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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Living with Uncertainty

Richard J. Clark · January 3, 2014

RJC_912_Prodigal_Son from “The Return of the Prodigal Son” (Rembrandt) O MATTER WHO YOU ARE, life brings uncertainty. But as the saying goes, there are two things that are certain: death and taxes. There is also a third: the Cross. We all carry crosses, some unique that no one else will possibly understand. Yet we serve God and each other through the very crosses we carry. Here is what is certain: we will carry one cross or another until we die. This is not morbid, but rather a joyful reminder that through suffering, we serve God and each other all the days of our lives.

This week, a busy time during the Christmas Season, one may reflect upon events past and hope for the future. One week alone, no less an entire year, may bring a roller coaster of emotions. This has been such a week.

Christmas day brought the tragic news of the death of a family member, much too young and much too sudden. So my liturgical preparation has included not only my job, but now my family. My family lifts a heavy heart alongside an ever-increasing appreciation for the gift of life.

But blessings come and go. Crosses are plentiful. Uncertainty makes life scary. No one is immune from ultimate uncertainty. Yet, there is a certainty to be found in God: No matter who you are, rich or poor, lowly sinner or saint, these words are prayed (hopefully sung) in the funeral mass:

May the angels lead you into paradise; may the martyrs come to welcome you and take you to the holy city, the new and eternal Jerusalem. May choirs of angels welcome you and lead you to the bosom of Abraham; and where Lazarus is poor no longer may you find eternal rest.

Be certain: God’s welcome is the same for everyone, especially for the lowly. I find this beautifully astounding every time I sing these words. In the funeral mass we pray for the deceased. Those of us on earth must continue to pray unceasingly. But like the father of the Prodigal Son, God welcomes the sinner, who like Lazarus, is no longer poor and finds eternal rest. Know that God, who is the Lover of Souls, is infinitely merciful.


HE MUNDANE CAN BRING redemption and lift the spirit. Composing often heals a heavy heart, as does the work of liturgical preparation, strangely enough. Although last minute, I hope the offering below may be of some service. As the Wise men looked East, they encountered uncertainty in their search for the Newborn King. They encountered uncertainty in a dream to avoid Herod and return another way. At the center of this uncertainty was faith in the certainty of God.

Free Download:
PDF • Vidimus stellam | Communion Antiphon | Epiphany of the Lord | for Schola, SATB, Organ

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

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