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Views from the Choir Loft

Family Life and the Sacred Liturgy

Dr. Lucas Tappan · April 4, 2017

LMT Von Trapp Family Advent Wreath NE OF MY FAVORITE little tomes to pull off the shelf on a somewhat regular basis is Around the Year with the Trapp Family by Maria von Trapp. Whenever our family stands upon the threshold of a new liturgical season my wife and I look for ways to bring the Faith alive at home for our children (especially through music), which usually means connecting our home life to the liturgical life of the Church, and this easy-to-read book provides us with ideas-a-plenty. Last Sunday was no exception, especially after our oldest son noticed the statues and crucifixes in church draped in violet to mark the beginning of Passiontide.

For those of you who have never read this book, I encourage you to do so. Baroness von Trapp wrote the book in 1955 when the Liturgical Movement weighed heavily upon the minds and hearts of many in the Church, accompanied by a sincere desire to reawaken in men a love and appreciation for the Church’s Sacred Liturgy and its power to bear spiritual fruit in the lives of Her faithful. Maria’s family hailed from a country where, and an era when, God and the Sacred Liturgy were still the center of personal, familial and even national life, where the saving work of Christ in the Sacraments spilled copiously into everyday life. The Baroness’s work is simply her attempt to share with readers how her family lived its Catholic Faith, inspired by the Sacred Liturgy. While the customs she described might have been Austrian in flavor, she rightly noted they were Catholic in origin, and therefore didn’t necessarily belong to one nation or peoples.

I mention this book for several reasons today. First, I have often written how important it is for the family to sing at home, and how the Church’s music helps to form the faith of one’s children. Here one can read about a concrete example of this within a particular family. Secondly, I mention the book because I am somewhat envious of a family that had its own chapel (my wife and I are working on that), wherein our Lord resided in the Blessed Sacrament (my wife and I doubt that will ever happen), as well as a priest living with them for 25 years!

I am particularly struck by the Baroness’ love for the Church’s Liturgy. She wrote,“We always consider this the greatest honor for us, the singing family, the greatest reward for all the trouble that goes along with life in public, that we can sing for all the Divine Offices in church” (speaking of the Liturgies in Holy Week). The small parish church in Stowe, VT, where the family eventually settled, was fortunate indeed to hear the family sing the Office of Tenebrae on Wednesday of Holy Week. According to the authoress, the family sang the psalms of the first nocturne of Matins to their respective tones, while the antiphons were sung to Gregorian chant, Palestrina, Lassus and Victoria. The psalms of the second and third nocturnes were sung recto tono, while the family’s chaplain, Msgr. Franz Wasner and two of the von Trapp sons sang all of the lessons. Then followed the Office of Lauds.

I can’t imagine my family playing such an intimate role in the awesome ceremonies of Holy Week, but I am sure it made an awesome impression on the von Trapps. Obviously this is out of the reach of most families, but what if your family were to begin singing the great Passion Chorale, O Sacred Head Surrounded, each evening at the end of supper? Perhaps your family could include the opening line of the Reproaches in your night prayers as part of an examination of conscience or recited David’s great penitential psalm, the Miserere meus. If your children are fortunate enough to hear these in your parish they will make the connection between the Sacred Liturgy and everyday life. When they are weighed down by sin or perhaps far from the Lord (God forbid), they can call to mind the mercy of God and with David recite:

Have mercy on me, O God, according to thy great mercy. And according to the multitude of thy tender mercies blot out my iniquity. Wash me yet more from my iniquity, and cleanse me from my sin… To my hearing thou shalt give joy and gladness: and the bones that have been humbled shall rejoice.

Here’s a video of the family singing for your enjoyment—definitely not music from Holy Week!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Maria von Trapp Last Updated: February 28, 2024

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“These liturgists protest that the choir must be encouraged, but in the same breath we are told its purpose is to lead the congregation in the singing of hymns and other unison music. These directions from non-musicians who have never created a musical sound—let alone direct a choir—are the cause of consternation among practicing musicians, both instrumentalists and singers.”

— Monsignor Richard J. Schuler (30 November 1967)

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