About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“Since the ability of Francisco Guerrero is now abundantly known to all […] he shall henceforth act as master of the boys so long as: ( 1) he must teach them to read, write, and to sing the responsories, versicles, antiphons, lessons, and kalends, and other parts of divine service; (2) he shall teach them plainchant, harmony, and counterpoint, his instruction in counterpoint to include both the art of adding a melody to a plainsong and to an already existing piece of polyphonic music; (3) he shall always clothe them decently and properly, see that they wear good shoes, and ensure that their beds are kept perfectly clean; (4) he shall feed them the same food that he himself eats and never take money from them for anything having to do with their services in church or their musical instruction…” [cont’d]
— Málaga Cathedral Document (11 September 1551)

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“Chanted Angelus” • Where does it come from?
published 2 August 2017 by Jeff Ostrowski

ACK in 2010, I released this lovely version of the ANGELUS in Latin—which was a favorite of my high school students—on the CMAA forum. Since that time, I’ve been astonished by the number of times it has been downloaded and recorded by people across the globe:

    * *  PDF Booklet • THE ANGELUS (Dom Charpentier, OSB)

But did Dom Charpentier, OSB, truly compose it?

The melodic pattern is quite common in the Gregorian repertoire and would have been known even in the “decadent ages” of Gregorian chant (circa 1700). However, I recently came across this ancient manuscript:

4743 Charpentier ANGELUS source


This implies that Dom Charpentier created his rendition based on an ancient model.