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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The New Translation of the Roman Missal

Jeff Ostrowski · February 23, 2013

ORE THAN a billion people currently belong to the Catholic Church. A considerable number of those people speak (or read) English. When the new English translation was introduced, I had expected a tremendous outcry. Why? Because translations, by their very nature, are usually something about which nobody is happy. There’s an old expression: The translator is a traitor.

However, the new translation of the Roman Missal has been around for more than a year, and I have yet to read a single serious article or paper calling for a return to the old translation. I have yet to encounter a single serious Catholic priest or bishop who does not admit that the Roman Missal, Third Edition is a vast improvement. Nor have I seen any serious article making the case that the old translation was more accurate than the current one.

Before going further, let us remind ourselves what the “old ICEL” translation was like. One good way to do this would be to read the following 1990 article by Msgr. Schuler:

          *  Article by Msgr. Richard J. Schuler about the “old” ICEL translation [pdf].

As alluded to above, translations are similar to hymns: everybody always has something to say about them. Everyone always has an opinion. Everybody always wants to toss in his “two cents.” The fact that not one serious person has, for instance, drawn up a chart attempting to show that the old ICEL translation was more accurate than the new astounds me.

What do I, personally, think of the new translation? I think it is a vast improvement and makes a tremendous difference because it is so much more accurate than the previous ICEL translation. For instance, look at the old ICEL version of the “Exsultet” and compare it to the original Latin. It was a travesty and an embarrassment.

I do feel that the new translation is not as beautiful as it might have been. For instance, it pales in comparison to many of the translations used before the Council. ICEL would have been able to produce a much more beautiful translation if they had taken the time to carefully consult the old daily missals (“hand missals”) like the St. Joseph Daily Missal, Fr. Lasance’s Missal, and so forth. Furthermore, some of the “politically correct” phrases sound like nails scratching on a chalk board to my ears. “And peace on earth to people of good will” comes to mind.

Having read numerous articles like the one written by Msgr. Schuler, I can only guess that the almost total lack of serious criticism of the new translation can only be attributed to the unbelievable depravity of the previous ICEL translation (created, I believe, around 1969). As many people have commented over the years, the previous translation (in many instances) was unworthy of any self-respecting first year Latin student. I should add: one of the reasons that the new translation was so much more accurate is that, a few years ago, the Holy Father completely reformed ICEL.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

In the Orthodox Churches they have kept that pristine liturgy, so beautiful. We have lost a bit the sense of adoration. They keep, they praise God, they adore God, they sing, time doesn’t count. God is the center, and this is a richness …

— Pope Francis (8/2/2013)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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