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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Personal Encounter with Pope Francis

Richard J. Clark · March 22, 2013

SIMPLE ENCOUNTER can often change the course of one’s life, or perhaps the course of many lives. This is often true for both parties who meet each other for the first time—no matter how disparate the social or political standing. Pope Francis has made it clear he will embrace the most lowly in society: Pope Francis To Hold Holy Thursday Mass In Casal Del Marmo Youth Jail where he will wash prisoners’ feet. Certainly, Pope Francis will change lives forever through this profound encounter.

Fr. Jonathan Gaspar (Priest Secretary to His Eminence Seán Cardinal O’Malley) has been in Rome during the conclave through the installation of Pope Francis. Recently, Fr. Gaspar had the opportunity to meet privately with Pope Francis. With his permission I will share with you more of his heartfelt words upon his personal meeting with Pope Francis.

In this encounter, there is an important message for all of us; it is a three-fold message of love, thanksgiving, and prayer. Even the Pope needs our love, our thanks, and most especially our prayers!

“This morning Cardinal Seán asked me to deliver a note to the Pope’s secretary at the Domus Santa Marta, the guest residence in Vatican City where Pope Francis has been living since his election. While speaking to his secretary, the Holy Father came down the hall and I greeted him with the traditional kissing of his ring, and we spoke for a little over a minute. He was kind and seemed happy to speak with me! He told me how much he respected Cardinal O’Malley.

“I told him three things: first, that we love him; second, I thanked him for his beautiful example of humility for me as a priest and for all Christians; lastly I told him that I was praying for him. When I told him that I was praying for him, he lit right up, thanked me for my prayers and asked me to continue praying.

“I’m still amazed at his approachability and simplicity. I will never forget this encounter, and I wanted to share it with all of you so that you will appreciate how special Pope Francis really is. Great way to end my trip to Rome for these historic days in the life of the Church.

“Pray for Pope Francis, and Thank God He has sent us another holy pastor and shepherd to guide us to Christ! — at Città Del Vaticano.”

I have read the above words several times, and I am still amazed at what I learn each time I read them.

Fr. Jonathan Gaspar is also the Director of the Office of Divine Worship for the Archdiocese of Boston. Additionally, he is an organist, singer, and a great advocate of Gregorian Chant. In 2011, he formed the Office of Divine Worship Saint Cecilia Schola in which we collaborated on recording the ICEL Chants of the Roman Missal, Third Edition. Listen and watch here to Fr. Gaspar’s practice video of the Easter Proclamation

(Photo courtesy of PilotCatholicNews.com)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Never before have men had so many time-saving devices. Yet, never before have they had so little free time. When the world unnecessarily accelerates, the Church must slow down.

— Archbishop Fulton J. Sheen

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