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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Obedience to the Church

Fr. David Friel · June 11, 2013

INDING TIME TO READ is difficult, but absolutely necessary for the life of the mind. My family and teachers taught me that the mind is a gift from God, and so we should do everything possible to develop it. Personally, I value reading a variety of things: news, fiction, professional material, poetry, periodicals, etc. Eight years spent in seminary formation, surrounded almost entirely by people with similar worldviews, taught me especially to value the purposeful digestion of other points of view. For this reason, I regularly read three periodicals: one with which I generally sympathize, a second with which I generally disagree, and a third that is published outside the USA and offers an international perspective.

A recent letter to the editor in one of those periodicals confounded me:

“The [Second Vatican] Council was, in many ways, our own Reformation. Yet many of its reforming efforts were largely thwarted by Pope John Paul II and Pope Benedict XVI. Those popes imposed an atmosphere of obedience and ‘orthodoxy’ that has squelched dissent. . . . They made it impossible for dialogue and renewal to overcome the archaic demands of silence and obedience to church authorities. . . . But obedience is not what the church needs from the faithful. It needs compassion.” (Commonweal, May 17, 2013)

The author seems to have an understanding of obedience that is utterly unfamiliar to me. Obedience, in my life, is one of the greatest sources of my freedom. It is in my obedience to the truths of faith, the revelations of Jesus, and the authority of our Mother, the Church, that I have experienced the truest freedom. Since promising obedience to my bishop at ordination, I have found the natural result to be interior peace and freedom of soul, not feudalistic indentured servitude. I have found imitation of Mary’s profound obedience to be the core of my spiritual life.

Does the Church need our obedience? Well, Christ demands our obedience to Him, so, insofar as the Church is a structure of divine establishment, yes. One should always be cautious when the word “dissent” is employed positively while the word “obedience” is used negatively.

This letter to the editor caused me to think of a musical analogy. When I play an organ score, a satisfying performance begins with playing the notes that are written in the score and is intensified by the charisma I can bring to it. In a certain sense, every musician who desires to be great must, before all else, be “obedient” to the notes of the particular composition. Disregarding the notes in the name of “freedom” would not engender peace or beauty. The results, rather, would be chaos and disharmony. Discord and division, of course, are synonyms for sin.

A wildly misguided understanding of obedience is not a surprising result of a culture in which self is central and in which freedom and license are nearly universally conflated. The Church very much needs our obedience—to Christ, and to the Church He kindly established as our saving refuge.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

Recent Posts

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  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

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