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Views from the Choir Loft

PDF Download • “Woodward Hymnal” (1913) … Outrageously Rare!

Jeff Ostrowski · March 2, 2016

717 Songs of Syon Hymnal ESTERDAY I began a 5-part series hoping to convince readers to give $5.00 per month. You can access PART 1 by scrolling to the bottom; today is PART 2. At Watershed, we love to scan & upload rare hymnals. As usual, the following hymnal has never been available online—until today!

    * *  PDF Download • “WOODWARD HYMNAL” (613 pages)

There is confusion about this hymnal’s name. The official version is: “Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Canticles.” But Theodore Marier also published a hymnal called “Psalms, Hymns, and Spiritual Canticles.” To avoid confusion, some refer to this book simply as the WOODWARD HYMNAL.

GEORGE RATCLIFFE WOODWARD (d. 1934) was an Anglican priest who (I’m told) was a disciple of J. M. Neale. However, the vast majority of hymns in this book are English translations of Roman Catholic texts—from Latin, Greek, and other languages. Some are metrical, others are plainsong. Many are quite interesting. For example, consider how the 2nd verse of the AVE MARIS STELLA is rendered into English, wonderfully conveying the meaning of the original Latin:

715 Woodward


Fr. Matthew Britt (1872-1955)—a Roman Catholic benedictine priest—says this about Woodward:

WOODWARD, REV. GEORGE RATCLIFF, M.A. (b. 1848), was educated at Harrow, and at Gonville and Caius College, Cambridge. He is the editor of the excellent hymnal, Songs of Syon, to which he contributed many translations from the Latin, Greek, and German. His translations from the Latin do not include any of the Breviary hymns. He is also the author of the widely known Cowley Carol Book.

Fr. Britt was quite impressed with an original translation Woodward made for the AVE MARIS STELLA. Incidentally, here’s what Fr. Britt says about the translators contained in his monumental work on hymns:

RELIGIOUS AFFILIATIONS OF TRANSLATORS :

It is interesting to record here the religious affiliations of the translators whose hymns find a place in this volume. It will be observed from the biographies given above that among the Catholic translators fully one-half are converts. Among those classed as Anglicans the writer believes that all are of the High Church party.

CATHOLICS : Aylward, Bagshawe, Bute, Campbell, Caswall, Donahoe, Dryden, Faber, Garesche, Hall, Henry, Hunter-Blair, Husenbeth, Leeson, McDougall, MacCarthy, Newman, Oakeley, O’Hagan, Oxenham, Paul, Potter, Wallace, Walworth, and Wingfield. The translations in the Primers are all by Catholics.

ANGLICANS: Ball, Blacker, Blew, Chadwick, Chambers, Copeland, Courthope, Dearmer, Ellerton, Hort, Housman, Irons, Julian, Lacey, Littledale, Neale, Palmer, Riley, and Woodward. [The religious affiliation of Doran is not definitely known to the writer; he was probably an Anglican. Scott was nominally a Presbyterian with a leaning toward the Episcopal Church.]

This article is part of a series:

PART 1 • Simple SATB Kyrie by Guerrero

PART 2 • 1913 Woodward Hymnal … Outrageously Rare!

PART 3 • Rehearsal videos for Lenten Hymn

PART 4 • New Westminster Hymnal … For the first time ever!

PART 5 • Rehearsal Videos for Forty-Three (43) Pieces

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The Lord’s Prayer, among the Greeks, is said by all the people; among us, by the priest alone.”

— Pope Saint Gregory the Great

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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