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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Too Many Options

Fr. David Friel · January 31, 2016

HAVE OCCASIONALLY had conversations with people who are choosing not to raise their children in any particular faith. This they perceive to be some sort of noble action, respecting and cultivating the future freedom of their children. The practical result, though, is that most of these children will never embrace any faith.

As a priest, I see firsthand the need for children to be raised in the faith. The Church perceives this to be so great a need that parents require assistance with the task; for this reason, we have the tradition of choosing godparents at Baptism.

I recently discovered a medical doctor who agrees that faith needs to be inculcated in children from birth. This doctor, Meg Meeker, M.D., has a great deal of experience as a pediatrician and as a counselor, so she approaches things from the perspectives of both medical science and psychology. Yet another qualification is that she is a wife and mother of four children, herself.

I discovered Dr. Meeker by reading a few chapters out of her 2008 book, Boys Should Be Boys: 7 Secrets to Raising Healthy Sons. In her chapter entitled “The God Factor,” Meeker addresses the problem of parents who do not stress the value of religion. This results in “religious ignorance among too many boys,” she contends. While young men earnestly want answers to life’s biggest questions, parents too often feel uncomfortable or too unprepared to provide them. On top of this, many of the same parents refuse to take their sons to church, where they might find the answers they seek.

Meeker observes:

As a doctor, my own clinical experience confirms what all the research tells us: that religion is good for boys. And I think too many parents have been mislead about what their responsibilities are in this regard. We baby boomers who have read reams of child care books and psychology books replete with tips on how not to stifle our child’s self-esteem and unique personality have faded quietly into the background of our kids’ spiritual lives. We so eagerly don’t want our children to be pushed by us in any direction educationally, psychologically, and spiritually that we hold back when we should lead. Many parents tell me that they want their kids to grow up to make their own decisions about God. They want their boys to make their own choices about which, if any, religion they want to believe. This is, in a way, noble. Our job as parents should be to educate and stimulate our boys to read and think on their own.

But this laissez faire approach does not, ultimately, work as intended. Children raised in no faith rarely become people of faith as adults. Meeker brilliantly captures the essence of the problem:

But the fatal flaw is that boys can’t choose from an empty menu. Asking a child to choose his own faith is like flying him to Prague, taking him to the center of the city, and asking him to pick out where to stay and what to do. He doesn’t have a clue, because he doesn’t know what his options are. He has never been there before, and the city is expansive and overwhelming.

Dr. Meeker makes a compelling argument that leaving faith up to an adolescent’s discretion is a form of parental indiscretion.

It strikes me that much the same thing is true in the world of sacred music. We live in an age when the GIRM gives us the freedom to choose what can be sung at many different times during Mass.

The unfortunate truth, though, is that very few parish musicians are equipped to be making such decisions. Like Meeker’s hypothetical child dropped in Prague with no further instructions, a great many parish musicians are volunteers with little liturgical formation and scant familiarity with the options that exist (beginning with the Propers themselves, moving to vernacular settings of the Propers, and devolving eventually to the four-hymn sandwich).

The solution to the present state of affairs is twofold. First, parish musicians need to be given better liturgical formation. We must make this an urgent priority. We need more initiatives like the St. Cecilia Academy for Pastoral Musicians.

Secondly, the Church needs to exercise her role as Mother. Just as parents must raise their children in the faith, rather than leaving it up to them to decide, so the Church must give clear direction to her children about what should be sung at Mass. The USCCB document Sing to the Lord, which is a vast improvement compared to the documents it replaced, leaves too much room for maintaining the status quo. We need more leadership like the Diocese of Marquette is receiving from Bishop John Doerfler.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Authentic Liturgical Renewal Reform, Hymns Replacing Propers, Liturgy of the Second Vatican Council, Propers, Reform of the Reform, Singing the Mass, USCCB Sing to the Lord Document on Music Last Updated: December 6, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading in the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (d. 1976)

Recent Posts

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  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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