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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Difficulty of Cultivating a Prayerful Focus for Musicians

Richard J. Clark · August 12, 2016

AM NO EXPERT. Ironically, prayer can be a struggle for church musicians. Grueling schedules, juggling personalities, and navigating politics (as normal routine) can rob prayerful focus. Musical focus is challenging enough. Add to it the vulnerability of being on display and judged on a weekly basis by anyone and everyone. (When it comes to music, everyone is an expert.) Sometimes, this can be spiritually draining, if not edifying.

So where does prayer come in? It only comes in the quiet, and it may have to come when the Sunday Masses are over. Or we need to “block out the noise” during Mass—challenging to do over the course of seven or eight Masses per weekend for some.

I don’t have an answer, or good advice. However, I have found prayer in a few things I will list here. I need these reminders for myself. Perhaps this list may be of some help. What is on your list?

1 • Preparation is prayer. Every bit of it. Be forever mindful of this.

2 • Being patient with all kinds of people and personalities, including those who get on your nerves—is prayer. I am mindful that I get on theirs too. I ask for their patience as well.

3 • Expressing gratitude to God for the opportunity to serve Him week in and week out is prayer.

4 • Composing on scripture is wellspring of prayer. I have come to rely upon this to save my life.

5 • Bringing the scriptures alive for your choir (and hopefully all the faithful) is prayer.

6 • Teaching is nothing but prayer.

7 • Continuing to serve God cheerfully (and very often flexibly) in the midst of professional crisis or adversity is prayer. Since dealing with some level of adversity is the norm, there is great opportunity for personal sanctification!

8 • Remember we are deeply flawed sinners—a most humbling state. This reality calls us to greater compassion to those who may appear to be easy to judge. Mindfulness of this is mercy, and is prayer.

9 • In humility, seek strength and nourishment from the sacraments.

LSO IRONIC, PRAYING WITH FAMILY AT MASS is rather impossible when working for the Church. It is especially challenging with small children. Again, I have no easy answers, but to take every available opportunity to cultivate prayer with your children. Teaching your children is a powerful form of prayer, for there are no greater prayers than those that spring from children. They may take to prayer reluctantly at times, but at others, it pours forth with powerful innocence and purity.

Children are also far more sensitive than adults realize to the needs of those around them. They understand the need for prayer. Take every opportunity to encourage children to not only learn specific prayers, but to cultivate a personal prayer life by speaking to God in their own words. These are powerful words.

Finally, prayer that seems to have nothing to do with music, or prayer that is far away from our jobs, will make us better musicians. More importantly, it will make us better servants of God, his people, our families, and each other.

Oremus pro invicem
Pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

Recent Posts

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  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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