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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

English Setting of Pentecost Sequence | Free Download

Richard J. Clark · May 10, 2013

ENI, SANCTE SPIRITUS, the Sequence for Pentecost Sunday is one of the great jewels of the Roman Rite. The Gregorian Chant is exquisite. The text alone is a treasure—short, simple, profound, and transcendent.

The text reminds us of the Holy Spirit’s protection and comfort. The text reminds us of God’s infinite mercy and forgiveness. We are also called to inward transformation, forgiveness, and compassion: “Bend the stubborn heart and will. Melt the frozen. Warm the chill. Guide the steps that go astray.”

What a gem for the Church! What a gem for our sacred Liturgy!

My humble setting uses the translation by Edward Caswall from the Lyra Catholica. Cas­wall was or­dained an An­gli­can priest in 1839 and later was a convert to Roman Catholicism. His translations are known for his adherence to Roman Catholic Doctrine, faithfulness to the original text, and pure poetic rhythm. He is also cited for his translations of the Roman Breviary, published in the Lyrica Catholica. (London, 1849)

Free Download:
PDF • “Sequence for Pentecost Sunday | Veni, Sancte Spiritus” | for Schola, Organ or Piano
• Includes separate versions for organ or piano and with optional lower key

COMPOSED THIS SETTING APPROXIMATELY TWENTY years ago or more, perhaps in 1992. I’m not sure. I wrote the piece for tenor Mark Donohoe, a superlative cantor who possesses clarity of diction, humility, and prayerful expression, (and a heart of gold.) Also effective for a schola, this setting has been unusually popular, hopefully reverent, and somewhat worthy of the extraordinary sacred text.



Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Veni Sancte Spiritus Last Updated: May 22, 2021

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

[Speaking of those who wish to eliminate Latin from the liturgy.] “One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past; one may well wonder why these things have been fostered.”

— Pope Saint Paul VI (15 August 1966)

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