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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Hillbilly Thomists

Fr. David Friel · January 28, 2018

UBLISHED in 1952, Wise Blood is a Southern Gothic novel by Catholic author Flannery O’Connor. Many early critics interpreted the work as a tale of despair and darkness. In a 1955 response to one letter writer, O’Connor objected: “Everybody who has read Wise Blood thinks I’m a hillbilly nihilist, whereas I would like to create the impression . . . that I’m a hillbilly Thomist.” 1

Thus was born the name of a banjo-bearing band of bluegrass-loving brothers.

The Hillbilly Thomists are a group of Dominicans friars (ten brothers, of whom two are priests) belonging to the Province of St. Joseph and living at their Dominican House of Studies in Washington, DC. It is also the title of the group’s CD released last month (available here).

The cover art (see below) features a historic photograph from the Dominican archives that depicts thirteen friars from the early 20th century, each wielding a banjo, guitar, mandolin, fiddle, or clarinet. Seen in this light, The Hillbilly Thomists are, perhaps, more traditional than they first seem.

So, which members of the Order of Preachers make up this unusual bluegrass band? The notes accompanying the CD identify the following members of the group:

Fr. Austin Litke, OP — Mandolin, guitar, & vocals
Fr. Thomas White, OP — Banjo, dulcimer, & vocals
Br. Justin Bolger, OP — Guitar, piano, accordion, bass, & vocals
Br. Constantius Sanders, OP — Vocals
Br. Timothy Danaher, OP — Vocals
Br. Brad Elliott, OP — Drums
Br. Peter Gautsch, OP — Mandolin, piano, guitar, & vocals
Br. Joseph Hagan, OP — Drums, washboard, & bodhrán
Br. Jonah Teller, OP — Guitar & vocals
and Br. Simon Teller, OP — Fiddle & vocals

In all, the album presents just over 40 minutes of musical delight. Only one of the tracks is an original song: “I’m a Dog,” written by Br. Justin, formerly a professional songwriter. Featuring a tuneful melody and creative lyrics, the song plays on the Dominican notion of the “hound of the Lord” (rooted in the similarity between the Latin words Dominicanus and Domini canis, which means “dog/hound of the Lord”).

Other standout tracks include the brothers’ a capella version of Amazing Grace, their soulful rendition of the spiritual Steal Away, and their animated finger-picking during the Scotch-Irish instrumental Saint Anne’s Reel.

ECEPTION has been unequivocally positive. The early popularity of the album is not based solely on its catching title or the novelty of Dominicans doing bluegrass.

The recording broke into the top 10 bluegrass albums on Billboard and reached the status of #1 selling folk album on Amazon for a time. One can also find glowing reviews on the pages of America, First Things, and Word on Fire.

Having listened to the album several times now, I am happy to echo the wide praise these friars have garnered since the release date (12 December 2017). Only occasionally lacking in polish, the album is characterized by truly excellent musicianship and impressive missionary zeal. The quality of the sound may cause listeners to forget that this music is made by men whose primary work is prayer and preaching, not riffing and recording.

Check out this music video featuring one of the album’s tracks, Poor Wayfaring Stranger:




NOTES FROM THIS ARTICLE:

1   Flannery O’Connor, The Habit of Being: Letters of Flannery O’Connor, ed. Sally Fitzgerald (New York: MacMillan, 1988), 81.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Recording Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

The very first question to be considered, of course, was: “Just why does the Sacred Liturgy need renewal at all?” It cannot be denied that there were many present, in the beginning, who felt that the Liturgy was generally very good the way it was; further, if there were to be any improvements, they felt the Sacred Congregation of Rites was the agency properly suited to make those improvements.

— Most Rev’d Robert Emmet Tracy (d. 1980)

Recent Posts

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  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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