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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Too Many Options

Fr. David Friel · January 31, 2016

HAVE OCCASIONALLY had conversations with people who are choosing not to raise their children in any particular faith. This they perceive to be some sort of noble action, respecting and cultivating the future freedom of their children. The practical result, though, is that most of these children will never embrace any faith.

As a priest, I see firsthand the need for children to be raised in the faith. The Church perceives this to be so great a need that parents require assistance with the task; for this reason, we have the tradition of choosing godparents at Baptism.

I recently discovered a medical doctor who agrees that faith needs to be inculcated in children from birth. This doctor, Meg Meeker, M.D., has a great deal of experience as a pediatrician and as a counselor, so she approaches things from the perspectives of both medical science and psychology. Yet another qualification is that she is a wife and mother of four children, herself.

I discovered Dr. Meeker by reading a few chapters out of her 2008 book, Boys Should Be Boys: 7 Secrets to Raising Healthy Sons. In her chapter entitled “The God Factor,” Meeker addresses the problem of parents who do not stress the value of religion. This results in “religious ignorance among too many boys,” she contends. While young men earnestly want answers to life’s biggest questions, parents too often feel uncomfortable or too unprepared to provide them. On top of this, many of the same parents refuse to take their sons to church, where they might find the answers they seek.

Meeker observes:

As a doctor, my own clinical experience confirms what all the research tells us: that religion is good for boys. And I think too many parents have been mislead about what their responsibilities are in this regard. We baby boomers who have read reams of child care books and psychology books replete with tips on how not to stifle our child’s self-esteem and unique personality have faded quietly into the background of our kids’ spiritual lives. We so eagerly don’t want our children to be pushed by us in any direction educationally, psychologically, and spiritually that we hold back when we should lead. Many parents tell me that they want their kids to grow up to make their own decisions about God. They want their boys to make their own choices about which, if any, religion they want to believe. This is, in a way, noble. Our job as parents should be to educate and stimulate our boys to read and think on their own.

But this laissez faire approach does not, ultimately, work as intended. Children raised in no faith rarely become people of faith as adults. Meeker brilliantly captures the essence of the problem:

But the fatal flaw is that boys can’t choose from an empty menu. Asking a child to choose his own faith is like flying him to Prague, taking him to the center of the city, and asking him to pick out where to stay and what to do. He doesn’t have a clue, because he doesn’t know what his options are. He has never been there before, and the city is expansive and overwhelming.

Dr. Meeker makes a compelling argument that leaving faith up to an adolescent’s discretion is a form of parental indiscretion.

It strikes me that much the same thing is true in the world of sacred music. We live in an age when the GIRM gives us the freedom to choose what can be sung at many different times during Mass.

The unfortunate truth, though, is that very few parish musicians are equipped to be making such decisions. Like Meeker’s hypothetical child dropped in Prague with no further instructions, a great many parish musicians are volunteers with little liturgical formation and scant familiarity with the options that exist (beginning with the Propers themselves, moving to vernacular settings of the Propers, and devolving eventually to the four-hymn sandwich).

The solution to the present state of affairs is twofold. First, parish musicians need to be given better liturgical formation. We must make this an urgent priority. We need more initiatives like the St. Cecilia Academy for Pastoral Musicians.

Secondly, the Church needs to exercise her role as Mother. Just as parents must raise their children in the faith, rather than leaving it up to them to decide, so the Church must give clear direction to her children about what should be sung at Mass. The USCCB document Sing to the Lord, which is a vast improvement compared to the documents it replaced, leaves too much room for maintaining the status quo. We need more leadership like the Diocese of Marquette is receiving from Bishop John Doerfler.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Authentic Liturgical Renewal Reform, Hymns Replacing Propers, Liturgy of the Second Vatican Council, Propers, Reform of the Reform, Singing the Mass, USCCB Sing to the Lord Document on Music Last Updated: December 6, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

I feel the greatest destroyer of peace today is abortion, because it is a direct war, a direct killing—direct murder by the mother herself. And we read in the Scripture, for God says very clearly: “Even if a mother could forget her child, I will not forget you: I have carved you in the palm of my hand.”

— Mother Theresa (11 Dec 1979)

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  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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