About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
Connect on Facebook:
Connect on Twitter:
“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”
— Robert Cardinal Sarah, 23 May 2016

ABOUT US  |  OUR HEADER  |  ARCHIVE
New Gloria Mixing Plainsong w/ Polyphony
published 14 June 2016 by Jeff Ostrowski

HE FOLLOWING SETTING did not exist before yesterday night, so technically it’s “new.” However, all I did was apply falsobordone from Lodovico da Viadana (d. 1627) to GLORIA IX—so it’s not really new. For centuries, plainsong (“without meter”) was mixed with polyphony (“mensural music”), but these days it’s not as common. I recorded the voice parts, to help my choir learn—but it will sound better with a full choir, and we currently have about 35 singers.

The polyphony begins at the 0:37 mark:

    * *  PDF Download • Viadana Falsobordone w/ Plainsong


REHEARSAL VIDEOS :


EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

QUINTUS : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio


Before using this piece, teach your choir GLORIA IX. You can download the score for your singers, and—to help them learn—consider this organ accompaniment by Flor Peeters:

    * *  PDF Download • Organ Accompaniment by Flor Peeters

I love Flor Peeters very much, and his accompaniment is fine—but it’s not his best. Perhaps he was in a hurry!