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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Verge Of The Abyss

Aurelio Porfiri · January 12, 2015

457 Aurelio Porfiri THINK WE SHOULD REALLY be honest with one another: church music is on the verge of the abyss. And so it is with liturgy. I am not saying this to appear pessimistic, traditionalist, conservative, or whatever word you want to use with negative meaning (even if these words are not negative at all, in the right context)—I just think it to be realistic.

Church music is mostly coming to an end, if we consider church music to be the kind that is conceived using the best of musical abilities, of composers trained in the tradition of the Catholic Church’s liturgical music. Music that, of course, can be (and has to be) innovative but always developing organically from the musical forms of the tradition. Hey, this is not a traditionalist statement! It’s right out of Sacrosanctum Concilium (23): “and care must be taken that any new forms adopted should in some way grow organically from forms already existing.”

Today everyone can rule over those who are unfortunate, yet still strive to take church music seriously: every catechist, every priest, every nun can teach you what they don’t know. All of these people usually have something in common that is very important: they are completely ignorant about liturgical music, but feel encouraged (from a mysterious spirit) to use their ignorance for the greater glory of God and the edification of the faithful. And of course they use the art of demagogy and political correctness in a way that puts some timid church musicians in an uncomfortable position.

FELLOW CHURCH MUSICIANS, let me tell you wholeheartedly: rejoice and be glad! We are on the verge of the abyss, because we prefer to stand for what we trust than to bow to the messengers of ugliness—to poor people thinking they are making some good when they are actually building the greatest evil: the triumph of mediocrity. There are still a few catechists, priests, and nuns who attempt to resist this triumphal march toward nothing, and they also will share our fate of solitude and isolation. Of course, there are also church musicians who are close minded, arrogant, and self-isolating, in the same way that there are medical doctors who are close minded, arrogant, and self-isolating. But if you need an opinion about your health you would still ask them rather than those who are not trained in medicine. We church musicians are not in the same situation: everyone can decide what music can be sung in the liturgy, following their distorted ideas and tastes and being sure that they can invoke the Council providing that they only know a few lines of the documents…and that is in the best cases.

Fellow church musicians, rejoice and be glad! We are trailed toward the abyss because we want to remain Catholics but at least we know where we are going. Thanks to this, we will be able to taste every good moment that God allows us in the midst of the battle, having a grateful heart and invoking a peaceful spirit.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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  • “Simplified” Keyboard Accompaniment (PDF)

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