifice of the Mass.”

The “rush job” led to many ugly, ephemeral books. In my opinion, the 1965 Missal is difficult to understand in places since it lacks red text, unlike this 1966 Sacramentary (108MB). Numerous errors were also printed, like the following (from the 1965 Missal):

In 1969, Pope Paul VI would promulgate the Novus Ordo Missae, but several more years would elapse before the “complete” Novus Ordo Rite came into existence. The haphazard way in which the various parts (3-year Lectionary, Graduale Simplex, Ordo Cantus Missae, etc.) were introduced can be seen by Bugnini’s explanation.

In 1969, many priests ripped out the Roman Canon and replaced it with inserts like this, containing four (4) new Eucharistic Prayers. Those who look carefully will notice something very odd, which I cannot fully explain:

That’s right … it’s dated December of 1968. My understanding is that Paul VI would not promulgate the new Eucharistic Prayers until 3 April 1969, but perhaps a reader can correct me.

TO QUOTE VANESSA WILLIAMS, I have “saved the best for last.” The most interesting document I’ve found is this 1970 Ordo Missae (89MB). Turn to Appendix I, and you’ll discover many fascinating injunctions. I will not detail them here, but I will provide the following example (based on Liturgicae Instaurationes, §7):

It would be fascinating to learn if books similar to the above were produced in French, Italian, Spanish, German, etc.

 

UPDATE:   Please note that the “Missale Romanum” is dated 1966. However, it’s an identical, exact reprint of the 1965 edition. Also, people have been asking about the “dream come true.” The “dream” was to have the 1965 Missal online.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1965 Missal, Annibale Bugnini Reform Last Updated: July 19, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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