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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A German Franciscan Soldier who Sang

Veronica Brandt · March 16, 2019

Un Franciscain chez les SS HE STORY of the life of Fr Gereon Goldmann OFM is amazing on many levels. A seminarian who was drafted into the Nazi army, ascended ranks, all while keeping and defending the Faith, is bound to have some capitivating experiences to share.

Amongst all the horror of war, the amazing close escapes, the heart wrenching tragedies, there are pieces of consolation. One small glimpse into this priest’s background comes out in a few adventures involving sacred music. Here are two such episodes.

Being discovered as Christians as new recruits:

The young lieutenant, younger even than I, turned white and screamed at me and the other seminarians who had been pointed out to him: “Up a tree—quick, march!” Promptly, tongues in cheek, we obeyed the command and climbed the nearest tree. We found comfortable perches on handy cross-branches and peered down. Somehow, our expressions did not seem to the lieutenant to be suitable; we were not contrite, but triumphant, and so once again he gave a command: “Sing a hymn!”

With all the dignity at our command, considering our perch, we loudly sang the Te Deum— in Latin, of course. The poor lieutenant understood only his army German and roared, “What was that? I ordered you to sing a church song!”

“But, lieutenant,” I replied loudly, so that the others who were standing around showing various emotions at this spectacle, could hear, “that was a church song. We are sorry that you do not understand it. But of course the language of the church is Latin or Greek or Hebrew. Those who do not understand these languages cannot, unfortunately, understand the songs of the church.”

And later, when stationed in France:

On July 14 in Vaux sur Blaise, the French celebrated their national holiday—which we did not know at the time. We went to Mass as usual, and three or four choirgirls began to whine away at singing the High Mass. We could not long endure that, and some six Franciscan seminarians opened up and sang a true choral Mass. The French were speechless.—and so were we next morning. The entire staff was in an uproar. Word quickly got around that we sang, in SS uniform, in a French church on Bastille Day…

After the war, Fr Goldmann did wonderful work in Japan. Later in life he founded St Gregory House in Tokyo, an institute for teaching Sacred Music in 1979, where he taught for 15 years.

The Shadow of His Wings is available from Ignatius Press as Paperback, eBook, Audio Book and Graphic Novel. The Graphic Novel doesn’t mention these musical escapades, but my kids found it much more approachable.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

Recent Posts

  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?

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