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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Hillbilly Thomists

Fr. David Friel · January 28, 2018

UBLISHED in 1952, Wise Blood is a Southern Gothic novel by Catholic author Flannery O’Connor. Many early critics interpreted the work as a tale of despair and darkness. In a 1955 response to one letter writer, O’Connor objected: “Everybody who has read Wise Blood thinks I’m a hillbilly nihilist, whereas I would like to create the impression . . . that I’m a hillbilly Thomist.” 1

Thus was born the name of a banjo-bearing band of bluegrass-loving brothers.

The Hillbilly Thomists are a group of Dominicans friars (ten brothers, of whom two are priests) belonging to the Province of St. Joseph and living at their Dominican House of Studies in Washington, DC. It is also the title of the group’s CD released last month (available here).

The cover art (see below) features a historic photograph from the Dominican archives that depicts thirteen friars from the early 20th century, each wielding a banjo, guitar, mandolin, fiddle, or clarinet. Seen in this light, The Hillbilly Thomists are, perhaps, more traditional than they first seem.

So, which members of the Order of Preachers make up this unusual bluegrass band? The notes accompanying the CD identify the following members of the group:

Fr. Austin Litke, OP — Mandolin, guitar, & vocals
Fr. Thomas White, OP — Banjo, dulcimer, & vocals
Br. Justin Bolger, OP — Guitar, piano, accordion, bass, & vocals
Br. Constantius Sanders, OP — Vocals
Br. Timothy Danaher, OP — Vocals
Br. Brad Elliott, OP — Drums
Br. Peter Gautsch, OP — Mandolin, piano, guitar, & vocals
Br. Joseph Hagan, OP — Drums, washboard, & bodhrán
Br. Jonah Teller, OP — Guitar & vocals
and Br. Simon Teller, OP — Fiddle & vocals

In all, the album presents just over 40 minutes of musical delight. Only one of the tracks is an original song: “I’m a Dog,” written by Br. Justin, formerly a professional songwriter. Featuring a tuneful melody and creative lyrics, the song plays on the Dominican notion of the “hound of the Lord” (rooted in the similarity between the Latin words Dominicanus and Domini canis, which means “dog/hound of the Lord”).

Other standout tracks include the brothers’ a capella version of Amazing Grace, their soulful rendition of the spiritual Steal Away, and their animated finger-picking during the Scotch-Irish instrumental Saint Anne’s Reel.

ECEPTION has been unequivocally positive. The early popularity of the album is not based solely on its catching title or the novelty of Dominicans doing bluegrass.

The recording broke into the top 10 bluegrass albums on Billboard and reached the status of #1 selling folk album on Amazon for a time. One can also find glowing reviews on the pages of America, First Things, and Word on Fire.

Having listened to the album several times now, I am happy to echo the wide praise these friars have garnered since the release date (12 December 2017). Only occasionally lacking in polish, the album is characterized by truly excellent musicianship and impressive missionary zeal. The quality of the sound may cause listeners to forget that this music is made by men whose primary work is prayer and preaching, not riffing and recording.

Check out this music video featuring one of the album’s tracks, Poor Wayfaring Stranger:




NOTES FROM THIS ARTICLE:

1   Flannery O’Connor, The Habit of Being: Letters of Flannery O’Connor, ed. Sally Fitzgerald (New York: MacMillan, 1988), 81.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Recording Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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