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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Devil’s Parody

Dr. Peter Kwasniewski · February 14, 2013

AINT AUGUSTINE says that our Lord Jesus Christ heals us both by what is like us and by what is unlike us. Christ is man, and so through his humanity he heals man; but Christ is God, and by his divinity, too, he heals man. Indeed, he can heal with his human touch because his human touch is that of Almighty God.

In parody of this, the devil―the “ape of God”―seeks to harm man both by like means and by unlike means.

Although the devil is pure mind, operating far above the realm of images, he leads men into the mindless activities of modern entertainment―television, video games, movies, virtual reality, where dominates the unreality of flickering images. Although silent in his intellectual evil, he leads men into ever greater noise―the din of speakers and earbuds, the satanic rock music, drowning out thought, choking noble aspirations, pushing souls ever downward into the rhythm of the concupiscible passions, chasing away the silence in which God can begin to speak. Although bodiless, he leads men into a fixation with bodies and bodiliness, such that they cannot raise their minds to spiritual things.

Speaking of likenesses, on the other hand, the devil is swift in thought and fleet in motion, and he goads modern man to become ever more seeming swift, ever more fleeting. Demonic speed translates into our mad rushing round, our minds never at rest, our desires always on the prowl, seeking what we may devour. Demonic “mastery over nature” is reflected in our technological ambitions, which are still far inferior to what the least demon has always been able to do (when permitted by Divine Providence), and yet which are approaching more and more that infernal power of distorting and maiming reality that the demons exercise in their hatred of material creation and especially of man, its pinnacle and lord. For the devil is, as St. Ignatius of Loyola reminds us, “the enemy of human nature.”

The devil is, one might say, the limit case of a mentality focused on self-will, the cult of the ego, which is the very anti-spirituality that informs modern America and the modern West. The “pro-choice” mentality echoes the demons’ choice to reject the divine means to happiness: the demons want everyone to be trapped in the same egoism as they are. Sartre and Camus are merely translating into human language the constant experience of the damned. As St. John Damascene remarked, the demons carry hell with them wherever they go. And, to paraphrase Joseph Cardinal Ratzinger, hell is pushing its way into this world, as modernity welcomes the demonic into its bosom.

In contrast, the pro-life mentality echoes and imitates the good angels who chose eternal life by the power of sanctifying grace, the divinely appointed means to a supernatural end. It sees in all life an image of the Life itself, the eternal life that is properly God’s and streams forth into the joy of countless saints in glory. Let us pray that we may be always guarded and guided by the holy angels, since, as the Apostle tells us, “we are not contending with flesh and blood, but against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places” (Eph 6:12).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

Recent Posts

  • PDF • “Music List” (Sunday, 28 December)
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  • PDF • “Music List” (Xmas Midnight Mass)
  • What does this mean? “Pre-Urbanite”
  • “He never had a single day of conflict with anyone.”

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