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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Obedience to the Church

Fr. David Friel · June 11, 2013

INDING TIME TO READ is difficult, but absolutely necessary for the life of the mind. My family and teachers taught me that the mind is a gift from God, and so we should do everything possible to develop it. Personally, I value reading a variety of things: news, fiction, professional material, poetry, periodicals, etc. Eight years spent in seminary formation, surrounded almost entirely by people with similar worldviews, taught me especially to value the purposeful digestion of other points of view. For this reason, I regularly read three periodicals: one with which I generally sympathize, a second with which I generally disagree, and a third that is published outside the USA and offers an international perspective.

A recent letter to the editor in one of those periodicals confounded me:

“The [Second Vatican] Council was, in many ways, our own Reformation. Yet many of its reforming efforts were largely thwarted by Pope John Paul II and Pope Benedict XVI. Those popes imposed an atmosphere of obedience and ‘orthodoxy’ that has squelched dissent. . . . They made it impossible for dialogue and renewal to overcome the archaic demands of silence and obedience to church authorities. . . . But obedience is not what the church needs from the faithful. It needs compassion.” (Commonweal, May 17, 2013)

The author seems to have an understanding of obedience that is utterly unfamiliar to me. Obedience, in my life, is one of the greatest sources of my freedom. It is in my obedience to the truths of faith, the revelations of Jesus, and the authority of our Mother, the Church, that I have experienced the truest freedom. Since promising obedience to my bishop at ordination, I have found the natural result to be interior peace and freedom of soul, not feudalistic indentured servitude. I have found imitation of Mary’s profound obedience to be the core of my spiritual life.

Does the Church need our obedience? Well, Christ demands our obedience to Him, so, insofar as the Church is a structure of divine establishment, yes. One should always be cautious when the word “dissent” is employed positively while the word “obedience” is used negatively.

This letter to the editor caused me to think of a musical analogy. When I play an organ score, a satisfying performance begins with playing the notes that are written in the score and is intensified by the charisma I can bring to it. In a certain sense, every musician who desires to be great must, before all else, be “obedient” to the notes of the particular composition. Disregarding the notes in the name of “freedom” would not engender peace or beauty. The results, rather, would be chaos and disharmony. Discord and division, of course, are synonyms for sin.

A wildly misguided understanding of obedience is not a surprising result of a culture in which self is central and in which freedom and license are nearly universally conflated. The Church very much needs our obedience—to Christ, and to the Church He kindly established as our saving refuge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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