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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Ordinary Form’s Incredible Freedom

Jeff Ostrowski · August 29, 2015

354 Pope Paul VI ANY AUTHORS HAVE COMMENTED on a paradox of the post-conciliar reforms which—sooner or later—will have to be addressed. On the one hand, the reformers said they wanted to return to an ancient “pristine” liturgical tradition. But on the other, they tried to make the liturgy more acceptable to a creature they called “modern man.”

Yet another paradox exists, which has not received that much commentary. On one hand, the reformers claimed that modern priests were so busy they required (for example) a much shorter version of the Divine Office. On the other hand, they provided priests with an unthinkable amount of choices when it comes to (for example) readings at daily Masses, naïvely thinking priests would spend hours each week choosing them. Ten years later—having conceded that no priests were actually doing this—they went back and provided a “cheat sheet” (explained here).

Did you know that the Ordinary Form rubrics allow musicians to choose anything they like? Consider, for example, what the 1974 Graduale says:

    * *  PDF Download • The choices of the Ordinary Form

Those are just a few of the possibilities, and that’s why the JOGUES MISSAL shows only the most traditional chants:

    * *  PDF Download • Sample Page from the Jogues Missal

The whole idea was to make it easy on the congregation.

IF I MAKE IT TO HEAVEN, I would like to ask Pope Paul VI why he was in such a hurry to promulgate the Ordinary Form. (If you doubt he was in a hurry, read the quote on Page iii.) I believe that someday the Ordinary Form will be reformed and some problematic elements—such as the numerous options described above—will be eliminated. However, I believe the Ordinary Form can only be reformed if the Church leaders reach consensus, like when the bishops voted to adopt the 2011 Missal translation by an overwhelming majority. 1

Speaking of options, Pope Benedict in 2007 promulgated Summorum Pontificum, which said that any priest desiring to do so can celebrate the 1962 Missal. The same folks who always pushed for as many liturgical options as possible—I’m speaking here of the ones who hate the Traditional Latin Mass—could say nothing in the face of the document, because it was presented as an option. It reminds me of a famous quote by Professor László Dobszay:

If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.




NOTES FROM THIS ARTICLE:

1   I have yet to come across a bishop who argues in favor of the previous version. By the way, a common argument made after the Council said “one must accept the reforms in their entirety or reject them in their entirey; but don’t quibble about individual changes.” Sensible people have rejected this argument, because how can a thing be judged except by the thing itself? Their argument would be as bogus as saying, “You must either accept Janet’s behavior entirely or reject it entirely; but don’t start questioning individual incidents where she did this or that.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Professor Laszlo Dobszay Last Updated: January 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“I, (Name), do declare that I do believe that there is not any Transubstantiation in the Sacrament of the Lord’s Supper, or in the elements of the bread and wine, at or after the consecration thereof by any person whatsoever.”

— ‘From England’s Anti-Catholic Oath (1673)’

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