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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Week In Review

Jeff Ostrowski · October 10, 2015

Here are some random thoughts. Take them or leave them!

(1)

Gregory DiPippo wrote a fascinating article on NLM you will want to read. I don’t want to tell you what it’s about—but believe me, you will love it! Now, here’s a fun fact: the Jogues Missal actually contains a “bilingual” manuscript (Greek + Latin) which you can better understand by reading an article I posted a while back.

(2)

As a choirmaster, in some ways it doesn’t matter what you know about music, because the main thing is dealing with people. We must cultivate relationships with our singers, who are people. Choirmasters do not have a choice in this matter. We do not conduct a group of singers; we conduct a whole bunch of individual people who (in my view) must become friends.

(3)

What would our readers think about a “Letters to the Editor” section on our CCW blog? I think that might be kind of fun, if there was enough interest…

(4)

As a blog author, one eventually realizes “less is more.” Good authors must be succinct. They must avoid repeating themselves over and over. I feel this has a bearing on the question of GRADUAL vs. RESPONSORIAL PSALM. The Gradual had a way of picking out just 1-2 really special verses (easily grasped by the human mind). The Responsorial Psalm has more verses, but somehow can leave less of an impression upon the mind.

(5)

Internet users have become more mature. Have you noticed how few blogs comments are made these days as opposed to ten years ago? These days, folks navigate to the websites they desire, blocking out the rest. Folks no longer have the time & energy required for endless flame wars. I’d like to explore this subject more at some point…

(6)

My friend wrote me an email, letting me know Kirsten Powers has become Catholic! I wrote about Kirsten Powers here. (I think that’s why my friend sent me that message.)

(7)

Here at CCW, we strive for authenticity. So many blogs out there talk down to their audiences, or try to get people riled up. One thing I hate is when blog authors frame an issue, and then—just like the 30-minute sitcoms in the ’90s—“resolve” the issue at the end of the article. In reality, most issues are complex and cannot be resolved in a 1-paragraph summary. Such an approach may be considered “proper writing” but in the end is not applicable to the real world.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link and scrolling to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

The very first question to be considered, of course, was: “Just why does the Sacred Liturgy need renewal at all?” It cannot be denied that there were many present, in the beginning, who felt that the Liturgy was generally very good the way it was; further, if there were to be any improvements, they felt the Sacred Congregation of Rites was the agency properly suited to make those improvements.

— Most Rev’d Robert Emmet Tracy (d. 1980)

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