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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

True Compassion

Fr. David Friel · June 9, 2013

ERHAPS YOU WORK in a parish office; perhaps you work in a classroom; perhaps you work in both. Most musicians work odd hours, but imagine for a moment that you have a 9-to-5 job. Now imagine that it’s 4:30 on Friday afternoon. It’s been a long week, and you’ve gotten a lot of things done. At this point, no one is starting any new projects. Then the phone rings. This could be anything, so you (along with all your coworkers) are hesitant to answer, for fear that the person on the other end might want something more complicated than you’re interested in getting involved with at this point in the week. The temptation is there to ignore the phone and just breeze into the weekend.

Take another example. I like to hike & camp & backpack, so imagine you are on a long backpacking trip. You have just finished a 15-mile day, and you’re approaching your campsite for the night. The first thing you want to do is take your boots off, sit down, and relax a bit. But you know that someone needs to set up the stove immediately and get some water boiling for dinner. The temptation is there to slip into the background and let somebody else deal with it so you can go on relaxing.

We have all been in similar situations, and so has Jesus. One day, Jesus came to the end of a long day’s hike to a city called Nain. As He and the large crowd with Him approached the city gate, they found a big funeral procession leaving the city. Yes, Jesus is fully divine, but He is also fully human, so I am very certain that, after a long day’s journey, the last thing He wanted to get involved with was a funeral procession and a grieving family. Yet our Lord does not allow that merely human inclination to get the better of Him. Instead, He rises above that. According to the Gospel, “He stepped forward.” He could have snuck back into the crowd or hid behind a rock or entered the city through a different gate. But He didn’t. Why?

Because, according to St. Luke, “He was moved with pity” for the woman who was not only the boy’s mother, but also a widow. In other words, Jesus allowed Himself to feel compassion for the poor widow of Nain. To be compassionate means, literally, to be able to “suffer with” the poor and downtrodden. It seems like the world wants to tell us that real men can’t be compassionate, though. Do you get the sense sometimes that, in the eyes of the world, authentic masculinity means remaining detached, unemotive, “strong”? I daresay that a man who cannot feel compassion is not “strong,” but weak & cold. Jesus is the greatest model of manhood there ever was, and He shows by example that compassion is not just for mothers.

This doesn’t mean, of course, that we all have to go around weepy and crying and pretending to be “sensitive,” but we do have to show true compassion. So, men: let’s reclaim what it means to be strong men who can recognize the needs of others and not be cold and unresponsive. Women: demand true manhood from the men in your life.

Jesus could have avoided the encounter with widow of Nain, but He chose instead to step forward and get involved. He could have given in to the human inclination to stay out of it, but He allowed Himself to be “moved with pity” for the poor woman. A real man is a man of compassion, and a man of compassion is a man of service. Can we—men and women—do the same? Can we be moved by compassion to step forward and be of service to those who suffer around us? We must, because the Gospel demands this of us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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