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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jungmann’s Remarkable Statement About The Mass Propers In 1964

Jeff Ostrowski · February 9, 2014

814 pius ii mantua Pope Pius II at the Congress of Mantua ROM A HISTORICAL PERSPECTIVE, László Dobszay has demonstrated that it’s incorrect to assume each Mass has its own “theme.”  Even more erroneous is the notion that the Readings historically played the largest role in determining this “theme.”  From a theological perspective, Fr. Deryck Hanshell has said:

In the name of the reform there has been a tendency to equate the “theme” of the Mass with the theme to be derived from the readings. This is a misunderstanding of the nature of the Mass, in which the liturgy of the word leads up to and is subordinate to the liturgy of the sacrifice. In every Mass there is properly speaking one theme and one theme alone: the theme of the paschal mystery, of the death and resurrection of Christ.

I had previously assumed that Fr. Josef Jungmann was aware of these two basic realities, so I was shocked to discover something he wrote in 1964:

Very often the Propers are not particularly apposite, bearing a particular reference neither to the rest of the Mass formula nor to the relevant part of the action of the Mass. In short, they need reforming.

The entire article is available at the following link:

      * *  “Liturgy and Congregational Singing” (1964) — Fr. Josef A. Jungmann, SJ

Did you notice the horrible error made by Editor, by the way? He accidentally typed “OPPOSITE” instead of “APPOSITE”. Needless to say, there’s a huge difference! (For the record, Msgr. Schmitt often joked about how sloppy an editor he was.)

Anyway, getting back to that quote … it’s appalling! In essence, Jungmann is saying:

“I’ve decided that each Mass has a theme. If the ancient Propers don’t match the theme I’ve invented, let’s change them. Let’s ignore the incredible history of these prayers, which have been used for approximately 1,600 years.”

The spoken Propers were, in fact, radically reformed in the wake of the Second Vatican Council, but the Sung Propers were left largely untouched. The reformers also annihilated most of the Collects, perhaps because they didn’t sufficiently match the “theme.” Dr. Lauren Pristas wrote a book about this, which I mention in my article, “Bugnini wanted to get rid of Ash Wednesday.”

I challenge you to carefully read that quote by Jungmann several times. What he’s putting forth shows a total misunderstanding of the Church’s liturgical life. I realize this is a serious allegation, but I cannot see any other possible conclusion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Mass Propers Proprium Missae Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Saint Pius X restored to the faithful the two essential means of participation: communion and chant. Unfortunately, owing to prevailing ideas and circumstances, there was a tendency (it still persists) to separate the two, and one consequence of the increase of communions has been the desertion of high Mass; a distinction has grown up between communion Mass (anomalous term) and sung Mass, as if the two were incompatible.”

— Lancelot Capel Sheppard (22 Jan 1955)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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