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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Having Children Make Us Better at Our Jobs?

Richard J. Clark · April 12, 2013

HERE IS LIFE B.C. and A.C. – “Before Children” and “After Children.” To be a musician, full-time or not, brings with it an alternative lifestyle and schedule. My professional life “B.C.” was certainly devoted almost exclusively to being the best musician that I could be. It was important that I seized the opportunities to grow and learn at every moment. I was involved in all kinds of music, not just sacred music. The world was full of possibilities and I had several avenues to pursue.

It’s also important to note that by nature I am NOT a morning person. 11pm and beyond were my peak hours for practice, composing, songwriting, and recording. Although living on the East Coast, it is safe to say my hours were consistent with the Hawaiian time zone.

I vowed to myself not to get married before the age of 30 (which I accomplished rather easily), but upon meeting the love of my life, I couldn’t get married fast enough.

Meanwhile, at my full-time job at St. Cecilia Parish (where I have been employed since the age of 20), not having children afforded me the opportunity to develop the music programs in what was a dying parish. Then nearly ten years ago the scope of my job changed drastically. We had a new pastor, merged with another parish, and a few years later, were the welcoming parish for yet another closed parish. Putting in about 60 or more hours per week (more or less doing the work of two to three parishes by myself), these mergers demanded a great deal of pastoral sensitivity, and exponentially more administrative work. For some years, I was constantly on the fence of whether to stay or to leave this job, but I felt I had to stay and see this process through. (I am glad I did, as I have been greatly blessed through it all.)

However, during this critical juncture in the life of our parish, I never could have handled this workload if I had children. Ironically, working in ministry for the Church is often not conducive to family life. Working nights and weekends away from family, often for low pay makes having children in the picture difficult. (This also gives perspective to the unmarried state of religious life.)

Then the light of my life, my daughter, was born; two years later, the other light of my life, my son, was born.

Life “A.C.” is very different. My job no longer comes first. (A must read on this topic is by Andrew Motyka: The Church Music Director: Job or Vocation?) I am no longer available to put in flexible unlimited amount of hours. When running rehearsals in the evening, I am often having difficulty concentrating, given that my son makes sure we are always awake by 5 am. While also directing three different choirs every Sunday and responsible for a dozen or so liturgies per week, I am often scattered, occasionally irritable when I need to be cheerful with volunteers, and all too often produce embarrassing typos on worship aids and concert programs. (My favorite typo was: Psalm 33:4: “Uptight is the word of the Lord.” Oops.) Since having children, there are days when I feel overwhelmed, that I have failed my choir(s), have been less than charitable when I need to be, and I have failed the standards of my profession. In a profession that requires work on holidays, weekends, and evenings, the tension between family and job is one I struggle with every day. To be fully present to my children and being a dad means placing even more limits on my professional life. But sometimes, that choice too is out of my hands. But this is the life I have chosen and I would not have it any other way.

So how could having children possibly make me better at a job? Parenthood certainly has gotten me closer in touch with failure and feeling out of control. Since having children my life is no longer my own. Perhaps this is the key to faith.

At my son’s baptism, I held my two-year-old daughter in my arms during the Rite. I was exhausted as all new parents are. I knew the words were coming, but when I heard them, it hit me like a ton of bricks—now emblazoned in my memory and in my heart: “I claim you for Christ.” I felt the profundity of the choice parents make for their children, that God will be the center of our family.

In my children, I found God. I found God in my family, and not just at church, and not just in my professional life as a church musician. Perhaps this is what I personally needed, (and not to judge that this is what everyone needs.) Children have helped me focus on what and who is important.

Hopefully, I am more patient than I used to be. I laugh now when a child cries or screams during the pianissimo section of Bruckner’s “Pange Lingua”. Or when a parent is changing a diaper on the stairs to the choir loft, I tell them not to worry — I understand! But those are very little things. Often the words of St. Bernard of Clairvaux, “Quid Hoc ad Aeternitatem?” come to mind. “What does this mean for eternity?” While life as a parent is far more scattered, my internal prayer life and my focus on what truly matters has a little bit more clarity than it used to. Hopefully my relationship with the people I serve has improved. I don’t know, but I certainly hope so, and I pray it has.

I found God in my family, and no matter what the daily struggles, I am left with a profound sense of gratitude to be the luckiest man alive.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The Second Vatican Council has not been treated as a part of the entire living Tradition of the Church, but as an end of Tradition, a new start from zero. The truth is that this particular council defined no dogma at all, and deliberately chose to remain on a modest level, as a merely pastoral council; and yet many treat it as though it had made itself into a sort of superdogma which takes away the importance of all the rest.”

— Cardinal Ratzinger (speaking formally as head of the CDF)

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