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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

John Henry Newman Institute of Liturgical Music

Corpus Christi Watershed · January 15, 2013

Watershed was recently sent some information about the John Henry Newman Institute of Liturgical Music. We have shared it below.

John Henry Newman Institute of Liturgical Music / January 2013

Dear Friend

E THOUGHT you would like to know the progress of the John Henry Newman Institute of Liturgical Music in its first year of existence, and we thank you all for your support and interest. Our next event is on Saturday 19th January at the Oratory in the upper cloister chapel from 9.30 – 1.00pm, when Fr Guy Nicholls will be the speaker. The subject will be “What is liturgical music?”

The programme for following months will be on the website by January 10th 2013.

Since its launch in September 2011, the first year has been both busy and complex. The immediate tasks have been to provide a relevant and inspiring programme of events, to investigate the extent and nature of musical needs to be met, and, of course, to remain solvent! With these aims in mind, the Director has travelled and worked widely at home and abroad, teaching, singing and meeting like-minded people so that the Institute’s work is well-informed, purposeful and practical and also involves active and enthused people to further its cause. There has been a series of practical and theoretical talks based in Birmingham, and events in other parts of the United Kingdom such as Glasgow, Cambridge and Cardiff. In September this year, a successful conference was held in Birmingham at the Oratory church and the Oratory primary school in Ladywood and this confirmed the purpose of the Institute and the need for its work. The videos of the lectures are on our website.

At present we are planning next year’s events. These are:

— A series of talks and workshops between January and the end of June, culminating in a conference in October (dates will be confirmed as soon as possible on the web site)

— Working with the Oratory Primary School in Ladywood, Birmingham and its head teacher, Clare Dickinson, to foster the already existing musical development of all children at the school, especially singing

— Looking into the need for a course in sacred music at graduate level

— Developing links with other groups such as the Church Music Association of America

— Giving younger people a voice to express their views

With these elements in mind, practical, supportive and academic, we will work hard to establish a high quality knowledge and skills base to support liturgical music.

Probably, to end this letter, it is best to restate the purpose of liturgical music which can be difficult to explain in a few words, especially to the impatient and unimpressed!
This is part of Fr Guy Nicholls’ opening address from our September conference.

Liturgical music, especially singing, is above all, rational music – that is, reasonable. This means that it has a definite content, that of scriptures and the words of the Church’s liturgy. It is the expression of an inward state of submission to God’s word before it can be effective as an outward expression. In other words, the liturgical musician must be himself or herself both a musician and a living member of the Body of Christ. We liturgical musicians must be men and women of prayer and the sacraments. Our contribution to the liturgy must be an expression of our belonging to Christ and not an expression of our own private individuality. That is why the work of the Institute is designed with a double aim: on one hand the greater knowledge of and better implementation of the Church’s already existing treasury of sacred music: and on the other the ever deepening love of the Church as the Body of Christ, enlivened and nourished by the Holy Spirit especially in the realm of her worship. That is why we always aim to provide in our classes and events both a theological and practical component, highlighting aspects of the history and authenticity of liturgical music, and also to put this into practice in celebrating some part of the liturgy, either by a sung celebration of the Mass, or by singing the Divine Office, the church’s own prayer and praise sanctifying the hours of the day and the times and seasons of the year.”

There is much work to be done and we will do our best to keep you informed.

We send you very best wishes for the Christmas Season and hope to hear from you in what will, no doubt be a very busy 2013.

To learn more, you may want to visit their website [url].

There is also an Email address listed that can be used to reply to the Questionnaire (John Henry Newman Institute of Liturgical Music) [pdf].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

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  • “Our Father” • Musical Setting?

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