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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Living with Uncertainty

Richard J. Clark · January 3, 2014

RJC_912_Prodigal_Son from “The Return of the Prodigal Son” (Rembrandt) O MATTER WHO YOU ARE, life brings uncertainty. But as the saying goes, there are two things that are certain: death and taxes. There is also a third: the Cross. We all carry crosses, some unique that no one else will possibly understand. Yet we serve God and each other through the very crosses we carry. Here is what is certain: we will carry one cross or another until we die. This is not morbid, but rather a joyful reminder that through suffering, we serve God and each other all the days of our lives.

This week, a busy time during the Christmas Season, one may reflect upon events past and hope for the future. One week alone, no less an entire year, may bring a roller coaster of emotions. This has been such a week.

Christmas day brought the tragic news of the death of a family member, much too young and much too sudden. So my liturgical preparation has included not only my job, but now my family. My family lifts a heavy heart alongside an ever-increasing appreciation for the gift of life.

But blessings come and go. Crosses are plentiful. Uncertainty makes life scary. No one is immune from ultimate uncertainty. Yet, there is a certainty to be found in God: No matter who you are, rich or poor, lowly sinner or saint, these words are prayed (hopefully sung) in the funeral mass:

May the angels lead you into paradise; may the martyrs come to welcome you and take you to the holy city, the new and eternal Jerusalem. May choirs of angels welcome you and lead you to the bosom of Abraham; and where Lazarus is poor no longer may you find eternal rest.

Be certain: God’s welcome is the same for everyone, especially for the lowly. I find this beautifully astounding every time I sing these words. In the funeral mass we pray for the deceased. Those of us on earth must continue to pray unceasingly. But like the father of the Prodigal Son, God welcomes the sinner, who like Lazarus, is no longer poor and finds eternal rest. Know that God, who is the Lover of Souls, is infinitely merciful.


HE MUNDANE CAN BRING redemption and lift the spirit. Composing often heals a heavy heart, as does the work of liturgical preparation, strangely enough. Although last minute, I hope the offering below may be of some service. As the Wise men looked East, they encountered uncertainty in their search for the Newborn King. They encountered uncertainty in a dream to avoid Herod and return another way. At the center of this uncertainty was faith in the certainty of God.

Free Download:
PDF • Vidimus stellam | Communion Antiphon | Epiphany of the Lord | for Schola, SATB, Organ

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Requiem, Singing the Mass Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Don Fernando de las Infantas wrote to the Pope, trying to get him to stop Palestrina from corrupting all the plainsong editions: “The errors which certain musicians, in all good faith, think they have found in plainchant are not errors at all, but on the contrary contain some of the most beautiful musical passages ever written.”

— Don Fernando de las Infantas (1578 A.D.)

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