• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

More thoughts about Communion in the hand.

Jeff Ostrowski · August 12, 2013

512 Doubting HE HOMILY given at Mass yesterday inspired me to write an article about Communion in the hand. Within a few hours of returning home from Mass, I happened to be reading a 1934 paper by Fr. Charles Dreisoerner of San Antonio. Amazingly, what do I happen to read?

For the chants of the Proper, he should prepare from an English translation of the Missal. Besides this it is almost indispensable to consult a book like the “Liber Sacramentorum,” or better for those who read German, Parsch’s “Das Jahr des Heiles.” With such a book the choirmaster or organist prepares the text of the Introit, the Offertory, etc., in order to have solid ground for brief translation and interesting remarks. For example when he rehearses the Communion of today’ s Proper (Put forth thy hand and recognize the places of the nails Alleluia, and be not faithless but believing), he would point out the beautiful allusions of this chant meant to be sung during the Communion Procession of the Faithful, who before the seventh century used to put forth their right hand crossed over the left to receive the Host and then communicate themselves: Put forth thy hand and recognize the places of the nails, and be not faithless but believing. If you want enthusiasm and understanding, prepare your text.

You already know what I’m going to say. I’m about to bring up the phenomenon I’ve written about over the years and referred to as “learn a new word, see it within 24 hours.” In a nutshell, this is when the human mind becomes alerted to some word or idea and is subconsciously “on the lookout” for it. Another example occurred yesterday afternoon, as our daughter was watching a pirate cartoon. Astonishingly, one pirate said, “Remember, Captain: with great power comes great responsibility.” That was derived from yesterday’s Gospel (Luke 12:48). Crazy, no?

ACTUALLY, I’M NOT A FAN of the statement by Fr. Charles Dreisoerner. For one thing, there is no historical proof that Holy Communion was universally received in the way he describes. Also, Bishop Sheen reminds us that Thomas probably did not place his hand in our Lord’s side — seeing Him appear was enough, in spite of his earlier incredulity.

More importantly, though, I feel more edifying words could have been spoken about John 20:27. Right? Let me see if I can do better of the top of my head:

Consider Thomas the doubter. All the other Apostles came to him and told him Christ was risen, but their words were not enough for him. What does that say about the relationship of Thomas with the other Apostles? What does that say about man’s stubbornness? Should we not kneel down and pray to God, asking Him to bestow upon us and our children (“who have not seen”) the precious gift of Faith? Why is it that we are so quick to believe wicked men, television commercials, and the lies of the devil, yet so slow to believe the words of God? Let us consider the faith of the Jesuit Martyrs of North America, and what they suffered for the Lord. Can we not ask for their intercession?

I’m not saying my thoughts are perfect, or even good. I’m certainly no Fulton Sheen. I just feel Fr. Dreisoerner’s image misses what’s truly important. If you disagree, let me know in the combox.

I ALMOST MADE A HUGE mistake above. I almost said: “For the sake of argument, let us assume Fr. Dreisoerner was correct about hand Communion.” Then I remembered this is forbidden. Such a phrase cannot be used anymore, because, unfortunately, many people no longer read with care. When the following statement is made:

“For the sake of argument, let’s pretend somebody breaks into your house and insults you by calling you ugly.”

Many people will immediately stop listening and complain that you just called them ugly. They don’t listen to what is said. Therefore, it is probably best to avoid making such statements, which is sad.

Let me give another example, specifically related to Church music. Many times, “progressive” liturgists will make the following claim:

“The church documents envision a balanced approach. They talk of a 50/50 split between contemporary styles (like Broadway and Jazz) and more traditional styles (like chant and polyphony). This is what we find when we read all the legislation.”

The “old” Jeff would have given this response:

For the sake of argument, let’s pretend you’re correct in your reading. Let’s assume, for the sake of argument, that the Church wants a 50/50 split. Are you doing Gregorian chant 50% of the time? Have you ever done polyphony? Have you ever used the organ? Have you ever had your congregation learn what Pope Paul VI called the “minimum repertoire” for the Reformed Rite? Have you followed the Second Vatican Council’s directives and given Gregorian chant “pride of place”? Let me know when you’ve done this, and then we can talk further.

What I have come to realize is that people come away saying, “He agrees! The Church wants a 50/50 split. He even admitted it!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Of course, the Latin language presents some difficulties, and perhaps not inconsiderable ones, for the new recruits to your holy ranks. But such difficulties, as you know, should not be reckoned insuperable. This is especially true for you, who can more easily give yourselves to study, being more set apart from the business and bother of the world.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.