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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A German Franciscan Soldier who Sang

Veronica Brandt · March 16, 2019

Un Franciscain chez les SS HE STORY of the life of Fr Gereon Goldmann OFM is amazing on many levels. A seminarian who was drafted into the Nazi army, ascended ranks, all while keeping and defending the Faith, is bound to have some capitivating experiences to share.

Amongst all the horror of war, the amazing close escapes, the heart wrenching tragedies, there are pieces of consolation. One small glimpse into this priest’s background comes out in a few adventures involving sacred music. Here are two such episodes.

Being discovered as Christians as new recruits:

The young lieutenant, younger even than I, turned white and screamed at me and the other seminarians who had been pointed out to him: “Up a tree—quick, march!” Promptly, tongues in cheek, we obeyed the command and climbed the nearest tree. We found comfortable perches on handy cross-branches and peered down. Somehow, our expressions did not seem to the lieutenant to be suitable; we were not contrite, but triumphant, and so once again he gave a command: “Sing a hymn!”

With all the dignity at our command, considering our perch, we loudly sang the Te Deum— in Latin, of course. The poor lieutenant understood only his army German and roared, “What was that? I ordered you to sing a church song!”

“But, lieutenant,” I replied loudly, so that the others who were standing around showing various emotions at this spectacle, could hear, “that was a church song. We are sorry that you do not understand it. But of course the language of the church is Latin or Greek or Hebrew. Those who do not understand these languages cannot, unfortunately, understand the songs of the church.”

And later, when stationed in France:

On July 14 in Vaux sur Blaise, the French celebrated their national holiday—which we did not know at the time. We went to Mass as usual, and three or four choirgirls began to whine away at singing the High Mass. We could not long endure that, and some six Franciscan seminarians opened up and sang a true choral Mass. The French were speechless.—and so were we next morning. The entire staff was in an uproar. Word quickly got around that we sang, in SS uniform, in a French church on Bastille Day…

After the war, Fr Goldmann did wonderful work in Japan. Later in life he founded St Gregory House in Tokyo, an institute for teaching Sacred Music in 1979, where he taught for 15 years.

The Shadow of His Wings is available from Ignatius Press as Paperback, eBook, Audio Book and Graphic Novel. The Graphic Novel doesn’t mention these musical escapades, but my kids found it much more approachable.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Franz Liszt was an eminent keyboard virtuoso but a dangerous example for the young. … As a composer he was terrible.”

— Clara Schumann

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