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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Latin Mass Youth Choir…in Las Vegas!

Guest Author · December 12, 2017

OU PROBABLY would not think of Las Vegas as anything more than “Sin City.” It is not a place that conjures up thoughts of God as much as it does of the devil. And in many ways, it is a spiritual desert. But there is much more to the city that lies beneath the surface of the glittering lights and clanging slot machines. Like any desert, there is a refreshing oasis in Las Vegas. That oasis is our parish, St. Bridget Catholic Church, where we celebrate the Traditional Latin Mass every Sunday at 10am. Here, you will find a cool oasis to drink from.

At this Mass, I run a small Schola comprised mainly of children and teens, with a few adult men who provide tenor and bass parts. For a long time all we had were the teens. But I knew that if our Mass was to survive in the long term, we needed more.

    * *  YouTube • Youth Schola Rehearsing (57 seconds)

Some people thought I was being ridiculous when I said I wanted to have the younger kids at our Mass start singing. We already had our small teen Schola, which grew out of a need for someone to lead the music at our then-Novus Ordo Mass (in Latin). They started from scratch, beginning with the most basic chants of the Church found in the JUBILATE DEO. They were doing great and had grown a lot, musically speaking, from those first days when the future of our Latin Mass seemed unstable.

The youngest of the new group I wanted to form was 7 years old. Father did not think it was a very good idea, not only because he thought they were too young, but also because I am a homeschooling mom of 6 kids including 10 month old twins. Father knew that my time and energy was very limited. I am in that phase of my life where all my energy and attention are poured out into my children. All my energy, that is, except for the little bit that I reserve for my 7th baby: Music.

Of course, Father was right—this would be quite a sacrifice in addition to the weekly rehearsals we already had for our teen Schola. However, this is not something I had to do alone. I have a marvelous husband who is very supportive of my musical endeavors. And fortunately, I have a group of dedicated Schola moms who are also very supportive. They take on the role of watching my numerous littles while I run rehearsals. Without them, this could not, and would not, happen. But the sacrifice was not mine alone.

Our Mass is small. Our resources are nothing. An absolute, dead zero. Whenever we need something—sheet music, red missals, and so on—the families who attend the Mass shell out extra money outside of their regular tithe to make it happen. This is how our teens were able to attend the CCWatershed Symposium this past June. Not only did CCWatershed generously offer them much needed scholarships, but the families at our Mass also donated generously to help cover the cost of travel and accommodations.

Because I am stubborn, musically ambitious, and secure in the unconditional support I have from the other Schola moms, I decided to forge ahead with our “mini Schola.” Now, I should tell you one important detail about myself. I am not a professional musician. I have no music degree, no professional experience, and have never been trained to conduct or run a choir. I am a busy stay-at-home mom. But what I lack in professional training, I make up for in zeal. I desire to glorify the Lord through music. I am a firm believer that anyone can learn to sing, even very little children. And on a practical level, I knew that as our teen Schola gets older and they start leaving for college and work I would soon be left without singers. It was imperative that we start training new singers to come up the ranks.

Today, just 18 months after they started, the mini Schola is practicing diligently to learn the full Introit for Christmas Day Mass. This is the first time the mini Schola will be joining the teen Schola in chanting a full Introit! It is a major milestone in the life of the mini Schola. Three of our minis will be singing the first half of the psalm verses, as you can hear in the video clip. I am very happy with how they sound. They have worked very hard. I know that on Christmas Day, here in “Sin City,” they will glorify the Lord with their angelic voices. The sacrifices are well worth it.

So why am I sharing all this with you? To give you a message of hope. If you have a humble, small Latin Mass without resources and professional music directors, please know that you are not alone. There are others of us out there with similar challenges. We may not have money, degrees or resources, but do you know what we have? We have the virtue of zeal. Because of that one very important virtue, having beautiful music at Mass is within your grasp. Between your zeal and the excellent musical resources provided for free on CCWatershed, you are not merely eking out your musical existence in a feeble attempt to build up the beauty and reverence of your Mass. You are absolutely, utterly unstoppable.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“It is most important that when the faithful assist at the sacred ceremonies … they should sing alternately with the clergy or the choir, as it is prescribed.”

— ‘Pope Pius XI, Divini Cultus (20 Dec 1928) §9’

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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