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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Latin Mass Youth Choir…in Las Vegas!

Guest Author · December 12, 2017

OU PROBABLY would not think of Las Vegas as anything more than “Sin City.” It is not a place that conjures up thoughts of God as much as it does of the devil. And in many ways, it is a spiritual desert. But there is much more to the city that lies beneath the surface of the glittering lights and clanging slot machines. Like any desert, there is a refreshing oasis in Las Vegas. That oasis is our parish, St. Bridget Catholic Church, where we celebrate the Traditional Latin Mass every Sunday at 10am. Here, you will find a cool oasis to drink from.

At this Mass, I run a small Schola comprised mainly of children and teens, with a few adult men who provide tenor and bass parts. For a long time all we had were the teens. But I knew that if our Mass was to survive in the long term, we needed more.

    * *  YouTube • Youth Schola Rehearsing (57 seconds)

Some people thought I was being ridiculous when I said I wanted to have the younger kids at our Mass start singing. We already had our small teen Schola, which grew out of a need for someone to lead the music at our then-Novus Ordo Mass (in Latin). They started from scratch, beginning with the most basic chants of the Church found in the JUBILATE DEO. They were doing great and had grown a lot, musically speaking, from those first days when the future of our Latin Mass seemed unstable.

The youngest of the new group I wanted to form was 7 years old. Father did not think it was a very good idea, not only because he thought they were too young, but also because I am a homeschooling mom of 6 kids including 10 month old twins. Father knew that my time and energy was very limited. I am in that phase of my life where all my energy and attention are poured out into my children. All my energy, that is, except for the little bit that I reserve for my 7th baby: Music.

Of course, Father was right—this would be quite a sacrifice in addition to the weekly rehearsals we already had for our teen Schola. However, this is not something I had to do alone. I have a marvelous husband who is very supportive of my musical endeavors. And fortunately, I have a group of dedicated Schola moms who are also very supportive. They take on the role of watching my numerous littles while I run rehearsals. Without them, this could not, and would not, happen. But the sacrifice was not mine alone.

Our Mass is small. Our resources are nothing. An absolute, dead zero. Whenever we need something—sheet music, red missals, and so on—the families who attend the Mass shell out extra money outside of their regular tithe to make it happen. This is how our teens were able to attend the CCWatershed Symposium this past June. Not only did CCWatershed generously offer them much needed scholarships, but the families at our Mass also donated generously to help cover the cost of travel and accommodations.

Because I am stubborn, musically ambitious, and secure in the unconditional support I have from the other Schola moms, I decided to forge ahead with our “mini Schola.” Now, I should tell you one important detail about myself. I am not a professional musician. I have no music degree, no professional experience, and have never been trained to conduct or run a choir. I am a busy stay-at-home mom. But what I lack in professional training, I make up for in zeal. I desire to glorify the Lord through music. I am a firm believer that anyone can learn to sing, even very little children. And on a practical level, I knew that as our teen Schola gets older and they start leaving for college and work I would soon be left without singers. It was imperative that we start training new singers to come up the ranks.

Today, just 18 months after they started, the mini Schola is practicing diligently to learn the full Introit for Christmas Day Mass. This is the first time the mini Schola will be joining the teen Schola in chanting a full Introit! It is a major milestone in the life of the mini Schola. Three of our minis will be singing the first half of the psalm verses, as you can hear in the video clip. I am very happy with how they sound. They have worked very hard. I know that on Christmas Day, here in “Sin City,” they will glorify the Lord with their angelic voices. The sacrifices are well worth it.

So why am I sharing all this with you? To give you a message of hope. If you have a humble, small Latin Mass without resources and professional music directors, please know that you are not alone. There are others of us out there with similar challenges. We may not have money, degrees or resources, but do you know what we have? We have the virtue of zeal. Because of that one very important virtue, having beautiful music at Mass is within your grasp. Between your zeal and the excellent musical resources provided for free on CCWatershed, you are not merely eking out your musical existence in a feeble attempt to build up the beauty and reverence of your Mass. You are absolutely, utterly unstoppable.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Rarely indeed,” asserted Pope Benedict XV (2 October 1921), “has the idealism of art and the glory of the faith been joined in such perfect harmony” as in the works of Palestrina and fellow polyphonists.

— Quoted by Gerard Ellard SJ (Church history professor at St. Mary’s College, KS)

Recent Posts

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  • PDF Download • “Atténde Dómine”
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  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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