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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mark Dwyer • Concert to Benefit the E. & G. G. Hook & Hastings (1875) Organ at the Cathedral of the Holy Cross

Richard J. Clark · October 23, 2018

ARK DWYER, Organist and Choirmaster of the Church of the Advent and one of the finest church musicians in the country, will have the distinction of shining the light on two glorious Hook organs in Boston all at the same time — and in one concert.

With the Cathedral of the Holy Cross currently under renovation, fundraising for the Cathedral’s historic 101-rank E. & G. G. Hook & Hastings Organ, Opus 801 (1875) continues with a concert at Saint John’s Seminary:

Sunday, October 28, 2018, 3:00pm
St. John’s Seminary • 127 Lake St., Boston, MA 02135 Dwyer will play works by Sowerby, Franck, Handel, and Whitlock on the beautiful Hook & Hastings — 1902, Opus 1833 restored by the Andover Organ Company in 2015.

• Download concert poster and info here.
• Download concert program here.
• Suggested donation: $20. Boston AGO members, Seniors, and Students: $10.
• Parking is available at Saint John’s Seminary.
• The Seminary is accessible by the MBTA Green Line “B Train” outbound to Boston College (end of the line).

The Cathedral of the Holy Cross in Boston, Massachusetts contains one of the most notable historic pipe organs, the 101-rank E. & G. G. Hook & Hastings Organ, Opus 801 (1875). Quite distinctive and rare is not that it is Hook’s largest organ, or that it was the largest organ built in America at that time, but that it is still nearly tonally intact from 1875. It is a concrete link to many generations who have worshipped in Boston. It is a living and breathing connection to sacred art and to our treasured traditions. These in turn elevate our minds and hearts to God and remind us of who we are today.

• Listen to several brilliant improvisations by Mark Dwyer on the Cathedral Opus 801 organ here.

• Listen to Janet Hunt perform on the Seminary’s Opus 1833 organ here.

ALL PROCEEDS GO ENTIRELY to the Cathedral Organ Restoration Fund for the E. & G. G. Hook, Opus 801. While the instrument has come a very long way in recent decades, there is much more restoration work that needs to be done. I hope to prioritize additional restoration projects in collaboration with the Andover Organ Company.

Another happy development is that with the removal of a great deal of carpeting and the addition of marble floors, the glorious sound will be further enhanced. Any funds contributed will be supported by an improved acoustic! We wish to keep it playing more beautifully than ever and for years to come.

The main sanctuary of the Cathedral of the Holy Cross is scheduled to reopen in time for Holy Week of 2019. (The Cathedral’s Blessed Sacrament Chapel and Our Lady’s Chapel are still open and continue to serve the Cathedral Parish.) I also greatly look forward to Leo Abbott’s rededication recital of the E. & G. G. Hook, Opus 801. As Music Director and Organist of the Cathedral for thirty-three years, it is truly his voice and he makes it sing like no one can.

E OWE AN ENORMOUS DEBT OF GRATITUDE to Leo Abbott, FAGO, ChM. for nearly singlehandedly driving the ongoing restoration of this beautiful instrument that was in disrepair (and at times silent) for parts of the Twentieth Century. It has been a labor of love that began with cleaning pipes in the basement and doing a number of improvements on a shoestring budget. My intention is to build upon Abbott’s legacy and allow this instrument to continue to serve the greater glory of God.

This concert is co-sponsored by the Boston Chapter of the American Guild of Organists. In addition, Many thanks to Janet Hunt, Director of Music and Organist at St. John’s Seminary for hosting this benefit concert two years in a row. Such collaboration for the sake of sacred music, art, and beauty is rare and very special!

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“If we continue to tolerate sad examples of liturgical abnormalities, experimentation, abuse, and simply poor-quality liturgies, why should we single out those connected to the ancient rites of the Church for special vigilance? It just doesn’t seem right.”

— An Example of a response (sent to Pope Francis) Re: the TLM

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