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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Latin Mass Youth Choir…in Las Vegas!

Guest Author · December 12, 2017

OU PROBABLY would not think of Las Vegas as anything more than “Sin City.” It is not a place that conjures up thoughts of God as much as it does of the devil. And in many ways, it is a spiritual desert. But there is much more to the city that lies beneath the surface of the glittering lights and clanging slot machines. Like any desert, there is a refreshing oasis in Las Vegas. That oasis is our parish, St. Bridget Catholic Church, where we celebrate the Traditional Latin Mass every Sunday at 10am. Here, you will find a cool oasis to drink from.

At this Mass, I run a small Schola comprised mainly of children and teens, with a few adult men who provide tenor and bass parts. For a long time all we had were the teens. But I knew that if our Mass was to survive in the long term, we needed more.

    * *  YouTube • Youth Schola Rehearsing (57 seconds)

Some people thought I was being ridiculous when I said I wanted to have the younger kids at our Mass start singing. We already had our small teen Schola, which grew out of a need for someone to lead the music at our then-Novus Ordo Mass (in Latin). They started from scratch, beginning with the most basic chants of the Church found in the JUBILATE DEO. They were doing great and had grown a lot, musically speaking, from those first days when the future of our Latin Mass seemed unstable.

The youngest of the new group I wanted to form was 7 years old. Father did not think it was a very good idea, not only because he thought they were too young, but also because I am a homeschooling mom of 6 kids including 10 month old twins. Father knew that my time and energy was very limited. I am in that phase of my life where all my energy and attention are poured out into my children. All my energy, that is, except for the little bit that I reserve for my 7th baby: Music.

Of course, Father was right—this would be quite a sacrifice in addition to the weekly rehearsals we already had for our teen Schola. However, this is not something I had to do alone. I have a marvelous husband who is very supportive of my musical endeavors. And fortunately, I have a group of dedicated Schola moms who are also very supportive. They take on the role of watching my numerous littles while I run rehearsals. Without them, this could not, and would not, happen. But the sacrifice was not mine alone.

Our Mass is small. Our resources are nothing. An absolute, dead zero. Whenever we need something—sheet music, red missals, and so on—the families who attend the Mass shell out extra money outside of their regular tithe to make it happen. This is how our teens were able to attend the CCWatershed Symposium this past June. Not only did CCWatershed generously offer them much needed scholarships, but the families at our Mass also donated generously to help cover the cost of travel and accommodations.

Because I am stubborn, musically ambitious, and secure in the unconditional support I have from the other Schola moms, I decided to forge ahead with our “mini Schola.” Now, I should tell you one important detail about myself. I am not a professional musician. I have no music degree, no professional experience, and have never been trained to conduct or run a choir. I am a busy stay-at-home mom. But what I lack in professional training, I make up for in zeal. I desire to glorify the Lord through music. I am a firm believer that anyone can learn to sing, even very little children. And on a practical level, I knew that as our teen Schola gets older and they start leaving for college and work I would soon be left without singers. It was imperative that we start training new singers to come up the ranks.

Today, just 18 months after they started, the mini Schola is practicing diligently to learn the full Introit for Christmas Day Mass. This is the first time the mini Schola will be joining the teen Schola in chanting a full Introit! It is a major milestone in the life of the mini Schola. Three of our minis will be singing the first half of the psalm verses, as you can hear in the video clip. I am very happy with how they sound. They have worked very hard. I know that on Christmas Day, here in “Sin City,” they will glorify the Lord with their angelic voices. The sacrifices are well worth it.

So why am I sharing all this with you? To give you a message of hope. If you have a humble, small Latin Mass without resources and professional music directors, please know that you are not alone. There are others of us out there with similar challenges. We may not have money, degrees or resources, but do you know what we have? We have the virtue of zeal. Because of that one very important virtue, having beautiful music at Mass is within your grasp. Between your zeal and the excellent musical resources provided for free on CCWatershed, you are not merely eking out your musical existence in a feeble attempt to build up the beauty and reverence of your Mass. You are absolutely, utterly unstoppable.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Pope Francis breaks Catholic traditions whenever he wants because he is free from disordered attachments. Our Church has indeed entered a new phase: with the advent of this first Jesuit pope, it is openly ruled by an individual rather than by the authority of Scripture alone or even its own dictates of tradition plus Scripture.”

— Fr. Thomas Rosica (31 July 2018)

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  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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