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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

6 Suggestions • “Promoting The Latin Mass”

Jeff Ostrowski · November 6, 2017

4035 incredulitatem ONSIGNOR CHARLES POPE recently published an article in the National Catholic Register. I have taken six points he makes (adding my own headers) and hope you’ll go read the entire article.

Msgr. Pope—what a Catholic name!—is making reference to a captivating video produced by the FSSP Apostolate in Los Angeles:

(1) Draw Them In

The video’s opening words are: “We have something that belongs to you.”  What a great line to draw people in!  Many Catholics do not know of the rich heritage that has to some degree been denied them by modernity. The TLM is the form of the Mass that most of the saints knew. With only minor variations and additions, this form of the liturgy has existed for well over a thousand years. The Latin, the chants, the eastward orientation, the often-deep silence—all of these reach across the centuries like treasures. A lot of things come and go, but the TLM has stood the test of time; it is a heritage that belongs to us. G.K. Chesterton wrote that “Tradition…is the democracy of the dead.” Yes, the dead should still have a vote; they should speak even in our times. They have wisdom to convey to us. This is our inheritance, our treasure. Thus, the Church has something that belongs to us.

(2) Something “Other”

Notice how the sacredness of the Traditional Latin Mass is set forth in the video. The word “sacred” means set apart, different from the ordinary and the world. The TLM powerfully manifests this quality that the Sacred Liturgy should have. In the TLM, we step out of the ordinary and into the “other.” We encounter God, who is holy, who is sacred, who is “Other.”

(3) We Are Brothers And Sisters

Consider also the formative and interpersonal dimensions highlighted in the video. The Sacred Liturgy is meant to form the human person and to form the community, which is the Church, the Body of Christ. The video emphasizes not only the traditional liturgy but the authentic human and parochial life that it helps to form. The people interviewed speak of their opportunity to serve in the community and their appreciation for the role of the priests as fathers. One woman talks about her gratitude for the mutual love and respect she experiences among the parishioners. One of the priests speaks of how the liturgy preaches the whole of the faith. Another woman says that the liturgy has helped her family members to love one another more deeply. In all these ways the Traditional Latin Mass is presented as formative through inspiration, instruction, reverence—and of course, grace. The treasure of the Traditional Latin Mass is rich. It forms us to be more and more configured to the One whom we worship. We see in the video people who say they are enriched and blessed by the ancient, yet ever new Traditional Latin Mass.

(4) Don’t Insult Other Catholic Rites

There is a joyful description of the fruits of the ancient liturgy without any explicit denigration of other liturgical forms. The people featured in the video speak to their experience and what the TLM has offered them. They invite others to see and to consider the riches of “something (a treasure) that belongs to them.” This is in contrast to other discussions (especially on the internet) that focus too much on denigration and ridicule of the Ordinary Form of the Mass. Regardless of any problems with newer liturgical forms, it does not help to say or even imply that those who do not prefer the TLM are among the “great unwashed” or are ignorant. There is a tendency by all sides to dogmatize what are essentially preferences. We ought not to have as a strategy denouncing what are legitimate options for Catholics. There is a longer discussion to be had as to whether certain options should remain into the future, but when speaking to the glory of the TLM we need not scorn other current options. Rather, let us lift up our joy and demonstrate the transformation that comes from the ancient rites.

(5) Remember Your Audience

Remember that we are talking to fellow Catholics, not enemies of the faith. Those who do not attend the TLM are our brothers and sisters, not our enemies. The newer liturgical forms are not intrinsically evil. Even if we have concerns that they express the faith less adequately than we think they should, we are not the final judges as to what reaches people and prepares them for deeper encounters. People need time to appreciate some of the more ancient forms. Encouraging others, explaining the TLM, and joyfully witnessing to its beauty and that of the traditional forms of the sacraments are better strategies than belittling someone who attends (or even likes) the newer forms of the liturgy or telling them why the form of the Mass they know is a “joke” or worse.

(6) Everyone Was New At Some Point

Patience, persistence and encouragement are the keys. People do not always appreciate or understand things at first. We have to be honest: Mass celebrated in an ancient language (unknown by most), in a largely silent or whispered format, facing toward God, is going to seem very different and challenging as well. People raise legitimate questions about the TLM: Why does it make sense to celebrate Mass in a language almost no one knows? Why is most of the Mass whispered so I can’t hear it? How can I participate under these circumstances? Interpreting such questions as hostile is not be helpful. The questions make sense based on the current liturgical experience of most Catholics, who are used to audible liturgy delivered in the vernacular. Helpful, explanatory answers are preferable to impatient or terse responses that imply that such questions are an attack rather than sincere and understandable.

Here’s the video that caught the attention of Msgr. Pope:


Please go read the entire article by Msgr. Charles Pope.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

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  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In

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