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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Difficulty of Cultivating a Prayerful Focus for Musicians

Richard J. Clark · August 12, 2016

AM NO EXPERT. Ironically, prayer can be a struggle for church musicians. Grueling schedules, juggling personalities, and navigating politics (as normal routine) can rob prayerful focus. Musical focus is challenging enough. Add to it the vulnerability of being on display and judged on a weekly basis by anyone and everyone. (When it comes to music, everyone is an expert.) Sometimes, this can be spiritually draining, if not edifying.

So where does prayer come in? It only comes in the quiet, and it may have to come when the Sunday Masses are over. Or we need to “block out the noise” during Mass—challenging to do over the course of seven or eight Masses per weekend for some.

I don’t have an answer, or good advice. However, I have found prayer in a few things I will list here. I need these reminders for myself. Perhaps this list may be of some help. What is on your list?

1 • Preparation is prayer. Every bit of it. Be forever mindful of this.

2 • Being patient with all kinds of people and personalities, including those who get on your nerves—is prayer. I am mindful that I get on theirs too. I ask for their patience as well.

3 • Expressing gratitude to God for the opportunity to serve Him week in and week out is prayer.

4 • Composing on scripture is wellspring of prayer. I have come to rely upon this to save my life.

5 • Bringing the scriptures alive for your choir (and hopefully all the faithful) is prayer.

6 • Teaching is nothing but prayer.

7 • Continuing to serve God cheerfully (and very often flexibly) in the midst of professional crisis or adversity is prayer. Since dealing with some level of adversity is the norm, there is great opportunity for personal sanctification!

8 • Remember we are deeply flawed sinners—a most humbling state. This reality calls us to greater compassion to those who may appear to be easy to judge. Mindfulness of this is mercy, and is prayer.

9 • In humility, seek strength and nourishment from the sacraments.

LSO IRONIC, PRAYING WITH FAMILY AT MASS is rather impossible when working for the Church. It is especially challenging with small children. Again, I have no easy answers, but to take every available opportunity to cultivate prayer with your children. Teaching your children is a powerful form of prayer, for there are no greater prayers than those that spring from children. They may take to prayer reluctantly at times, but at others, it pours forth with powerful innocence and purity.

Children are also far more sensitive than adults realize to the needs of those around them. They understand the need for prayer. Take every opportunity to encourage children to not only learn specific prayers, but to cultivate a personal prayer life by speaking to God in their own words. These are powerful words.

Finally, prayer that seems to have nothing to do with music, or prayer that is far away from our jobs, will make us better musicians. More importantly, it will make us better servants of God, his people, our families, and each other.

Oremus pro invicem
Pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.