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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Josquin Desprez • A Marian Masterpiece

Dr. Alfred Calabrese · May 25, 2017

160 Mary AY IS MARY’S MONTH, and before it gets away from us, I would like to promote one of the most beautiful and truly great motets of the Renaissance, Josquin Desprez’ AVE MARIA…VIRGO SERENA.

In the monumental New Grove Dictionary of Music and Musicians (Stanley Sadie, ed., 1980), Gustave Reese and Jeremy Noble begin their entry on Josquin thusly:

“Josquin Desprez, one of the greatest composers of the entire Renaissance and certainly the most important before the second half of the 16th century, was born about 1440.”

This statement is not hyperbole, yet the name of Josquin today pales in comparison with those of Palestrina, Byrd, and even lesser composers of the era. His genius during his lifetime was, however, met with widespread recognition. His numerous masses and motets were regarded as models for composers of the day. The first important music publisher, Petrucci, dedicated three full books to Josquin’s Masses alone; no other composer was given more than one book. So admired was the motet Ave Maria…virgo serena, that it was placed at the head of Petrucci’s first motet collection, printed in 1502 (although it may have been composed as early as 1476).

The poem was well known in its day. Beginning with the ubiquitous Hail Mary, full of grace the Lord is with thee, the poem then commemorates the major events in the life of the Virgin: conception, birth, annunciation, purification, and assumption, all vividly depicted amongst the percolating polyphony. These events are then followed by a personal plea to the Blessed Mother, O Mother of God, remember me. Amen, sung to Josquin’s signature solemn homophony.

Listen to this motet, read the poem, and see if you don’t agree that this is a real masterpiece, and that Josquin Desprez belongs in the pantheon of the most important composers in history:

Translation :

Hail Mary, full of grace, the Lord is with thee, joyous Virgin. Hail thee whose conceiving, full of solemn gladness, fills heaven and earth with a new joy. Hail thee whose birth was to us a holy day, of thou who surpasses the shining light in the east, the very sun. Hail thy humanity, thy conception without a man, thou whose annunciation was our salvation. Hail thy true virginity, thy spotless chastity, thou whose purification was our expiation. Hail thee, most excellent in all angelic goodness, thou whose assumption was our glorification. O Mother of God, remember me. Amen.

(Translation by William Earle Nettles)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

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