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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What to Do with the Prayer of the Faithful

Fr. David Friel · October 20, 2013

HE GENERAL INTERCESSIONS are supposed to be just that: general intercessions. So often, though, the bidding prayers we offer at Mass are specific rather than general, and more commentary than petition.

Many parishes use subscription services that provide intercessions for every Sunday or even every liturgical day. Some of the fault lies with these corporations, which could do a better job of composing the texts.

Fault also lies, sometimes, with lectors who relish in adding a final petition encouraging people to add their “personal intentions” in the silence of their hearts. Worse is the invitation to “popcorn intercessions,” when those personal intentions are actually called out from the congregation. I can hardly disagree with the desire to engender intercessory prayer among the faithful, but would it not be better for those assisting at Mass to form their intentions for the Mass before Mass begins?

Professor Kwasniewski raised thoughtful questions about the purpose and nature of the Prayer of the Faithful in a previous post (here). I would like to add one further critique to those he offers.

My reservations about the Prayer of the Faithful center on the fact that these texts may be freely composed. Any time in the Roman Liturgy when there is an allowance to make up a liturgical text, one should be cautious. The third edition of the Roman Missal in English wisely removed numerous instances of the infamous phrase, “these or similar words.” While local composition of the bidding prayers is certainly permissible, is it advisable? Should it not disturb me that Liturgical Press or the parish secretary or even the celebrant can freely compose texts for use at Holy Mass?

Of course, there is a general format to which the general intercessions ought to conform. There are even example sets in an appendix in the Roman Missal. The common practice, however, is often quite divergent from the expected norms.

What should be done with the Prayer of the Faithful? It may be a comparatively minor element of the Mass, but it may be an area for reflection and reform.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

It is unworthy that the stone holds Him, Who encloses everything in His hand, Locked in by the forbidding rock. (“Indígnum est cujus claudúntur cuncta pugíllo | Ut tegat inclúsum rupe vetánte lapis.”)

— SALVE FESTA DIES (Eastertide)

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  • New Bulletin Article • “12 October 2025”

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