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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Sacra Liturgia

Fr. David Friel · July 24, 2022

Free Folio of New Sacred Music for Parish Liturgies

A gift from The Catholic Sacred Music Project and the Benedict XVI Institute

Fr. David Friel · January 31, 2018

Sacra Liturgia 2019 in Toronto

Dates for the next Sacra Liturgia conference have just been announced.

Fr. David Friel · January 29, 2017

Conference Updates

Dunwoodie Chant Conference & Sacra Liturgia Milano

Fr. David Friel · November 27, 2016

Update on Sacra Liturgia Milano 2017

Preliminary Speaker List and Background Information

Fr. David Friel · July 24, 2016

Priestly Musical Formation in a Low Mass Culture

Reflections from Dr. Jennifer Donelson at Sacra Liturgia UK

Andrew Leung · July 14, 2016

Three False Ideas about “Ad Orientem” Celebration

Three common misconceptions about the Mass and “ad orientem” worship.

Corpus Christi Watershed · July 7, 2016

Cardinal Sarah “Reform of the Reform” (5 July 2016) • Full Address in French & English

Breathtaking statements from the Vatican’s chief liturgist who—while on retreat—goes 72 hours without food or water.

Fr. David Friel · July 6, 2016

Pope Francis to Cardinal Sarah: Investigate an Official Reform of the Reform

Highlights from Cardinal Sarah’s Lecture at Sacra Liturgia UK 2016

Fr. David Friel · January 17, 2016

Sacra Liturgia UK — Registration Now Open

An International Conference on Liturgical Formation in Light of the New Evangelization

Fr. David Friel · November 22, 2015

St. Cecilia Academy for Pastoral Musicians

The program seeks to broaden the knowledge of already well trained musicians so that they can become well trained liturgical musicians.

Fr. David Friel · June 4, 2015

Sacra Liturgia 2015 — Update IV

“To refer to the priest as ‘presider’ surely does damage to his priestly identity.” — Rev. Richard Cipolla

Fr. David Friel · June 3, 2015

Sacra Liturgia 2015 — Update II

Fourteen (14) practical ideas for how a priest might transform his celebration of the Ordinary Form

Fr. David Friel · June 3, 2015

Sacra Liturgia 2015 — Update III

“Sacrosanctum Concilium” must not be read in isolation. It should, rather, be read in the light of the liturgical movement that preceded it and the liturgical documents that followed it.

Fr. David Friel · June 1, 2015

Sacra Liturgia 2015 — Update I

Cardinal Sarah reveals the instructions he received from Pope Francis upon his appointment as Prefect of the CDW.

Fr. David Friel · May 31, 2015

Sacra Liturgia USA 2015 — New York City

Look for updates throughout the coming week.

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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