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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Preface of the Holy Cross

Fr. David Friel · March 18, 2018

HE TWO-WEEK season known as “Passiontide” traditionally begins today. This is the period of proximate preparation for the Paschal festivities. It is marked liturgically in a number of ways.

In the Ordinary Form and the Extraordinary Form, for example, this is the time during which sacred images are veiled in the church (with the exception of the Stations of the Cross). In the Extraordinary Form, Passiontide is further distinguished by the suppression of the Gloria Patri and the omission of the Judica (Psalm 42) at Mass.

Another special feature of Mass during Passiontide in the Extraordinary Form is the use of the preface of the Holy Cross, which is among the most superlative examples of all such texts. I reproduce here the Latin original of this preface:

Vere dignum et iustum est, æquum et salutáre,
nos tibi semper et ubíque grátias ágere:
Dómine, sancte Pater, omnípotens, ætérne Deus:

Qui salútem humáni géneris in ligno crucis constituísti,
ut unde mors oriebátur, inde vita resúrgeret;
et, qui in ligno vincébat, in ligno quoque vincerétur:
per Christum Dóminum nostrum.

Per quem maiestátem laudant Angeli,
adórant Dominatiónes, tremunt Potestátes.
Cæli cælorúmque Virtútes, ac beáta Séraphim,
sócia exsultatióne concelebrant.

Cum quibus et nostras voces ut admítti iúbeas, deprecámur,
súpplici confessióne dicéntes:

Sanctus, Sanctus, Sanctus Dóminus Deus Sábaoth…1

And here is my own English translation of the preface:

It is truly worthy and just, fair and salvific,
for us to give you thanks always and everywhere,
Lord, holy Father, almighty, eternal God.

You placed the salvation of the human race upon the wood of the cross,
so that where death arose, there life might rise again;
and the one who conquered on a tree, might also be conquered on a tree:
through Christ our Lord.

Through whom the Angels praise your majesty, Dominions adore, Powers tremble.
Heaven and the Virtues of heaven, and the blessed Seraphim, unite to celebrate together with exultation.

Graciously grant, we pray, that our voices may be joined to theirs, in humble praise, saying:

Holy, Holy, Holy, Lord God of hosts…

The bold sections above are the heart of this magnificent preface, most likely authored by the great eighth-century liturgist, Alcuin of York.

Our first extant source for this text is the Masses of Alcuin. 2 Among this collection of 278 Masses, Deshusses identifies 223 formularies that are simply borrowed from other sacramentaries or that can be found only in one or two MSS. From among the remaining 55 Masses, Deshusses highlights a subset of 21 or 22 that, on account of their homogeneous structure and style, ought to be considered the authentic work of Alcuin, either as editor or as author. 3 Structurally, these formularies are distinguished by their inclusion of the three standard orations, possibly a preface, and a super populum. Stylistically, the choice of words is marked by high refinement and an affinity for elegant comparisons and inversions.

The votive Mass “De Sancta Cruce” is among this special subset, and it includes the preface that remains in use verbatim in Missale Romanum 2008 for both the feast of the Exaltation of the Holy Cross (September 14th) and the votive Mass “De Mysterio Sanctae Crucis.” (See also this short history of the feast of the Exaltation.) In Missale Romanum 1570 (and MR 1962), this is the same preface used during Passiontide.

This preface contains rich scriptural allusions. The statement, “qui salutem humani generis in ligno crucis constituisti,” alludes strongly to the following Gospel passage: “And as Moses lifted up the serpent in the wilderness, so must the Son of man be lifted up, that whoever believes in him may have eternal life” (John 3:14-15, RSV). These verses, in turn, recall Numbers 21:5-9, wherein the Israelites who had been bitten by fiery serpents are healed by looking upon a bronze serpent lifted up on a pole. It is a beautiful and essential feature of this story from Numbers that the people were healed by means of the same instrument by which they had been struck, namely a serpent; the preface capitalizes upon the same device, extending the imagery to the tree of paradise and the tree of Calvary.

Another scriptural reference apparent in the preface is the phrase, “qui in ligno vincebat, in ligno quoque vinceretur.” 4 The preface text does not specify the subject of this phrase, but scriptural context reveals it to be Satan, who defeated Adam and Eve in the garden of Eden (Genesis 3). By whom or what, however, was Satan, himself, conquered on a tree? Scripture answers this question, too, where Peter observes that “he, himself [Christ], bore our sins in his body on the tree, that we might die to sin and live to righteousness” (1 Peter 2:24, RSV).

The Church offers so much for our reflection during the season of Lent, and the offerings are raised to an even richer register during Passiontide. Let’s not miss the powerful message of this beautiful, ancient, and eloquent preface.




NOTES FROM THIS ARTICLE:

1   Missale Romanum ex decreto sacrosancti oecumenici Concilii Vaticani II instauratum, auctoritate Pauli Pp. VI promulgatum, Ioannis Pauli Pp. II cura recognitum, editio typica tertia, reimpressio emendata (Vatican City: Typis Vaticanis, 2008).

2   Le Sacramentaire grégorien: Ses principales formes d’après les plus anciens manuscrits, édition comparative, vol. 2, ed. Jean Deshusses (Fribourg, Switzerland: Éditions Universitaires Fribourg, 1979), 1837. See also Edmond Moeller, Corpus Praefationum, CCL 161C (Turnhout: Brepols, 1980), 1200.

3   Deshusses, vol. 2, 25-26.

4   A very similar thought is expressed in a homily of Theodore the Studite: “ἐπειδὴ τὸ πρὶν διὰ ξὐλου τεθανατὠμεθα, ὲν ξύλῳ τὴν ἀθανασίαν εὑράμεθα · ὑπὸ ξύλου χατασοφισθέντες τὸ πρότερον, ἐν ξύλῳ τὸν σοφιστὴν ὄφιν ἀπεχρουσάμεθα.” Theodore the Studite, Oratio in adorationem crucis, in J.-P. Migne, Patrologia Graeca 99: 696.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin, Roman Missal Third Edition, Traditional Latin Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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