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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1937 Organ Accompaniments for the Kyriale (Bragers)

Corpus Christi Watershed · March 19, 2013

km0_1937_Bragers_Organ_Accompaniment_Vatican_Kyriale HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

Here’s a PDF download — Organ Accompaniments for the Ordinarium Missæ:

      * *  1937 Organ Accompaniments for the Kyriale (Achille P. Bragers) — High Key

Click here to purchase this book for just $17.00 • Spiral-bound, 163 pages long • View index.

This same book is being sold by others for $38.00!



If you need the “Low Key,” click here and order Volume 1.

ORGAN ACCOMPANIMENTS • ORDINARY OF THE MASS (Ordinarium Missae) • COMPLETE GREGORIAN CHANT MASSES • First published in 1937, this organ accompaniment has in modern notation all of the standard Kyriale Ordinaries (I – XVIII), the Credo versions I-VI, and the Asperges (including one ad libitum) and Vidi aquam chant. And for choirs that are not proficient enough yet to sing the propers of the Requiem Masses a cappalla, Bragers generously provided the accompaniments for their propers and Kyriale and the other funeral functions; i.e.: the entrance of the casket into the church (Subvenite), the in Exsequiis (Miserere) absolution ceremony (Libera me, responses and Benedictus), and the concluding antiphon, In Paradisum. Of course what Gregorian Chant organ accompaniment manual is complete without supplying some of the ad libitum modes for the Kyriale? Bragers succeeds here too admirably with cantus ad libitum chants for I – XI of the Kyrie, I – III and more ambrosiano of the Gloria, I – III of the Sanctus and I & II of the Agnus Dei. Throughout the entire book, the organ notation is underscored by the Latin words, hyphenated under each appropriate note (which assists with proper pronunciation of liturgical Latin, too). Fully indexed, all notations and text are in printed in black ink on medium stock paper to ensure durability, while the spacious comb-binding gives the organist easy and quick access. Kyrie, Gloria, Credo, Sanctus, Agnus Dei, Ite missa est). This is a must-have for organists who play for the Tridentine Latin Mass!

Bragers’ Kyriale contains organ accompaniments according to the Solesmes rhythmic markings.

courtesy of a generous person (A.C.)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.”

— Pope Saint Paul VI (14 Oct 1968)

Recent Posts

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  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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