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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

John Henry Newman Institute of Liturgical Music

Corpus Christi Watershed · January 15, 2013

Watershed was recently sent some information about the John Henry Newman Institute of Liturgical Music. We have shared it below.

John Henry Newman Institute of Liturgical Music / January 2013

Dear Friend

E THOUGHT you would like to know the progress of the John Henry Newman Institute of Liturgical Music in its first year of existence, and we thank you all for your support and interest. Our next event is on Saturday 19th January at the Oratory in the upper cloister chapel from 9.30 – 1.00pm, when Fr Guy Nicholls will be the speaker. The subject will be “What is liturgical music?”

The programme for following months will be on the website by January 10th 2013.

Since its launch in September 2011, the first year has been both busy and complex. The immediate tasks have been to provide a relevant and inspiring programme of events, to investigate the extent and nature of musical needs to be met, and, of course, to remain solvent! With these aims in mind, the Director has travelled and worked widely at home and abroad, teaching, singing and meeting like-minded people so that the Institute’s work is well-informed, purposeful and practical and also involves active and enthused people to further its cause. There has been a series of practical and theoretical talks based in Birmingham, and events in other parts of the United Kingdom such as Glasgow, Cambridge and Cardiff. In September this year, a successful conference was held in Birmingham at the Oratory church and the Oratory primary school in Ladywood and this confirmed the purpose of the Institute and the need for its work. The videos of the lectures are on our website.

At present we are planning next year’s events. These are:

— A series of talks and workshops between January and the end of June, culminating in a conference in October (dates will be confirmed as soon as possible on the web site)

— Working with the Oratory Primary School in Ladywood, Birmingham and its head teacher, Clare Dickinson, to foster the already existing musical development of all children at the school, especially singing

— Looking into the need for a course in sacred music at graduate level

— Developing links with other groups such as the Church Music Association of America

— Giving younger people a voice to express their views

With these elements in mind, practical, supportive and academic, we will work hard to establish a high quality knowledge and skills base to support liturgical music.

Probably, to end this letter, it is best to restate the purpose of liturgical music which can be difficult to explain in a few words, especially to the impatient and unimpressed!
This is part of Fr Guy Nicholls’ opening address from our September conference.

Liturgical music, especially singing, is above all, rational music – that is, reasonable. This means that it has a definite content, that of scriptures and the words of the Church’s liturgy. It is the expression of an inward state of submission to God’s word before it can be effective as an outward expression. In other words, the liturgical musician must be himself or herself both a musician and a living member of the Body of Christ. We liturgical musicians must be men and women of prayer and the sacraments. Our contribution to the liturgy must be an expression of our belonging to Christ and not an expression of our own private individuality. That is why the work of the Institute is designed with a double aim: on one hand the greater knowledge of and better implementation of the Church’s already existing treasury of sacred music: and on the other the ever deepening love of the Church as the Body of Christ, enlivened and nourished by the Holy Spirit especially in the realm of her worship. That is why we always aim to provide in our classes and events both a theological and practical component, highlighting aspects of the history and authenticity of liturgical music, and also to put this into practice in celebrating some part of the liturgy, either by a sung celebration of the Mass, or by singing the Divine Office, the church’s own prayer and praise sanctifying the hours of the day and the times and seasons of the year.”

There is much work to be done and we will do our best to keep you informed.

We send you very best wishes for the Christmas Season and hope to hear from you in what will, no doubt be a very busy 2013.

To learn more, you may want to visit their website [url].

There is also an Email address listed that can be used to reply to the Questionnaire (John Henry Newman Institute of Liturgical Music) [pdf].

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“The Catholic liturgy has been overthrown under the pretext of rendering it more acceptable to the secularised masses.”

— Professor Louis Bouyer (writing in 1975)

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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