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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Getting Rid Of “Gree-vee-uhss” (Mispronunciation)

Jeff Ostrowski · March 10, 2013

REQUENTLY on this blog, I have mentioned that we feel called to stay positive in our postings. So-called “controversial” Catholic blogs get a lot of traffic, but often cause great harm to souls. For instance, such blogs can cause good Catholics to waste a lot of time typing on the computer instead of praying, serving others, fulfilling our obligations, and so forth. However, from time to time, I think it is OK to mention a lighthearted critique. At the moment, I am speaking of “Gree-vee-uhss.” Any Catholic who went to school in the 1950s will remember the nuns teaching children how to pronounce the word “grievous.” Many were tempted to pronounce it as “grievious,” which is incorrect.

Every time I go to Mass these days, I hear a vast majority of people saying “grievious” instead of “grievous.” What can be done about this? I suppose the priest could make an announcement. What will be done about this? Probably nothing. So why I am talking about it? I’m not sure, but every time I hear people saying “grievious” my ears burn and I break out in a sweat. Then again, what can we do in today’s world? Believe it or not, the word “irregardless” (a true abomination) has been in the dictionary for more than 100 years. And many famous public speakers cannot even correctly use the word “whom” (they usually just say “who”). Grammatically, misusing “whom” is like saying “Him went to the store” or “Her likes to go swimming.”

As long as I am breaking my normal rule, I would like to say that I will never get used to calling God “you.” What ever happened to “Thee” and “Thy” ? It seems that in the 1950s, Catholics started to address God as “you,” even in respected books like Joseph Connelly’s Hymns of the Roman Liturgy (1957). I’ve heard it said that people cannot understand what “Thee” means . . . yet we still use “Thy” in the Our Father at Mass, and nobody seems confused . . .

By the way, although our Blog is positive, that does not exclude the possibility of serious reflection upon how things can be improved. Later this week, Dr. Kwasniewski offers a reflection on “Communion in the hand” which I hope readers will prayerfully consider. It might be good for me to remind all our readers that Watershed in no way judges the motives or intentions of Catholics, whether they receive Holy Communion on the tongue or in the hand. The reflections are offered for your consideration, in case people find them to helpful in their spiritual lives. The object is for all of us to grow in love for Jesus Christ and the Church.

Where did “Communion in the hand” come from? Well, some sources would strongly seem to indicate that this was a practice of the Early Church, at least in some places. After the Council, unfortunately, a good portion of “Antiquarianism” reared its ugly head, even though Antiquarianism had been condemned by Pope Pius XII. Communion in the hand is a prime example. A friend of mine told me about a pamphlet in the 1970s which was printed in an extremely professional, expensive, “flashy” manner: color print, glossy pages, artistic design, etc. The pamphlet contained all kinds of quotes trying to prove that Communion in the hand existed in the Early Church, and (therefore) should be used today. Hearing this, I said, “Father, that must have been a pretty powerful argument for Communion in the hand.” He replied, “No, Jeff, because they forgot one thing. They forgot to mention the real and serious reasons why this practice was abandoned as the Church developed through the centuries.” Oops! (Or, as we used to say, “Duh!”) Leaving aside all the important reasons the Church has given throughout history as to why Communion in the hand is not optimal, I would add one more. Think of all the trashy stuff we touch with our hands each day. Our hands are just plain dirty. For me, it becomes almost unthinkable to receive Communion in the hand, considering this.

Finally, rather than just go on and on in a negative fashion, please allow me to share something I thought about the other day:

OW FREQUENTLY the Church uses “light” to signify Christ, Truth, and God (most notably, perhaps, on Holy Saturday). There are many reasons for this, and I won’t mention them here, but let me mention one. I was sitting in my car, and the sunlight was coming in through the window. It was very WARM and BRIGHT. But, I moved the little sun visor, and all of a sudden the light was blocked. Moving it again, the light came through again. Moving it once more, it was blocked. I began to think about the giant sun, and HOW FAR that light had to travel, just to be either blocked or allowed in. The galaxy is huge. The earth is huge. But what a difference that tiny beam of light made! Trust me, it made a big difference.

It struck me that the Church was wise to use “light” as an image of God’s love. As an aside, the office hymns are “obsessed” with this theme. I considered putting some in the Campion Hymnal [url], because Cardinal Newman translated them all, but I was afraid people would not understand the connection. They would only think about the daytime vs. night (which is what they refer to) and not the theme of “light.” I better stop here, otherwise I will start talking about too many wonderful themes, like the magnificent significance of the rooster in the office hymns, how bells represent our time on earth, etc. This blog has already gone way too long, but it’s hard to stop!

This Blog already went too long . . . but please allow me the following “P.S.” :

Have you noticed how our culture has disintegrated? Take singing: on so many of today’s kids cartoons, they don’t even sing songs anymore. The “songs” are simply goofy rhymes spoken to rhythm, like rap music. We Church musicians always act surprised at the “level of ignorance” concerning the finer points of liturgical music, but should we be surprised? Our children don’t even have nursery rhymes any more. All they have is this nasty “sprechstimme” of talking “in rhythm.” I don’t have words to describe how terrible I find this practice. Now, I realize sometimes this type of thing can work, like Rex Harrison’s songs in My Fair Lady. Rex Harrison (famously) could not sing, so none of his songs have real tunes: he just “speaks in rhythm.” Sure, that works. But this is different. This is especially evident when we consider what people went through in the Middle Ages, with disease, no modern medicine, no running water, no electricity, no penicillin, etc. Yet, musically they were eons ahead of us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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