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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Latin Mass Youth Choir…in Las Vegas!

Guest Author · December 12, 2017

OU PROBABLY would not think of Las Vegas as anything more than “Sin City.” It is not a place that conjures up thoughts of God as much as it does of the devil. And in many ways, it is a spiritual desert. But there is much more to the city that lies beneath the surface of the glittering lights and clanging slot machines. Like any desert, there is a refreshing oasis in Las Vegas. That oasis is our parish, St. Bridget Catholic Church, where we celebrate the Traditional Latin Mass every Sunday at 10am. Here, you will find a cool oasis to drink from.

At this Mass, I run a small Schola comprised mainly of children and teens, with a few adult men who provide tenor and bass parts. For a long time all we had were the teens. But I knew that if our Mass was to survive in the long term, we needed more.

    * *  YouTube • Youth Schola Rehearsing (57 seconds)

Some people thought I was being ridiculous when I said I wanted to have the younger kids at our Mass start singing. We already had our small teen Schola, which grew out of a need for someone to lead the music at our then-Novus Ordo Mass (in Latin). They started from scratch, beginning with the most basic chants of the Church found in the JUBILATE DEO. They were doing great and had grown a lot, musically speaking, from those first days when the future of our Latin Mass seemed unstable.

The youngest of the new group I wanted to form was 7 years old. Father did not think it was a very good idea, not only because he thought they were too young, but also because I am a homeschooling mom of 6 kids including 10 month old twins. Father knew that my time and energy was very limited. I am in that phase of my life where all my energy and attention are poured out into my children. All my energy, that is, except for the little bit that I reserve for my 7th baby: Music.

Of course, Father was right—this would be quite a sacrifice in addition to the weekly rehearsals we already had for our teen Schola. However, this is not something I had to do alone. I have a marvelous husband who is very supportive of my musical endeavors. And fortunately, I have a group of dedicated Schola moms who are also very supportive. They take on the role of watching my numerous littles while I run rehearsals. Without them, this could not, and would not, happen. But the sacrifice was not mine alone.

Our Mass is small. Our resources are nothing. An absolute, dead zero. Whenever we need something—sheet music, red missals, and so on—the families who attend the Mass shell out extra money outside of their regular tithe to make it happen. This is how our teens were able to attend the CCWatershed Symposium this past June. Not only did CCWatershed generously offer them much needed scholarships, but the families at our Mass also donated generously to help cover the cost of travel and accommodations.

Because I am stubborn, musically ambitious, and secure in the unconditional support I have from the other Schola moms, I decided to forge ahead with our “mini Schola.” Now, I should tell you one important detail about myself. I am not a professional musician. I have no music degree, no professional experience, and have never been trained to conduct or run a choir. I am a busy stay-at-home mom. But what I lack in professional training, I make up for in zeal. I desire to glorify the Lord through music. I am a firm believer that anyone can learn to sing, even very little children. And on a practical level, I knew that as our teen Schola gets older and they start leaving for college and work I would soon be left without singers. It was imperative that we start training new singers to come up the ranks.

Today, just 18 months after they started, the mini Schola is practicing diligently to learn the full Introit for Christmas Day Mass. This is the first time the mini Schola will be joining the teen Schola in chanting a full Introit! It is a major milestone in the life of the mini Schola. Three of our minis will be singing the first half of the psalm verses, as you can hear in the video clip. I am very happy with how they sound. They have worked very hard. I know that on Christmas Day, here in “Sin City,” they will glorify the Lord with their angelic voices. The sacrifices are well worth it.

So why am I sharing all this with you? To give you a message of hope. If you have a humble, small Latin Mass without resources and professional music directors, please know that you are not alone. There are others of us out there with similar challenges. We may not have money, degrees or resources, but do you know what we have? We have the virtue of zeal. Because of that one very important virtue, having beautiful music at Mass is within your grasp. Between your zeal and the excellent musical resources provided for free on CCWatershed, you are not merely eking out your musical existence in a feeble attempt to build up the beauty and reverence of your Mass. You are absolutely, utterly unstoppable.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

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— Senator Eugene McCarthy (d. 2005)

Recent Posts

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  • “Priest Saying Mass” • Medieval Illumination

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