• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

PDF Download • “Hymns Ancient & Modern”

Jeff Ostrowski · August 7, 2017

OOGLE HAS UPLOADED a complete copy of HYMNS ANCIENT & MODERN, and I’ve included the PDF (41MB) toward the end of this article. HYMNS A&M is a famous Anglican hymn book containing many praiseworthy melodies and texts later adopted by Catholic hymnals. Number 145, for example, is an English translation of “Rex Sempiterne Coelitum,” a Roman Catholic hymn. (Orby Shipley has reminded us that the majority of Anglican hymns are ancient Catholic hymns translated into English.) I’m part of a team creating the St. Jean de Brébeuf Hymnal, and the marvelous hymns we’ve uncovered along the way are bewildering—to say nothing of the many contemporary works we’ve commissioned.

We love exploring hymns sung in two parts, for choirs who struggle with SATB. 1 Here is a glorious example:

    * *  PDF Download • “Rex Sempiterne” (English & Latin)

REHEARSAL VIDEOS for each individual voice await you at #4736.

That link (#4736) also contains a version totally in English—in case your choir is scared of seeing Latin!

EARLIER, I MADE REFERENCE to Number 145 in HYMNS A&M, which uses a translation by the compilers beginning with “O Christ the Heaven’s Eternal King.” There’s nothing wrong with that translation; indeed, about fifteen other translations might have been chosen. My choice, however—as shown above—was the excellent English translation by Fr. Fitzpatrick. Make sure to download Google’s scan of HYMNS A&M (1904 edition). The 1972 edition is also worth obtaining, but isn’t available online.

The hymn above (“Rex Sempiterne”) is actually a Renaissance revision of the ancient hymn “Rex Aeterne Domine.” This hymn can be sung at any time during the liturgical year. Indeed, we have made a special effort in the St. Jean de Brébeuf Hymnal to include pieces suitable for use throughout the year. We believe many hymnals fall short in this area, yet provide abundant choices for Advent, Christmas, Easter, and so on. Those hymnals would be adequate if church musicians only worked on major feasts—but the reality is, choirmasters must choose music throughout the entire year.

Consider two literal translations of this hymn:

    * *  PDF Download • REX AETERNE DOMINE (Two Literal Translations)

Do you know a more beautiful hymn? I do not.



NOTES FROM THIS ARTICLE:

1   Unfortunately, many choirs—both Catholic and Protestant—feel they are “good enough” to sing SATB, but the results are unsatisfactory. SATB singing is supposed to sound good. If it’s not sounding good, the choirmaster should switch back to unison or 2-voice.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

Recent Posts

  • “Music List” • 4th Sunday of Easter (Year C)
  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.