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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Too Many Options

Fr. David Friel · January 31, 2016

HAVE OCCASIONALLY had conversations with people who are choosing not to raise their children in any particular faith. This they perceive to be some sort of noble action, respecting and cultivating the future freedom of their children. The practical result, though, is that most of these children will never embrace any faith.

As a priest, I see firsthand the need for children to be raised in the faith. The Church perceives this to be so great a need that parents require assistance with the task; for this reason, we have the tradition of choosing godparents at Baptism.

I recently discovered a medical doctor who agrees that faith needs to be inculcated in children from birth. This doctor, Meg Meeker, M.D., has a great deal of experience as a pediatrician and as a counselor, so she approaches things from the perspectives of both medical science and psychology. Yet another qualification is that she is a wife and mother of four children, herself.

I discovered Dr. Meeker by reading a few chapters out of her 2008 book, Boys Should Be Boys: 7 Secrets to Raising Healthy Sons. In her chapter entitled “The God Factor,” Meeker addresses the problem of parents who do not stress the value of religion. This results in “religious ignorance among too many boys,” she contends. While young men earnestly want answers to life’s biggest questions, parents too often feel uncomfortable or too unprepared to provide them. On top of this, many of the same parents refuse to take their sons to church, where they might find the answers they seek.

Meeker observes:

As a doctor, my own clinical experience confirms what all the research tells us: that religion is good for boys. And I think too many parents have been mislead about what their responsibilities are in this regard. We baby boomers who have read reams of child care books and psychology books replete with tips on how not to stifle our child’s self-esteem and unique personality have faded quietly into the background of our kids’ spiritual lives. We so eagerly don’t want our children to be pushed by us in any direction educationally, psychologically, and spiritually that we hold back when we should lead. Many parents tell me that they want their kids to grow up to make their own decisions about God. They want their boys to make their own choices about which, if any, religion they want to believe. This is, in a way, noble. Our job as parents should be to educate and stimulate our boys to read and think on their own.

But this laissez faire approach does not, ultimately, work as intended. Children raised in no faith rarely become people of faith as adults. Meeker brilliantly captures the essence of the problem:

But the fatal flaw is that boys can’t choose from an empty menu. Asking a child to choose his own faith is like flying him to Prague, taking him to the center of the city, and asking him to pick out where to stay and what to do. He doesn’t have a clue, because he doesn’t know what his options are. He has never been there before, and the city is expansive and overwhelming.

Dr. Meeker makes a compelling argument that leaving faith up to an adolescent’s discretion is a form of parental indiscretion.

It strikes me that much the same thing is true in the world of sacred music. We live in an age when the GIRM gives us the freedom to choose what can be sung at many different times during Mass.

The unfortunate truth, though, is that very few parish musicians are equipped to be making such decisions. Like Meeker’s hypothetical child dropped in Prague with no further instructions, a great many parish musicians are volunteers with little liturgical formation and scant familiarity with the options that exist (beginning with the Propers themselves, moving to vernacular settings of the Propers, and devolving eventually to the four-hymn sandwich).

The solution to the present state of affairs is twofold. First, parish musicians need to be given better liturgical formation. We must make this an urgent priority. We need more initiatives like the St. Cecilia Academy for Pastoral Musicians.

Secondly, the Church needs to exercise her role as Mother. Just as parents must raise their children in the faith, rather than leaving it up to them to decide, so the Church must give clear direction to her children about what should be sung at Mass. The USCCB document Sing to the Lord, which is a vast improvement compared to the documents it replaced, leaves too much room for maintaining the status quo. We need more leadership like the Diocese of Marquette is receiving from Bishop John Doerfler.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Authentic Liturgical Renewal Reform, Hymns Replacing Propers, Liturgy of the Second Vatican Council, Propers, Reform of the Reform, Singing the Mass, USCCB Sing to the Lord Document on Music Last Updated: December 6, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I have a great quarrel on with Dom Mocquereau over a very stiff book of his which we have translated & which a stupid American woman wants to be adapted to her understanding & terminology. It will be a little difficult to persuade the dear old man, for the lady is going to pay the piper. Truly money is at the root of all evils!”

— Dame Laurentia (talking about Justine Ward)

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  • Music List • (1st Sunday of Lent)

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