• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Live for the Moment

Andrew R. Motyka · May 1, 2013

S SOMEONE WHO WENT TO HIGH SCHOOL in the 90s, I am quite familiar with the cliché, “live for the moment.” It was everywhere when I was young: this mentality that we need to forget about tomorrow and live it up today, and I thought it silly. How interesting that, liturgically, I think the exact opposite now.

Something odd struck me when I was watching the recent election of Pope Francis on television. There were thousands of people gathered in St. Peter’s Square, and almost every one of them was holding a smart phone or tablet, recording the proceedings. The people weren’t content just to be there; they wanted to record the event for posterity.

There is nothing wrong with this particular instinct. It seems quite human to me. When you witness something historical, beautiful, or otherwise remarkable, you want to save that moment, preserve it so you can revisit it in the future. How many blogs have you seen with extensive pictures or video of a particularly beautiful Mass, or a truly prayerful liturgical song?

What worries me about this phenomenon is not the technological novelty of it. I’ve wanted the kids to get off my lawn long before the smart phone. What troubles me is the inability to exist in a beautiful moment for its own sake. For every video or picture of a beautiful liturgy you see online, there was an individual standing, at Mass, recording it. When we watched the announcement of Pope Francis on TV, we were witnessing history. I couldn’t help but think, “Oh, I wish I could be there.” But then, most everyone there wasn’t really taking in what was going on around them; they were viewing it through a camera lens.

Nowhere is this phenomenon more evident than at the Nuptial Mass. Since more people dive right into the Big Business of weddings, there is almost no awareness of liturgical presence at all. Every single aspect of most weddings is scripted, right down to “fake exits” to get just the right picture. That’s not real. That’s not liturgy. That’s posing for an event that never happened. There’s a reason why many couples say, in hindsight, that they remember very few things about their wedding day. It is because they didn’t worship, didn’t celebrate, and didn’t live. They posed for pictures to be experienced on a later date.

The earthly liturgy exists in time. It is a temporal experience. Sure, it is a participation in the eternal heavenly liturgy, but we do not directly experience that timelessness. Ask any choir, and they’ll tell you that one of the greatest and simultaneously most frustrating aspects of liturgical music is that you prepare quite some time to execute a piece, then you sing it at Mass, and then it’s done. There’s another Mass next week to prepare for, and unlike Broadway, there’s no second show tomorrow.

How much more do we need to allow ourselves to become absorbed in the temporality of liturgy? Focus on the beauty of music, of art, of Word, and of the miracle going on at Mass. You get, maybe, an hour to 90 minutes of the Mass on a Sunday. Exist in the moment, and enjoy the short glimpse of eternity you get. Stop worrying about recording it for later; the liturgy, like music, exists in time. Stop being an observer and be a participant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

I feel the greatest destroyer of peace today is abortion, because it is a direct war, a direct killing—direct murder by the mother herself. And we read in the Scripture, for God says very clearly: “Even if a mother could forget her child, I will not forget you: I have carved you in the palm of my hand.”

— Mother Theresa (11 Dec 1979)

Recent Posts

  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)
  • PDF Download • Simplified Keyboard Accompaniments for Lenten Hymns
  • Ending Good Friday on “Mi” … ?
  • “Innsbruck Hymn” • Bach Saint Matthew Passion

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.