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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope John Paul II Wearing The Cappa Magna (As Cardinal Wojtyla)

Jeff Ostrowski · August 25, 2014

923 JP2 Cappa WAS SITTING IN A BANK. In walked four men dressed in suits with beautiful ties and handkerchiefs. They went down the corridor and began conducting business with clients. The attire of these men was totally appropriate. Can you imagine getting a loan from someone dressed in bermuda shorts and a Tank Top?

It makes me sad when priests wearing their proper “uniform” are subjected to mockery by progressive liturgists. Why don’t they leave our priests alone and instead criticize bankers wearing suits? Anyone who’s truly human understands perfectly why we dress up for certain events. Doing so is natural, fitting, and appropriate.

Priests should never be embarrassed to wear proper attire, any more than a soldier should be embarrassed to wear his uniform. By the way, my wife’s family members are all involved with the armed forces (Navy, Marines, and so on), so I’ve seen some really nice uniforms over the years. The most marvelous uniform I ever saw was the one worn by Prince Charles when he married Diana.

POPE SAINT JOHN PAUL II, like Pius XII, understood the seriousness of being a «Prince of the Church» and often wore the Cappa Magna (even as late as 1968). Here are some photographs showing John Paul II in proper attire:

925 A Cappa 924 B Cappa 727 version 1

I will not here address Cappaphobia — a malady afflicting those who haven’t used Google to learn the true history of the “Cappa Magna.” However, the words of Monsignor Patrick Brankin (who is mentioned by name in the Jogues Missal) are worthy of consideration:

HE CAPPA MAGNA does indeed represent the finery of the world: its power and prestige. That is why—after his entrance wearing it—the prelate is publicly stripped of this finery, and humbled before the congregation. Then, vestment by vestment, the bishop is clothed in the new man of which St. Paul speaks, including the baptismal alb, dalmatic of charity, stole of pardon, maniple of sorrow, and chasuble of mercy. When finally clothed in Christ, the prelate makes a second entrance into the church to begin the Eucharistic celebration in persona Christi, the visible head of the body (the Church).

It was a clear statement that the power and prestige of the world have no place at the altar, but it is expressed in a liturgical ritual or symbol, which, unfortunately, are often lacking in the contemporary rites and thus hard to grasp.   (source)

It’s worth considering that Judas Iscariot was the first person to object to having beautiful vestments at Mass (Jn 12:5).

To see more pictures of Karol Cardinal Wojtyla wearing the Cappa Magna, click here. To learn about “distinctive garb” for Catholic priests, click here. For the record, here’s Pope John XXIII wearing the Cappa Magna (courtesy of Orbis Catholicus):

920 John XXIII cappa magna

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cappa Magna Liturgical Vestment Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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