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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Will ICEL Do Next?

Fr. David Friel · November 23, 2014

HE NAME of Msgr. Andrew Wadsworth is likely familiar to anyone who reads Views from the Choir Loft. He presently serves as Executive Director of the International Commission on English in the Liturgy (ICEL) and is one of the founding members of the new Oratory in Washington, D.C. Msgr. Wadsworth is originally a priest of the Diocese of Westminster (London, UK) and is a friend to anyone working for the authentic renewal of the sacred liturgy.

In his work with ICEL, Monsignor was instrumental in the production of the Third Edition of the Roman Missal that was implemented in 2011 (and which I have commented upon HERE). This past summer, he was invited to give the Hillenbrand Distinguished Lecture at the Liturgical Institute at Saint Mary of the Lake (Mundelein), during which he gave a sort of status update on the present focus of ICEL’s effort. This lecture was published in the September issue of Adoremus Bulletin, available HERE.

The article explains that ICEL is now working on new translations for the following liturgical texts:

The Rite of Confirmation

The Order of Celebrating Marriage

The Order of the Dedication of a Church and an Altar

Exorcism and Related Supplications

The Supplement to the Liturgy of the Hours

Some of these texts received attention during this month’s meeting of the US Bishops in Washington.

Additionally, Msgr. Wadsworth gives details on the request of the USCCB for assistance in producing a revised version of the Liturgy of the Hours. Among the LOH components to be retranslated by ICEL are the following:

The complete selection of hymns as found in the Liturgia Horarum

Magnificat and Benedictus antiphons for Sundays of the 3-year cycle

Intercessions

Orations from the 4-week psalter

The Te Deum

Marian antiphons for use at Compline

If you are interested in learning more about what will be coming our way in the next few years, I encourage you to read this informative article. The author is a good priest we are so fortunate to have directing the work of ICEL.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Compline, ICEL New Translation of the Roman Missal, Reform of the Reform, Roman Missal Third Edition, USCCB Secretariat of Divine Worship Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

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